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Description

After a year of development, testing every transistor obtainable and painstakingly listening to every component available for this pedal… the Third Stone was born. The key to the tone of the pedal is the natural mid-range, control over the bass, and the incredible feel. The mid-range will cut through better in a live performance. Inspired by the Fuzz tones of the 1960’s the Third Stone was designed to be the most organic and versatile fuzz made.

BerkosFX.com

L.A. SOUND DESIGN

L.A. SOUND DESIGN

BERKOS FX THIRD STONE FUZZ DEMO III.

Video thumbnail for BERKOS FX THIRD STONE FUZZ DEMO III. by L.A. SOUND DESIGN

BERKOS FX THIRD STONE FUZZ DEMO III.

L.A. SOUND DESIGN

L.A. SOUND DESIGN

Video thumbnail for BERKOS FX THIRD STONE SILICON FUZZ DEMO. by L.A. SOUND DESIGN

BERKOS FX THIRD STONE SILICON FUZZ DEMO.

L.A. SOUND DESIGN

L.A. SOUND DESIGN

Video thumbnail for BERKOS FX THIRD STONE FUZZ DEMO IV. by L.A. SOUND DESIGN

BERKOS FX THIRD STONE FUZZ DEMO IV.

L.A. SOUND DESIGN

L.A. SOUND DESIGN

Video thumbnail for Berkos FX Third Stone Fuzz Pedal by L.A. Vintage Gear

Berkos FX Third Stone Fuzz Pedal

L.A. Vintage Gear

L.A. Vintage Gear

Video thumbnail for Berkos FX: Third Stone Fuzz (Doyle Bramhall II loves this one) by Mark Hopkins

Berkos FX: Third Stone Fuzz (Doyle Bramhall II loves this one)

Mark Hopkins

Mark Hopkins

Video thumbnail for Berkos FX Third Stone Fuzz! by Mark Hopkins

Berkos FX Third Stone Fuzz!

Mark Hopkins

Mark Hopkins

Video thumbnail for Berkos Fx Third Stone / Hendrix inspired Fuzz face by Fret Junkies

Berkos Fx Third Stone / Hendrix inspired Fuzz face

Fret Junkies

Fret Junkies

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Berkos FX Third Stone.

Features and functionality

  • The Third Stone is rumored to house two separate circuits, allowing users to switch between them, potentially utilizing more than two transistors.

    Source
  • The Third Stone is highly responsive to volume and tone controls, with exceptional touch sensitivity, making it ideal for blues to classic rock genres.

    Source

Comparisons

  • Some users compare the Third Stone's sound to a D*A*M BC108, noting similarities but expressing interest if it differed due to unique transistors.

    Source

Value and pricing

  • The pedal is considered expensive, and its hidden circuit design is a point of contention compared to builders who highlight rare parts to justify pricing.

    Source

Use cases and applications

  • The pedal has a strong following among fuzz face enthusiasts, suggesting it caters well to fans of this specific pedal style.

    Source
  • The Third Stone works well when stacked into overdrives, with the Earth control providing a useful tweak for enhancing fuzz face tones.

    Source

Setup and maintenance

  • Owners using a vintage reissue Strat with Ron Ellis 50/60s pickups set low and high action in Eb report excellent response and tone with the Third Stone.

    Source

User experience

  • An owner replaced their BC-183 Sun Face with the Third Stone, citing superior midrange and a more desirable touch response.

    Source

Based on 0 Reviews and 0 Ratings

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Artist usage

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See how Doyle Bramhall II uses Berkos FX Third Stone

Doyle Bramhall II

Guitarist, Music Producer

Arc Angels

...
Verified via Premierguitar

Doyle Bramhall II demonstrated the Berkos FX Third Stone fuzz pedal for John Bollinger in the January 10th, 2017 issue of Premier Guitar’s Rig Rundown.

In walking through his rig, Doyle takes the time to discuss the Third Stone, stating: “This is a Third Stone which is made by Berkos FX. And he usually takes a lot of the Germanium Parts and makes Dallas Arbiter fuzzes and this, which is more like the later Jimmy fuzz. Like Woodstock fuzz.”

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Berkos FX Third Stone, it is most commonly used with the following gear.

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