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Description
Transform your vocal tracks with the Waves Greg Wells Voicentric plugin, a cutting-edge tool developed in collaboration with the acclaimed producer Greg Wells. Known for his work with megastars like Adele and Katy Perry, Greg brings his expertise to this intuitive plugin, allowing you to achieve mix-ready vocals with just a few tweaks. Whether you're a seasoned producer or a budding musician, Voicentric offers a seamless experience with its user-friendly interface and sophisticated vocal processing capabilities.
At the heart of this plugin is the Intensity control, designed to enhance the richness, presence, and detail of your vocals. It works in tandem with the built-in delay, reverb, and doubler effects, ensuring your vocals cut through the mix without overpowering it. Whether you're working on male or female vocals, the Voicentric plugin adapts to your needs, providing professional-grade results at your fingertips.
The plugin is compatible with both Native and SoundGrid setups, supporting resolutions up to 24-bit/96 kHz. Its versatility extends to mono, stereo, and mono-to-stereo components, making it a flexible addition to any studio setup. Dive into a variety of presets crafted for quick results or customize the settings to match your unique sound. Elevate your music production with the Waves Greg Wells Voicentric plugin and discover the secret to A-level vocals.
Key Features:
- Developed with Grammy-nominated producer Greg Wells
- Intensity control for added richness and detail
- Integrated delay, reverb, and doubler effects
- User-friendly interface with quick presets
- Supports up to 24-bit/96 kHz resolution
- Compatible with Native and SoundGrid systems
Owner's manual
Waves Greg Wells Voicentric User ManualProduct specs
| Software Type | Vocal Processor |
| Platform | Mac, PC |
| Upgrade/Full | Full |
| Download/Boxed | Download |
| Bit Depth | 64-bit |
| Format | AAX Native, VST, AU, AudioSuite, SoundGrid |
| Hardware Requirements - Mac | Intel Core i7 or higher (M1 support), 8GB RAM minimum |
| Hardware Requirements - PC | Intel Core i5 / AMD Quad-core or higher (AVX required), 8GB RAM minimum |
| OS Requirements - Mac | macOS 10.15.7 or later |
| OS Requirements - PC | Windows 10 or later (21H2), 64-bit |
FAQs
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What does the Waves Greg Wells VoiceCentric plugin do?
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The Waves Greg Wells VoiceCentric plugin is designed to enhance vocal tracks by combining EQ, compression, and effects like delay and reverb in a user-friendly interface, providing mix-ready vocals with minimal effort.
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Is the Waves Greg Wells VoiceCentric plugin compatible with my DAW?
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The plugin supports AAX Native, VST, AU, AudioSuite, and SoundGrid formats, making it compatible with most major DAWs on both Mac and PC platforms.
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What are the system requirements for running Waves Greg Wells VoiceCentric on a Mac?
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You need an Intel Core i7 or higher (M1 support), 8GB RAM minimum, and macOS 10.15.7 or later to run the plugin on a Mac.
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Can I use the Waves Greg Wells VoiceCentric plugin on a Windows PC?
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Yes, it requires an Intel Core i5 / AMD Quad-core or higher (AVX required), 8GB RAM minimum, and Windows 10 or later (21H2), 64-bit.
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How does Waves Greg Wells VoiceCentric improve vocal tracks?
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The plugin simplifies the vocal processing by integrating EQ, compression, and effects like reverb and delay, crafted by Grammy-nominated producer Greg Wells, to achieve polished, professional-sounding vocals.
Videos
Waves Audio
Greg Wells Demos the Greg Wells VoiceCentric Vocal Plugin
Reviews
PROS
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Simplifies vocal processing with intuitive controls for fast and effective results
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Delivers quality reverb, delay, and voice doubling for a polished sound
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Efficient on CPU, allowing smooth operation even in complex mixes
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Versatile usage beyond vocals, enhancing instruments like guitar
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Ideal for both rough and final mixes, offering adaptability
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Quick setup with minimal adjustment needed to achieve desired effects
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Provides comprehensive effects including EQ, de-esser, and compression
CONS
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Delay and reverb times are not adjustable
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Waves Greg Wells Voicentric.
Features and functionality
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The plugin chain includes EQ, de-esser, fast and slow compressors, and parallel delay/doubler/reverb, limiting user control over these parameters.
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Greg Wells Voicentric is praised for its simplicity, with users highlighting its single-knob interface as an easy way to enhance vocal sound instantly.
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Use cases and applications
Comparisons
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Users question if this plugin can replace other effects like Vocal Rider, compressors, or L1 limiter, highlighting its specialized application in vocal warmth.
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Users often compare Greg Wells Voicentric to CLA Vocals, noting the former's ease of use as a standout feature for quick vocal enhancement.
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Critic Reviews
Based on 0 Reviews and 0 Ratings
Artist usage
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Used on Lovato's vocals for Clean Bandit's "Solo", as stated by mix engineer Mark Ralph in this November 2018 Sound on Sound interview.
“All Demi’s chorus vocals are sent to the ‘Demi Chorus Chops Group’ track, on which I have the Waves Greg Wells VoiceCentric. Jack and I were wondering what to do to add some excitement to Demi’s vocals, so we put the Greg Wells plug-in on, and found that it made it sound quite good. So whenever we felt a little unexcited during this mix session, we just reached for the GW plug-in and it made everything sound nice. We used the Greg Wells MixCentric on one of the Bollywood strings tracks. Demi’s chorus group vocals also were treated with the ShaperBox. The mix is set to 37 percent, and it is just to add a little bounce to the vocals. When done in a subtle way, side-chaining on vocals really makes them feel as if they have a little bit more rhythm.”
Used for Ray's vocals on "Old Town Road (Remix)", as stated by mix engineer Andrew "VoxGod" Bolooki in this August 2019 Sound on Sound interview.
Billy Ray Cyrus' verse lead vocal provides an example of the mind-boggling complexity of Bolooki's vocal treatments. The audio is spread over five tracks (36-40), four of them with the same insert effects chain of Melodyne, FabFilter Pro-Q 3, FabFilter Pro-DS and Waves CLA-76. The fifth track replaces the Pro-DS with the Avid ModDelay 3, and adds a send to the 'rvb2' aux with the Soundtoys Effect Rack. All five audio tracks are routed to an aux group track (35), which has the Pro-Q 3, Waves C6 and RVox, UA Distressor and SSL Channel, plus a whopping seven sends to delay and reverb aux tracks, and another Distressor aux. The quarter- and eighth-note delay auxes themselves each have four insert plug-ins (Waves H-Delay, Pro-Q 3, MetaFlanger, and DVerb) and a send to the 'rvb1' reverb aux. That means that the verse vocal alone has a total of 38 plug-ins, spread over five audio tracks, one group aux track, and seven aux effects tracks!
Bolooki: "I spoke to a mixer a couple of years ago and asked him how he got things to sound so polished. And he said: 'You can't just throw on a plug-in, you have to take more control, and make sure you purposely put things in different places in different ways.' So, for example, in this song I added the DVerb to the delay auxes, to create a distant effect, so it's not obvious. There are many effects going on, but none of them are overpowering. They are all set back. Nothing gets in the way of the lyrics and the vocal performance. I could probably delete half these effects and it would have sounded the same, but people liked it the way it was, so I left them all.
"This was the first time I used the UAD Distressors and I ended up having two on Billy's vocals: one as part of his main vocal aux, and another set much more aggressively in a parallel and blended back into the same lead vocal aux. This made his vocals really kick ass, and helped make each word crystal-clear. I also ended up copying the Waves SSL strip from Nas' vocals on some of Billy's vocal tracks too, just for some tonal continuity. I have no problem stacking plug-ins on plug-ins. If it's better, it's better.
"Just to highlight some of the other plug-ins I used, there's an aux called 'VoxDoubler' with the Waves Greg Wells VoiceCentric. It definitely adds a bit more of a finished feel and works well mixed in parallel. I put the Waves C6 multiband compressor on almost every single vocal bus, using the 'Pooch Vocal' preset. This cleans up some of the mud. You can solo the side-chain bands and sweep around until you find the annoying frequency, and then just cut that out. If I need to play back something for someone really fast, this is my emergency plug-in to get it to sound better really quickly. Also, the Melodyne plug-in is greyed out, because I printed it. I also like using the Pro-DS, and always put it before the CL76 compressor, because I think it just makes the most sense to fix issues before you boost the whole track with a compressor."
Album Usage
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Genre Usage
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