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Pricing and availability
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Average Price: $239
High-end/Boutique
$75
$201+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 5 merchants for "Audix OM7". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Experience a new level of audio clarity with the Audix OM7 Dynamic Vocal Microphone, designed for professional touring and stage performances. This microphone stands out in the crowd with its controlled low-gain output stage, delivering higher gain before feedback, and an extreme hypercardioid pattern for exceptional off-axis rejection.
This microphone is perfect for those looking to achieve a natural and undistorted sound even in the most challenging concert conditions. Whether you're a lead vocalist or a background singer, the OM7's proprietary anti-feedback design allows for superior transient response and reduced phase shift.
The OM7 is not just about performance, it's also built to last. With a durable scratch-resistant spring steel grille and black E-coat finish, this microphone will withstand the rigors of the road. Plus, with individually tested and hand-assembled components, you're getting a product of the highest quality.
Key Features:
- Hypercardioid dynamic microphone, ideal for high SPL over 140 dB
- Controlled low-gain output stage for higher gain before feedback
- Ultralinear 45Hz–19kHz frequency response for clear, natural sound
- Proprietary anti-feedback design for superior handling and reduced phase shift
- Durable scratch-resistant spring steel grille and black E-coat finish
- Individually tested and hand-assembled for quality assurance
- Gold-plated contacts and VLM (Very Low Mass) diaphragm
- Comes with a pouch and clip for easy transport and setup
- Exceptional off-axis rejection to isolate vocals from other on-stage sounds
- Suitable for professional touring, live recording, and high-profile installations.
Product specs
| Microphone Type | Dynamic |
| Polar Pattern | Hypercardioid |
| Frequency Response | 48Hz-19kHz |
| Output Impedance | 150 ohms |
| Connector | XLR |
| Weight | 0.68 lbs. |
FAQs
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What is the polar pattern of the Audix OM7 microphone and how does it affect live performances?
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The Audix OM7 features a hypercardioid polar pattern, which provides excellent off-axis rejection. This makes it ideal for live performances, as it minimizes feedback and isolates the vocalist's sound from other stage noises.
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Is the Audix OM7 suitable for high sound pressure levels?
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Yes, the Audix OM7 can handle high sound pressure levels up to 144 dB, making it suitable for loud environments without distortion, perfect for live stage performances.
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What connectivity options does the Audix OM7 offer?
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The Audix OM7 uses a standard XLR connector, which is compatible with most professional audio equipment and mixing consoles.
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How does the Audix OM7 perform in terms of feedback rejection?
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The hypercardioid design of the Audix OM7 provides superior feedback rejection, allowing for higher gain before feedback, which is essential for live vocal applications.
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What is the frequency response range of the Audix OM7 microphone?
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The Audix OM7 has a frequency response range of 48Hz to 19kHz, capturing a wide range of vocal nuances and providing clarity and presence in live performances.
Videos
Louie's Tutorials and Product Reviews
Audix OM7 Microphone Review - The Best Live Vocal Mic
Audix OM7 Microphone Review - The Best Live Vocal Mic
Louie's Tutorials and Product Reviews
Mic Showdown: A Comparison of the AUDIX OM5, OM7, SHURE SM58 and AKG D5 for Vocals
Barry Watson
Microphone SHOOTOUT! Shure SM 58, Heil PR 35, Sennheiser E945, & Audix OM7. Mic Guide
SRTPCC
The Audix Vocal Microphone Showdown! OM2, OM3, OM5, OM7 vs SM-58 Sound Comparison
Barry Watson
Audix Om7: The Live Performance Vocal Mic that Delivers Clear, Feedback-Free Vocals
Barry Watson
Reviews
PROS
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Exceptional feedback rejection, ideal for live performances
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Clear and crisp sound quality enhances vocal clarity
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Extremely tight polar pattern focuses on the main sound source
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Durable build quality withstands rough handling and gigs
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Off-axis sound rejection minimizes background noise intrusion
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Requires singers to maintain close proximity, fostering disciplined technique
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Sleek, minimalist design with an aesthetically pleasing black grill
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Performs well under challenging acoustic conditions
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Suitable for loud genres like rock and metal without bleeding
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Can be used effectively in studio recordings
CONS
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Requires significant gain, necessitating pre-amp adjustments
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Very tight pick-up pattern can result in sound drop-offs if not directly in front
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Not as robust as some competitors, demanding extra care
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May produce a 'stuffed nose' sound if angled incorrectly
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Not the best sounding microphone straight out of the box without processing
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Proximity effect can be pronounced due to capsule design
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Might not be the best choice for inexperienced vocalists due to precision required
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Audix OM7.
Features and functionality
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The OM7 is known for its extreme off-axis noise rejection and rolloff, making it ideal for loud festival stages with powerful vocalists.
Source -
OM7 users note the mic's sound quality is not universally praised, suggesting it might not be the best choice for all vocalists despite its superior rejection capabilities.
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The OM7 was specifically developed for high-volume environments like those of the Red Hot Chili Peppers, indicating its specialized design for extreme stage noise conditions.
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The OM7's frequency response is flatter in the upper mid-range compared to the SM58, offering a different tonal quality that some users prefer.
Source
Use cases and applications
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The mic is best suited for singers who have a powerful voice and can perform close to the mic, particularly effective for deep-voiced women on large stages.
Source -
The OM7's tight pickup pattern is beneficial for bands with loud drummers, particularly those with aggressive snare hits, as it minimizes snare bleed into vocal mics.
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The OM7 is preferred for drummer vocals on loud stages due to its ability to minimize bleed from cymbals and other instruments.
Source
Comparisons
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Compared to the SM58, the OM7 requires much closer proximity ("eat it") for optimal low-end response and is less forgiving, with a tighter pickup pattern.
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The Audix OM7 requires significantly more input gain than the SM58, with some users initially suspecting faulty equipment due to the high gain requirement.
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The OM7 has a tighter pickup pattern than the OM5, which is tighter than the SM58, making it less forgiving for head movement during performances.
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The OM11 is considered to have a larger pickup pattern than the OM7 and OM5, possibly catering to users who prefer a more conventional microphone pattern.
Source
User experience
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Owners report that the OM7's frequency response includes proximity effect, which may cause weak low-frequency performance if not used correctly.
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Some users find that the Audix OM7, while effective in rejecting bleed, may not satisfy all sound engineers due to its distinct sound profile, leading to potential pushback at venues.
Source
Critic Reviews
5.0 out of 5
Based on 3 Reviews and 18 Ratings
348
Summary of the Audix OM7
I bought this microphone because I found out Steven Wilson of Porcupine Tree uses it for live performances. Also because it has exceptional feedback rejection. I've used it for studio recording purposes with great results. It needs a significant amount of gain from the audio interface's preamp though. The sound is clear and crisp. I love the fact it rejects feedback so well because I never get nasty squeals and noises of any kind when I use it. It is a quality product, very sturdy. Highly recommended.
357
Sweet mic for looping and band gigs
The reason why this mic only got four stars is simply that I haven't tried too many different microphones yet and I'm not entirely sure, if I can say this is the best one out there (if you can say that about any mic at all). It's certainly great for doing stuff on the loop station because it doesn't let much noise in form around you and it's also recommendable for live gigs with the full band, for the same reason. It does however sound like a radio mic sometimes, which is not that cool for recordings.
82
Excellent Feedback Rejection
I have had this mic for around 6 months replacing my EV 967 Mic. It cuts through the mix and is crystal clear. The feedback rejection is the best I have used. You have to have a lot of headroom on your mixer as it has a low gain input. Fantastic mic...
Artist usage
Add artist
Dave Rat FOH Engenieer Says: His interpretation begins with Audix OM7 dynamic microphones on all vocals, Rat's choice for several years. “The OM7 mic element is very close to the grille, so they tend to get quite loud, but with excellent gain before feedback,” he explains. “More importantly, they provide a real up-close-and-personal signature — very intimate. I don't want much sound from the room getting into the mics because the audience loses that proximity, that intimacy. And having the main P.A. feedback with an OM7 is hard to do.”
Used live for vocals with Crosby, Nash & Young, as mentioned by monitor engineer Rance Caldwell on the official Audix artist page for Crosby, Stills & Nash.
Rance states, "With the exception of just one mic, everything on CSN's stage is Audix. D6 on the kick; D2s for snare and rack toms; D4s on the floor toms; SCX1 on the hat; CX-111s for the overheads; and D3s for the guitar amplifiers. And for those golden CSN vocals, OM6s and OM7s."
In an interview regarding how Volbeat does its live sound, it was mentioned that all the mics used on stage, including vocal, were Audix brand
In the YouTube video "DIVIDIDOS - 'El 38' - Teatro Flores 2015," Ricardo Mollo is shown using an Audix OM7 microphone during a live performance. Notably, he positions the microphone with the diaphragm facing upwards to prevent interference from the equipment behind him.
In the complete recital video from the Festival de Jesús María 2016 on YouTube, Pedro Aznar uses the Audix OM7 microphone during his live performance.
Used live for vocals with Crosby, Nash & Young, as mentioned by monitor engineer Rance Caldwell on the official Audix artist page for Crosby, Stills & Nash.
Rance states, "With the exception of just one mic, everything on CSN's stage is Audix. D6 on the kick; D2s for snare and rack toms; D4s on the floor toms; SCX1 on the hat; CX-111s for the overheads; and D3s for the guitar amplifiers. And for those golden CSN vocals, OM6s and OM7s."
Diego Arnedo uses the Audix OM7 dynamic microphone during live performances, as shown in the DIVIDIDOS concert video from Teatro Flores in 2015.
Used live for vocals with Crosby, Nash & Young, as mentioned by monitor engineer Rance Caldwell on the official Audix artist page for Crosby, Stills & Nash.
Rance states, "With the exception of just one mic, everything on CSN's stage is Audix. D6 on the kick; D2s for snare and rack toms; D4s on the floor toms; SCX1 on the hat; CX-111s for the overheads; and D3s for the guitar amplifiers. And for those golden CSN vocals, OM6s and OM7s."
Roger Lima uses the Audix OM7 dynamic microphone for optimal vocal performance, as noted in an article on ProSoundWeb.
You can see Davey using an OM7 in a white powder coat finish in this live dvd.
” Audix OM7 Dynamic Mic. The guy that does sound for us sometimes in Spain suggested using this because I have a much lower voice than Carlotta. Her pitch is much higher than mine, and a lot of times I struggle to hear myself on stage and it ends up doing feedback. He suggested using this one, which apparently you can push it a bit more than a classic Shure that you would find at a venue. So my boyfriend got this for me for the release of The Prettiest Curse.” -She Shreds interview
Album Usage
The Audix OM7 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Audix OM7, it is most commonly used with the following gear.
Community setups
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