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Average Price: $1,017
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$100
$401+
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Based on price data from 6 merchants for "AKG C414 XLS". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Introducing the AKG C414 XLS, a condenser microphone that defines versatility and superior sonic quality. Known for its significant contribution to the music industry for more than 50 years, the latest model of the AKG C414 series is trusted by professionals worldwide.
The AKG C414 XLS is equipped with a 1" dual-diaphragm capsule and transformerless output stage, offering a stunning frequency range and sensitivity, ensuring the most nuanced detail is captured. With its ultra-wide dynamic range, it accurately reproduces signal peaks and subtle details, making it the top choice for both live performances and studio recording.
The microphone's impressive versatility is highlighted by its nine switchable polar patterns. These patterns, ranging from cardioid to figure-eight, allow for total creative control, making it an exceptional tool for capturing any acoustic source with utmost realism.
Additionally, the C414 XLS is built to endure. Its double-mesh grille protects the capsule from moisture, dust, and plosives, while the peak hold LED alerts users to overload peaks for optimal gain staging.
Key Features:
- 1" dual-diaphragm capsule and transformerless output stage
- Nine switchable polar patterns, including cardioid, omnidirectional, figure-eight, and hypercardioid
- Ultra-wide dynamic range of 152 dB
- High SPL handling up to 158 dB
- Frequency range of 20 Hz to 20 kHz
- Sensitivity of 23 mV/Pa
- Three bass cut filters and pre-attenuation levels
- Lock Mode to disable all controls for live and installed applications
- Double-mesh grille for capsule protection
- Peak hold LED for optimal gain staging
- Includes a spider-type shockmount and a thick-walled carrying case
Owner's manual
AKG C414 XLS User ManualProduct specs
| Microphone Type | Condenser |
| Polar Pattern | Omni, Wide Cardioid, Cardioid, Hypercardioid, Figure-8 |
| Diaphragm Size | 1" (25.4mm) |
| Frequency Response | 20Hz-20kHz |
| Max SPL | 140dB (158dB w/18dB Pad) |
| Output Impedance | 200 ohms |
| Sensitivity | 23 mV/Pa |
| Signal to Noise Ratio | 88dB (A weighted) |
| Dynamic Range | 134dB min |
| Self Noise | 6dB (A weighted) |
| Low Cut Filter | 40Hz, 80Hz (-12dB/octave), 160Hz (-6dB/octave) |
| Pads | -6dB, -12dB, -18dB |
| Connector | XLR |
| Dimensions | 6.29" x 1.96" |
| Weight | 0.66 lbs. |
| Included Accessories | Stand Mount, Shock Mount, Pop Screen, Windscreen, Carry Case |
FAQs
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What are the polar patterns available on the AKG C414 XLS?
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The AKG C414 XLS offers nine polar patterns, including omni, wide cardioid, cardioid, hypercardioid, and figure-8, allowing for versatile recording applications.
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Is the AKG C414 XLS suitable for vocal recording?
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Yes, the AKG C414 XLS is highly regarded for vocal recording due to its versatile polar patterns and low self-noise, providing clear and detailed sound capture.
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What is the self-noise level of the AKG C414 XLS?
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The self-noise level of the AKG C414 XLS is 6dB (A weighted), making it ideal for capturing subtle details in studio recordings.
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Does the AKG C414 XLS come with any accessories?
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Yes, the AKG C414 XLS includes a stand mount, shock mount, pop screen, windscreen, and a carry case for convenient setup and transport.
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Can the AKG C414 XLS handle high sound pressure levels?
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The AKG C414 XLS can handle a maximum SPL of 140dB, or up to 158dB with an 18dB pad, making it suitable for recording loud sources like drums and amplifiers.
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What type of connector does the AKG C414 XLS use?
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The AKG C414 XLS uses a standard XLR connector, ensuring compatibility with most professional audio equipment.
Videos
Podcastage
AKG C414 XLII Microphone Review / Test (Compared to C414XLS, TLM103, U87 Ai, NT1)
Reviews
PROS
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Handles loud vocals well, without distortion
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Versatile, excels in recording both vocals and instruments
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Superb low noise performance, ideal for studio use
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Offers a wide range of polar patterns for flexibility
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Robust build quality and includes a sturdy hard case
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Neutral sound profile, providing a natural representation of the source
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High max SPL handling allows for versatile studio applications
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Detailed sound captures nuances in performances
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Factory frequency response graphs ensure consistency among units
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Useful for a variety of applications, from rap vocals to orchestral recordings
CONS
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Sensitive to room noise, requiring a well-treated space
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Included shock mount quality doesn't match the mic's
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Case design flawed, heavy lid can cause it to fall over
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Not the best choice for very specific instrument recordings (e.g., sitar)
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Production moved from Austria to Hungary, a downside for some
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AKG C414 XLS.
Comparisons
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Austrian Audio OC818 is recommended as a modern alternative, built by ex-AKG staff, and considered to maintain the AKG legacy better than the current C414.
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C414 XLS is described as precise, while the Neumann U87 is noted for character, making them suitable for different recording purposes.
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The XLII has a C12-style capsule and presence boost, making it less of a "reference" mic compared to the XLS, which is ideal for studio workhorse tasks.
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The XLS and XLII share the same electronics; the presence boost in XLII is solely due to its capsule, not EQ differences.
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User experience
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Some users find the C414 XLS to be harsh and brittle, suggesting it might not suit everyone's vocal requirements.
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Owners emphasize the importance of room treatment when using sensitive microphones like the C414, to avoid capturing unwanted room reflections.
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The new C414 models' push buttons may reset after phantom power is removed, affecting ease of use when switching preamps.
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Use cases and applications
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The C414, especially the XLII version with a gold grille, is favored for its versatility, though some prefer the XLS for different sound qualities.
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For matching punch-ins or stereo recording, XLS and XLII can be close enough, making them suitable for these purposes despite their differences.
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Value and pricing
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The C414 is seen as a durable investment, ideal for users needing a long-lasting, versatile microphone over more fragile tube mics.
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Features and functionality
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Some users find the XLII to be brighter, which may suit vocals better, while the XLS is preferred by those who dislike overly bright mics.
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The XLII and a C12 clone are similar enough to use as a pair, but the B-ULS model offers a warmer sound with less top-end hype.
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The XLS has a transformer, unlike the transformerless XLII, affecting their sound beyond static frequency response.
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Setup and maintenance
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To retain settings on newer 414 models, holding the button for three seconds is required, a detail found in the manual.
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Critic Reviews
5.0 out of 5
Based on 3 Reviews and 25 Ratings
101
Useful.
The various pick up patterns make this a very useful mic for a variety of sound sources.
106
AKG C414 XLS - Matched Stereo Pair
AKG C414 XLS - Matched Stereo Pair. Used on various albums recorded at Hljodverk: www.facebook.com/hljodverk
Artist usage
Add artist
Used on Lullabies to Paralyze for guitars. Sound engineer Joe Baressi : "When I want more low end, I may have an AKG 414 on there, and when I'm after a little more personality, a Neumann 87, backed up a foot, or a ribbon mic — like the Royer 122, or an RCA BK5 or 77. "
"I had it set up so he (Trent) could grab a mic, I'd hit two buttons and off we'd go. Most of the time he'd hand-hold a 58, but every once in a while we'd record his vocal with [an AKG] 414 because it captured the natural sound of him in a room, which he really liked.
"Billy had just acquired an amazing vintage Martin that we miked with a Soundelux e251, and an AKG 451 and 414."
"I record most things through either an AKG C414 or some C451B’s into a set of 1073 clones / EL Distressors / RME FF800. For synths I usually skip the amp and go DI to the chameleons with various verb and delay outboard stuff in between."
Used as a bottom snare mic during the Drones sessions.
Also used on percussion live.
In the video Connan performs 'I'm The Man That Will Find You,' singing into the AGK c414 xls.
In this Synth History article, "Will Wiesenfeld AKA Baths Reccomends," Will Wiesenfeld writes that he uses the AKG C414. The picture included shows the XLS marking.
< I use an AKG C414 microphone, but really any condenser mic you’re able to afford (versus using a dynamic mic) is a great idea. Thinking broadly, about 50% or more of the sounds I use in production typically get recorded through a mic, so having a high-quality, dependable, and versatile microphone has never been a question. ‘Versatile’ really is the keyword for my entire setup at this point, haha. I love getting more for less. >
“My drum mics consist of two Coles 4038s for overheads, Shure SM57s on the snare top and bottom, AKG D12 on the kick, and during the recordings of Sia’s record I had Sennheiser MD421s on the toms, but now I have AKG C414s — the old, silver ones".
One with a custom red grille was used for Conan, as can be seen in this closeup shot by Gearslutz user conan_mixer in this November 12, 2010 forum post.
here's a close up pic
Album Usage
The AKG C414 XLS has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use AKG C414 XLS, it is most commonly used with the following gear.
Community setups
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