The item can be seen 1:14 into this video.

Roland TR-606 is included in the list of Gareth Jones' gear.

According to this tweet, Derakh is using the Roland TR-606 Drumatix.

"Well, a lot of that record was made with a bunch of old drum machines from the '70s that plug into the wall and I don’t know the names of them. But definitely the Roland Drumatix drum machine was a huge part of making that record. " Kathleen Hanna said in an interview with Guitarworld.com

Paul Humphreys of OMD used the Roland TR-606 Drumatix, as noted in the liner notes of their album "Dazzle Ships," according to a description on Sweetwater.

Dave Rowntree, the drummer for Blur, is confirmed to use the Roland TR-606 Drumatix as seen in the official music video for "On Your Own" where he can be observed operating the drum machine at the 0:43 mark. Furthermore, his use of the TR-606 is also acknowledged in the Wikipedia article dedicated to the instrument.

Included in this list of Martyn's Roland gear.

As cited in the gear list of this May '92 feature in Music Tech magazine

In this video at 1:42, Para One of L'Atelier and TTC shows his studio, including a Roland TR-606, for the process of making his second album 'Passion'.

Mentioned by Stewart in this Sound on Sound "Classic Tracks" interview about "Sweet Dreams (Are Made of This)".

On the same trip, in a hotel room in Wagga Wagga, New South Wales, Stewart began playing around with EDP’s Wasp synthesizer, accidentally stumbling upon the future, more electronic direction that he and Lennox were to pursue as Eurythmics. “I could actually get some interesting things happening,” he says. “Y’know, like, sequenced little sort of random hold patterns that sounded very exciting to us, even though it was just coming out of the plastic speaker in a crappy hotel room in Wagga Wagga. We weren’t even writing songs, I was just messing about on it.”

(...) Soon after, Lennox travelled to her native Scotland to visit her parents, leaving Stewart with time alone to further his experiments with the Wasp, pairing it with EDP’s matching proto?sequencer the Spider, and a TEAC 144 Portastudio. “I kind of voraciously learned how to use that really quickly,” he says of the latter, “and I realised it was little miracle. I had done things before, even before I met Annie actually, where I’d managed to get my hands on a Revox tape recorder, and I’d bounce things in a really crappy way, back and forth, and make a kind of montage of stuff.

“But with this Portastudio and the Wasp and the Spider sequencer, and then the [Roland TR?606] Drumatix, in one way or another I managed to manipulate the drums and the sequenced keyboard together. Then I was able to choose which sections I’d sequenced and sort of fly them over and bounce them. So I’m recording on track one with the sequencer, but then I’d sort of send it to track three or four and then I could switch it in and out when I didn’t want it. I could drop in if I wanted to change to a different chord or note or sequence. So I kinda built a track, kept bouncing back and forth. Some of them became the actual tracks on the Sweet Dreams album.”

A Roland TR-606 is pictured in a list of Jody's gear, on his official website.

In this Slices Tech Talk, Electronic Beats TV looks to delve into the heart of Ian Pooley's Berlin studio