Pricing and availability
We compare 600+ stores and found this item at 8 stores. Prices updated .
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Price
Average Price: $1,723
High-end/Boutique
$300
$801+
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Budget
Standard
High-end
Price History
Based on price data from 5 merchants for "Vox AC-30 Super Twin Reverb with Top Boost". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unleash the quintessential British tone with the Vox AC-30 Super Twin Reverb with Top Boost, a legendary amplifier head that marries vintage charm with modern versatility. This powerhouse is a spin on the iconic AC-30, offering a separate head and speaker cabinet design to minimize unwanted vibrations and enhance sound clarity. Whether you're seeking the signature chime of The Beatles or the raw edge of Queen, this amp delivers with a lush, expansive soundscape.
The inclusion of reverb and the renowned Top Boost circuit elevate your tonal palette, giving you the ability to craft sounds from warm, shimmering cleans to rich, overdriven textures that cut through any mix. This model's roots in the 60s are evident, yet the updated design ensures reliability and performance for today's discerning musician. The unique trapezoidal head cabinet not only makes a striking visual statement but also sits proudly atop its chrome stand, ensuring your stage presence is as bold as your sound.
Perfect for gigging musicians and studio connoisseurs alike, the Vox AC-30 Super Twin Reverb with Top Boost is more than just an amplifier; it's your ticket to a world of sonic possibilities.
Key Features:
- 30-watt amplifier head with classic British tone
- Separate head and speaker cabinet design for optimal sound isolation
- Integrated reverb for lush soundscapes
- Iconic Top Boost circuit for enhanced tonal range
- Trapezoidal head cabinet with chrome stand
- Vintage-inspired aesthetics with modern reliability
Product specs
| Brand | Vox |
| Model | AC-30 Super Reverb Twin Top Boost 3-Channel 30-Watt 2x12" Piggyback Guitar Amp |
| Finish | Black with Black Diamond Cloth, Black with Brown Diamond Cloth |
| Year | 1964 - 1967 |
| Made In | United Kingdom |
| Categories | Guitar Amp Stacks |
| Built-In Effects | Built-In Effects |
| Direct Output | No Direct Output |
| Effects Loop | No Effects Loop |
| Electronics | Tube |
| Impedance | 16 ohms |
| Number of Channels | 3 Channels |
| Number of Inputs | 6 Inputs |
| Output Power (Watts) | 30 |
| Power Tube Type | EL84 |
| Reverb | Spring Reverb |
| Speaker Configuration | 2x12" |
FAQs
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What are the main tonal characteristics of the Vox AC-30 Super Twin Reverb with Top Boost?
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The Vox AC-30 Super Twin Reverb with Top Boost is renowned for its chimey, bright tones and rich harmonic complexity. The Top Boost feature enhances treble and presence, making it ideal for genres like rock and pop.
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Is the Vox AC-30 Super Twin Reverb with Top Boost suitable for live performances?
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Yes, with its 30-watt tube power, this amp is powerful enough for small to medium-sized venues. The built-in reverb and tremolo effects also add versatility for live settings.
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Does the Vox AC-30 Super Twin Reverb with Top Boost have built-in effects?
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Yes, this amplifier includes built-in reverb and tremolo effects, which can be adjusted using dedicated controls for tone, level, speed, and depth.
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How many channels and inputs does the Vox AC-30 Super Twin Reverb with Top Boost have?
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The amplifier features three channels and six inputs, providing flexibility for different guitar setups and tonal variations.
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What type of tubes does the Vox AC-30 Super Twin Reverb with Top Boost use?
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This amp uses 12AX7 tubes in the preamp section and EL84 tubes in the power amp section, contributing to its classic British tone.
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Vox AC-30 Super Twin Reverb with Top Boost.
User experience
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Owners report the Vox AC30 with Celestion Alnico Blues can match the loudness of 100W amps, making it suitable for large venues.
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Owners mention that the Vox AC30 handles pedals well, dispelling the myth that Vox amps are less compatible with pedalboards.
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Some users find the natural breakup of the Vox AC30 preferable for a British-voiced amp experience, enhancing guitar-to-amp dynamics.
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Owners report that the Vox AC30 can feel thin at lower volumes unless the master volume is cranked, highlighting the amp’s need for higher volume to achieve fullness.
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Features and functionality
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The Vox AC30 is praised for its ability to achieve overdrive at reasonable volumes, unlike the Fender Twin Reverb which requires excessive volume to break up naturally.
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The AC30H amp head includes an attenuator and effects loop, enabling playing at 30W, 3W, and 1/3W, unlike the combo version which lacks these features.
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Mods and upgrades
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Caldwell mods, especially the normal channel mod, are recommended to enhance the Vox AC30’s performance, according to experienced users.
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Comparisons
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The Vox AC30 is considered more effective for achieving distortion naturally, whereas the Fender Twin excels as a pedal platform with its clean headroom.
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The Vox AC30's mid and treble emphasis allows it to cut through bass and drums effectively in band settings, contrasting with the Fender's warmer tone.
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The Vox AC30 is considered manageable for basement bands and small venues without a PA, offering adequate volume and tone.
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The Fender Twin Reverb has more scooped mids compared to the Bassman, which offers richer and more present mids, making them distinct in clean tone characteristics.
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Some users prefer the Vox AC30’s tonal character and pedal compatibility over the Fender Twin, citing a preference for the Vox’s style and cabinet design.
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Use cases and applications
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The AC30 is noted for cutting through band mixes effectively, particularly when set on the edge of breakup and paired with a Tubescreamer or treble booster.
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The Vox AC30 is recommended for players using humbuckers and pedals, ensuring clean tones without premature breakup even above 30 watts.
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Other
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A unique suggestion involves using both the Vox AC30 and Fender Twin Reverb together for a powerful wet-dry rig setup.
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5.0 out of 5
Based on 0 Reviews and 1 Rating
Artist usage
Add artist
In the live performance of "Mary Jane's Last Dance" at Sound Garden Studios, Tom Petty can be seen using multiple Vox AC-30 Super Twin Reverb amplifiers with Top Boost, positioned at the back of the stage. This setup is visible in the YouTube video by Normann Skaren.
In the official video for "There's A Honey" by Pale Waves, Heather Baron-Gracie is seen using a Vox AC-30 Super Twin Reverb with Top Boost, identifiable by its distinctive trapezoid head.
"It (the ES-335)’s had many different amp partners. A Vox AC 30 ‘top boost’ in the studio for several years, again through the Normal channel, a Marshall 100 watt and 50-watt, two High Watt stacks (see the 1970 Isle of White DVD when it eventually comes out). The DVD sounds great by the way. A Marshall fuzz unit that I used on recordings through the 70’s and 80’s, and at other times with just a small standard compressor (that’s all there is on my 335 for the Blue Guitar solo sound at the start of the record, that’s how good an recording engineer Eric Stewart was), an Eventide Harmoniser, and lately a Mesa Boogie, a Matchless 30 and a Fender Custom 30 watt, as well as my old Marshall 50."
"I love the sound of my Vox AC 30s. REO lead guitar player Dave Amato sets me up with new amps when he thinks I need them."
"I have a pretty extensive gear collection, and I’ve been at it for a while. I usually try to go for the older stuff – I pretty much have every vintage Marshall, every vintage Vox you’ll need. But on 15, you’re hearing a lot of Super Lead 100s, a ‘66 JTM45, an old AC30 Top Boost and an armload of vintage guitars."
Album Usage
The Vox AC-30 Super Twin Reverb with Top Boost has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Vox AC-30 Super Twin Reverb with Top Boost, it is most commonly used with the following gear.
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