Landgraff MO’D

This product is Vintage or Discontinued

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Page last updated Aug 11, 2025

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Description

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The Landgraff MO’D distortion pedal is a revered choice among guitarists seeking a dynamic range of tones, from subtle overdrive to intense distortion. Renowned for its handcrafted design, each unit is meticulously built to ensure the highest quality and unique sonic character. This pedal is a testament to old-school craftsmanship combined with modern innovation, delivering a warm and responsive sound that resonates with both vintage enthusiasts and contemporary players.

The MO’D features a unique circuit that allows for an expressive musical experience, whether you’re playing blues, rock, or metal. Its intuitive controls make it easy to dial in your desired sound, providing flexibility and precision in shaping your tone. The pedal’s rugged construction ensures durability for both studio sessions and live performances, making it a reliable companion on the road.

The Landgraff MO’D stands out for its ability to capture the nuances of your playing style. Its transparency ensures that the natural harmonics of your guitar shine through, while still offering plenty of gain. The pedal’s true bypass switching ensures your tone remains uncolored when the pedal is not engaged, maintaining the integrity of your sound throughout your signal chain.

Key Features:

Handcrafted construction for superior quality and tone
Unique circuit design for a wide range of distortion tones
True bypass switching to preserve your original guitar tone
Intuitive controls for easy tone shaping
Durable build suitable for live and studio use

Product specs

Power	9V
Bypass	true bypass
Analog/Digital	analog

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Between 1999-2000, a man named John Landgraff started building pedals by hand in Pensacola, FL. Each one painted with a unique swirl paint job and wired point to point; John’s pedals were and still are the true definition of boutique and gained a reputation for sounding amazing. His most popular pedal was the Landgraff Dynamic Overdrive, a take on the Ibanez Tube Screamer, but my favorite was his distortion pedal that he called the “MO’D,” a distant cousin of the RAT and a really fantastic pedal in its own right.

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