In this YouTube video, at 1:00, Henrik Klingenberg uses a Kurzweil K2500.

SL: According to your opinion, which are the most legendary synths ever produced?

JB: I’d have to go with the Memorymoog and PPG 2.3 Waveterm. I bough both in the mid 80’s and still have them, they are beautiful to look at and compliment each other. The Memorymoog is extremely versatile for an analog synth and the PPG system had unsurpassed digital technology with analog filters, a winning combo. I’m also a big FM fan, I used and owned the DX-7 II FD extensively and still own and use the SY-77 perhaps one of the most underrated synths of all time. As I mentioned, I love the Kurzweil 2500 for it’s playability, ROM based sounds and VAST sampling technology. I used it with Fear Factory live for years.

“I recently purchased a Kurzweil K2500 and maxed that out with all the memory and sound blocks and the sampler. I like that a lot, especially for soundtracks and orchestral textures."

"Some pictures of my music studio from 2002. Roland XV5080, Kurzweil K2500, Korg 01R/W, Wavestation SR, M3R, Yamaha Promix01, PSR500, Sony DTC-790 DAT Recorder and more :) #studio #homestudio #synth"

As can be seen in the photograph, Ernst Horn used the Kurzweil K2500 keyboard for live performances.

Craig Kerley uses the Kurzweil K2500 exclusively in the studio, as detailed on the Not Otherwise Specified Band Gear page for Atlanta Progressive Rock.

On his bio page, Tony Trippi lists the Kurzweil K2500 among his sound modules and samplers, indicating his use of this synthesizer in his setup.

Sean mentions the synths he used in his studio.

"My vintage 80s synths include a Emulator II, Roland D-50, Korg M1, Yahmaha DX’s, a couple of Kurzweil K2500s… well, and a bunch more. I love the old outboard gear because of the warm and gravity they bring to the sound. I often bring back the orchestral recording stems into Sonar X1 to further manipulate the overall cue."

Gear

Kurzweil K2500 (two) "I use one K2500 as my controller keyboard and I have an additional rackmount K2500. I use those to control my sound library of real orchestral sounds." Akai S2000 Roland JV1080 "I use this with the orchestra expansion card for some of the orchestral sounds that are mostly in the background — in other words those that don't require so much authenticity. It allows me to layer up sounds without having to use up any of the memory I need for my better CD‑ROM orchestral samples." Studio Electronics ATC1 "This one I use when there's a need for analogue sounds. You can switch from one type of sound to another depending on what cartridge you put in." Roland Juno 106 "I used the Juno 106 for Mercenaries and a bunch of other titles that needed more industrial types of sounds." Tech 21 SansAmp PSA1 "This is great for recording guitar sounds. It has a whole bunch of different guitar distortions and effects and plugs straight into the board — you don't have to go through a separate amplifier, but it creates the sound just as well." Alesis ADAT XT "Occasionally when I have all the samplers filled up and I don't have any more memory I dump them on to different tracks on the ADAT and record them that way." Tascam DA30 DAT recorder JVC Pro Series Digital S video deck "I use this half‑inch deck to sync up films and timecode." Apple Power Mac 4400 running MOTU's Digital Performer "I've been trying various different sequencers to see which one I like the best and, although they all have their pros and cons, I find that Digital Performer works really well for what I'm doing." Digidesign Pro Tools "I don't use Pro Tools that much. Sometimes I will if I need to sync up different dialogue and sound effects to the music, but mostly I do the final mix onto DAT and if necessary I'll load that back into Pro Tools to burn CDs."

Steve Duckworth can be seen composing music for 007 Nightfire for the respective studio of Eurocom. He begin showcasing his studio which has the following synths/samplers. K2500, JV2080, Yamaha MU128.