Pricing and availability
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Average Price: $478
High-end/Boutique
$100
$401+
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Price History
Based on price data from 7 merchants for "Austrian Audio CC8". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Experience the pinnacle of precision audio capture with the Austrian Audio CC8 small-diaphragm condenser microphone. Engineered and handcrafted in Vienna, this microphone is a tribute to the legendary CK1 capsule, reimagined for today's demanding environments. At its core, the OCC7 capsule offers a linear frequency response that handles extreme sound pressure levels up to 156 dB, ensuring clarity and detail without distortion. Whether you're capturing the subtle nuances of a classical ensemble or the dynamic range of a rock concert, the CC8's silky mids and highs ensure a natural, open sound.
The CC8's transformerless design and true condenser technology provide exceptional off-axis response, making it ideal for a wide array of uses—from studio recording to live broadcasting. Its robust build features a metal housing, cap, and grille, ensuring the microphone withstands the rigors of both stage and studio use. With switchable high-pass filters and preattenuation pads, the CC8 offers versatility and control over any audio environment. Each unit is meticulously calibrated to a tight tolerance of ±0.5 dB at 1 kHz, allowing seamless pairing with any other CC8 microphone.
Key Features:
- True condenser technology with OCC7 capsule
- Modern transformerless design
- Max SPL: 156 dB with pads (-10, -20 dB)
- Frequency range: 20Hz–20kHz
- High-precision cardioid polar pattern
- Switchable high-pass filter at 60Hz/120Hz
- Metal housing, cap, and grille
- Requires 48V phantom power
- Includes mic clip, windscreen, and carry case
- Handcrafted and calibrated in Vienna, Austria
Product specs
| Microphone Type | Condenser |
| Polar Pattern | Cardioid |
| Diaphragm Size | Small |
| Frequency Range | 20Hz-20kHz |
| Max SPL | 156dB SPL |
| Output Impedance | 275 ohms |
| Self Noise | 16dB (A weighted) |
| Sensitivity | 15mV/Pa |
| Low Cut Filter | 60Hz, 120Hz |
| Pads | -10dB, -20dB |
| Connector | XLR |
| Power Source | 48V phantom power |
| Dimensions | 5.51" x 0.90" |
| Weight | 0.35 lbs. |
| Included Accessories | Carry Case, Mic Clip, Windscreen |
FAQs
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What applications is the Austrian Audio CC8 best suited for?
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The Austrian Audio CC8 is ideal for capturing acoustic instruments, drum overheads, and ensembles due to its small-diaphragm condenser design and cardioid polar pattern, which offer precise detail and excellent off-axis rejection.
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How does the cardioid polar pattern of the Austrian Audio CC8 affect recording?
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The cardioid polar pattern of the CC8 focuses on sound from the front while minimizing noise from the sides and rear, making it perfect for isolating sound sources in a studio environment.
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What is the maximum sound pressure level (SPL) the Austrian Audio CC8 can handle?
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The Austrian Audio CC8 can handle a maximum SPL of 156dB, making it suitable for recording loud sound sources without distortion.
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Does the Austrian Audio CC8 require phantom power?
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Yes, the Austrian Audio CC8 requires 48V phantom power to operate, which is standard for condenser microphones.
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What are the low cut filter options available on the Austrian Audio CC8?
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The Austrian Audio CC8 offers low cut filters at 60Hz and 120Hz, allowing you to reduce unwanted low-frequency noise and rumble during recordings.
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What is included with the Austrian Audio CC8 microphone?
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The Austrian Audio CC8 comes with a carry case, mic clip, and windscreen, providing essential accessories for protection and mounting.
Videos
Produce Like A Pro
Austrian Audio The CC8 - Demo- Review FREE Multitracks and Giveaway
Reviews
PROS
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Sturdy design with impressive build quality from former AKG employees
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Exceptional frequency response, delivering a punchy and clear low end
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Easily EQable without sounding artificial or degraded
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Handles transients well, ideal for dynamic acoustic instruments
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Minimal self-noise, suitable even for quiet recordings
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Competes with more expensive mics, offering great value for money
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Versatile for various instruments, including percussion, flutes, and guitars
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Open sound without being brash or harsh in the high frequencies
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Can be used effectively in both single and XY configurations
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Surprising versatility, even as a voice-over microphone
CONS
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Slightly higher self-noise compared to premium brands like Neumann or Schoeps
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Some bleed during live use, though manageable with low gain settings
Critic Reviews
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