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Description

The Vox 9-3700 Stereo Fuzz-Wah is a versatile multi-effects pedal that pushes the boundaries of creativity for guitarists. Combining the classic fuzz and wah effects, this pedal is designed to deliver a wide range of tones that cater to both vintage enthusiasts and modern players. Its stereo output offers expansive soundscapes, perfect for live performances or studio recordings where depth and texture are essential.

With an intuitive interface, the 9-3700 allows musicians to effortlessly switch between fuzz and wah modes, or combine them for a unique sonic experience. The pedal's responsive control knobs provide precise adjustments, enabling players to tailor their sound to perfection. Built with durability in mind, the rugged construction ensures it can withstand the rigors of touring and regular use.

Whether you're seeking the gritty edge of a classic fuzz or the expressive sweep of a wah, the Vox 9-3700 delivers with clarity and power. Its distinctive circuitry ensures a rich, warm tone that captures the essence of your performance. This pedal is ideal for those who want to explore new sonic territories without sacrificing classic tones.

Key Features:

  • Combination of fuzz and wah effects
  • Stereo output for enhanced soundscapes
  • Intuitive interface with responsive control knobs
  • Rugged construction for durability
  • Distinctive circuitry for rich, warm tones
Hanford Tape Sessions

Hanford Tape Sessions

Vintage 1974 Vox Thomas Organ stereo fuzz wah swell pedal

Video thumbnail for Vintage 1974 Vox Thomas Organ stereo fuzz wah swell pedal by Hanford Tape Sessions

Vintage 1974 Vox Thomas Organ stereo fuzz wah swell pedal

Hanford Tape Sessions

Hanford Tape Sessions

Video thumbnail for Vox stereo fuzz wah by Daniel Villarreal

Vox stereo fuzz wah

Daniel Villarreal

Daniel Villarreal

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Artist usage

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See how John McBain uses Vox 9-3700 Stereo Fuzz-Wah

John McBain

Guitarist

The Desert Sessions

...
Verified via Nowinvisibly

Mentioned in this October 1, 1997 Guitar interview, as transcribed on the official Wellwater Conspiracy website.

When not going direct into the board, McBain likes to overdrive Marshall’s 9-volt ministacks using effects that include a Vox Tone Bender, a Vox Stereo Fuzz-Wah, and a Big Muff. “You’re not supposed to put effects in them,” he notes, “but my recommendation is that you put a fuzz box on them. The solo on ‘Sleeveless’ is the sound of that little Marshall overloading to the point where it never worked again. That was the last guitar part ever recorded with that Marshall.”

Used With

Based on how musicians on Equipboard use Vox 9-3700 Stereo Fuzz-Wah, it is most commonly used with the following gear.

Vox Tone Bender MKIII
Vox Tone Bender MKIII Fuzz Effects Pedals
1
Guild S-100 Polara
Guild S-100 Polara Solid Body Electric Guitars
1

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