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Description
The Roland SDE-1000 was one of the Japanese company’s first effects unit – a digital delay line. Roland DDLs became fairly common in London studios in the 1980s and were some of the first Japanese-made effects to be found in studios
The SDE delays were quick & simple to use with a very straightforward front panel & interface. If you look at contemporary products from the likes of Korg and Yamaha you’ll see clear influences of the SDE-1000 and SDE-2000
Despite being early, cutting-edge devices, these Roland delay lines were great units and proved to be extremely reliable. Sound quality was excellent with a smooth, very analogue sound. Maximum delay time is 374 mS in standard mode (747 mS in x2 mode) and 605 / 1210 mS using the x1.5 rear panel control. The sound of the SDE in X2 mode is quite reminiscent of a slow tape delay, and increasing feedback results in a gradually decaying, dulling repeat – again, like tape. It sounds great
A common feature of early digital delays was the ability to double the delay time (and halve the bandwidth) by changing the clocking. The SDE-1000 goes one better with a hidden rear-panel delay time control which is variable from x1 to x1.5.
Delay time is displayed on a 4-digit blue fluorescent display with an Up – Down rocker switch to alter delay settings. The VCO has speed & depth controls. This can give deep chorusing effects or a gently shifting delay with phasing. Unlike the SDE-2000, the 1000 has memories to store user presets
The SDE-1000 looks more generically Roland than the SDE-2000. Partly this is due to the adoption of the usual Roland control knobs – also found on late SDE-2000s – and partly due to the large number of 1U devices coming to market. It’s hard to make 1U devices distinctive, but Roland achieved it with the SDE range. The front panel is a masterpiece of industrial design, laid out with Germanic simplicity, with clear labelling in white on a black front panel
Product specs
| Brand | Roland |
| Model | SDE-1000 Digital Delay |
| Finish | Black |
| Year | 1980s |
| Made In | Japan |
| Categories | Delay |
FAQs
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What is the maximum delay time of the Roland SDE-1000 Digital Effects Processor?
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The Roland SDE-1000 offers a maximum delay time of up to 1125 milliseconds, allowing for a wide range of delay effects from subtle echoes to extended ambient sounds.
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Is the Roland SDE-1000 suitable for live performances?
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Yes, the Roland SDE-1000 is well-suited for live performances, offering reliable digital delay effects with easy-to-use controls and a robust build that can withstand the demands of touring.
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Does the Roland SDE-1000 have any modulation features?
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The Roland SDE-1000 includes modulation capabilities, which allow users to add movement and depth to the delay effects, enhancing the overall sound texture.
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How accurate is the delay time adjustment on the Roland SDE-1000?
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The Roland SDE-1000 provides highly accurate delay time adjustments with increments as fine as 10.1 milliseconds, allowing for precise control over the delay effect.
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What type of input and output connections does the Roland SDE-1000 have?
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The Roland SDE-1000 features standard 1/4-inch input and output connections, making it compatible with most audio setups in both studio and live environments.
Videos
SynthMania
Yamaha DX11 through Roland SDE-1000
Reviews
PROS
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Authentic 80's delay sound, unique digital graininess
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Up to 1 second delay, shines in 300-800ms range
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Four memory presets for easy setting recall
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Durable, road-worthy construction for reliable performance
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Easy to use, intuitive controls without needing the manual
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Features tap tempo for on-the-fly delay time adjustments
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Modulation section adds chorus/flanging effects
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Reasonably priced, especially for its vintage appeal
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Fluorescent display for clear delay time visibility
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Compatible with foot control for enhanced functionality
CONS
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Rackmount ears are often lost, replacements costly
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Fine tuning dial can unintentionally adjust during transport
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12-bit resolution may not suit those seeking pristine audio fidelity
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Roland SDE-1000 Digital Effects Processor.
Features and functionality
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The Roland SDE-1000 digital delay offers immediate control via knobs for feedback and delay, enhancing real-time interaction and playability like an instrument.
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The Roland SDE-1000 can achieve an 'automatic double-tracking' effect by setting delay to 4-8ms, turning off feedback, and using modulation for slight timing variations.
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Use cases and applications
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The SDE-1000's wobbly modulation effect, adjustable with rate and depth knobs, is praised for creating a trashy rhythmic grind when pushed into feedback.
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Owners use the SDE-1000 in live settings to replicate a double-tracked guitar sound by splitting stereo signals, creating a fuller, arena rock-like effect.
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Mods and upgrades
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Some users are interested in chaining multiple SDE-1000 units together to explore complex feedback and modulation possibilities.
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User experience
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Owners highlight the tactile, knob-based interface of the SDE-1000 as a key advantage over pushbutton systems, allowing for intuitive, dynamic adjustments.
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Users highlight the SDE-1000 for its ability to dial in precise delay times, essential for achieving subtle double-tracking effects without additional tonal coloration.
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4.5 out of 5
Based on 1 Review and 13 Ratings
233
The best Rack Delay
The SDE-1000 is an easy-to-use delay/echo processor producing professional, studio-quality delay effects. With its simple and well laid-out controls, the SDE-1000 is easy to understand without ever cracking the manual. Delay length is displayed in milliseconds via the blue fluorescent display, and is set easily by holding down the +/- toggle button. The Time x2 button allows the user to quickly double the delay time (up to 1.5 seconds). The number of repeats is set with the Feedback control. When pushed past 12 o'clock, the Feedback control can allow the user to drive the signal back on itself as well, albeit not as stylishly as a tape delay--but still very useful for adding spice to a mix. The SDE-1000 also has a good sounding Modulation section with Rate and Depth controls for flanging and chorus. Also present is a button to switch the phase of the delayed signal, as well as four memory presets to store your favourite settings; just hold down to save--just like a car stereo!
Artist usage
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"Yo uso toda una pedalera Boss que tiene un Chorus Estéreo, un Flanger, un Overdrive-Turbo que tiene dos sonidos distintos de distorsión, y un Compresor (...) De todo eso salgo y voy a dos delays que uso en sincro MIDI. Uno es el SDD 2000 de Korg y el otro es un SDE 1000 de Roland."
Gustavo Cerati para la revista "El Musiquero" año 1986.
En la foto podemos identificar al SDE 1000 debajo del compresor dbx 160A.
Listed for sale on Reverb.com on July 21, 2021.
This Roland SDE-1000 is owned by Mike Campbell
There are some scuffs and scratches here and there but overall cosmetically this unit is in pretty good shape. Functions completely as intended.
All items in The Official Mike Campbell Reverb Shop ship fully insured with delivery confirmation and a signed and embossed Certificate Of Authenticity from Mike.
At 25:40, John Carlton talks about his delay, saying, "Yeah you know the delay, the reason I like the Roland is the tap because of the tap. Sounds great but the tap is convenient."
In the effects rack lie the new Roland delays the SDE-1000 and SDE-3000. It transpires that these were quite a find for Gary and they now get put to great use on both voices and instruments.
The Roland SDE 1000 is listed in the liner notes of the album Flesh Metal Orgasm.
"I remember my signal path because I still have it! [laughs] I plugged into a Roland SDE-1000 delay, and then I had an Eventide H3000 SE – I ran stuff from it in stereo and then I compressed it with a DBX 160S two-channel compressor. At that point, I had a left and a right signal, so I had a pair of stacks on each side, with each made up of a Roland JC120 solid-state head, a four by 12 Marshall cabinet and a four by 12 Sonic cab – both of those had Celestion speakers. Also, on each side of the stacks, I had a Fender Concert, a great tube amp with one 12-inch speaker.
For the "Field Day" lp and tour, Brian played a 1967 Gibson Firebird 12 string, a 1988 Charvel Model 4 with EMG 81 pickups, and a 1986 Gibson SG with EMG 81 pickups. His amps were two Marshall 100-watt heads, four Marshall cabinets with 35-watt Celestion speakers, and a Roland JC-120. He also used an Alesis Midiverb 2, Roland SDE 1000 delay and Samson Stage Series wireless.
According to this website Ty had two Roland SDE-1000 processors in the winter of 1999.
Show presentación de Charly Garcia y las Ligas en Chile 07/02/86. En este video en el minuto 4:18, cuando enfocan a Daniel Melingo, podemos ver que de fondo aparece el Roland RE-201 (prestado por Andres Calamaro) y el SDE-1000 arriba que usaba Richard. Ese Delay lo utilizó hasta fines de los 90s.
“Onstage,” says Rhodes, “I’ve got a whole rack of my own – a couple of digital delays, including an old MXRDS-2, a Yamaha SPX90 multi-effects processor, and a Roland SDE-1000. I always have the MXR on a very short slap – about 17 milliseconds – just to fatten up the sound a little. I use the SPX90’s stereo delay on the verse of ‘Red Rain’; I have one side of the delay in quarter-note time, and the other side in triplet time. I use the same effect on ‘San Jacinto’, where I play one of the keyboard lines."
Album Usage
The Roland SDE-1000 Digital Effects Processor has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Roland SDE-1000 Digital Effects Processor, it is most commonly used with the following gear.
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