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Description
Unlock a world of sonic possibilities with the Ensoniq KT-88 / 76, a synthesizer that has become a staple in the realm of electronic music production. Designed for both studio and live performances, this versatile instrument combines the classic warmth of analog synthesis with cutting-edge digital technology, making it a favorite among musicians and producers alike. Its 76-key velocity-sensitive keyboard offers a dynamic playing experience, accommodating expressive performances that capture every nuance of your creativity.
The KT-88 / 76 features a robust sound engine, allowing you to craft intricate patches and lush soundscapes. With a wide array of onboard waveforms and modulation options, you can easily tailor your sound to fit any genre. The intuitive interface ensures that both beginners and seasoned synthesists can navigate its features with ease, while MIDI compatibility allows seamless integration into any setup, whether you're working in a digital audio workstation or jamming with other hardware.
Key Features:
- 76-key velocity-sensitive keyboard for expressive playability
- Powerful sound engine with a variety of waveforms and modulation options
- Intuitive interface for easy navigation and sound design
- MIDI compatible for seamless integration with other gear
- Ideal for both studio and live performance environments
Videos
Najvrtson
Ensoniq KT-88 Sound Demo
Reviews
Critic Reviews
5.0 out of 5
Based on 1 Review and 1 Rating
1256
Solid synth/workstation and controller keyboard with a good weighted key action
The KT comes in 76 and 88-note models with exactly the same synth and sequencer architecture. Editing can be potentially tiring on the 2-line (large print!) display, but thankfully, due to dedicated buttons for practically all pages, there's not a huge amount of menu diving.
Synth architecture is almost identical to the Ensoniq SQ series (SQ-1, SQ-2, SQ-R) with many of the same waveforms, but also with some of their proprietary Transwaves along with expanded drum and keyboard samples. 100 Sounds are stored in ROM and another 100 in user-storable RAM. There's also potential for a further 200 user banks via a PCMCIA card (if you can still find one of course).
Sounds can be combined into "Presets" (what Korg would call a "Combi") allowing for layering and zoning of up to 8 Patches. These can also be used as Tracks in a sequence.
Presets also allow for empty tracks to send out via MIDI only making the KT a very flexible controller since a MIDI track can be treated the same way as an internal Patch (ie, zones/splits/transposing/patch changes, etc). GM sounds are also available over and above the onboard patches, and the internal effects are culled from Ensoniqs popular DP-4.
Key action on the 76 is semi-weighted and on the 88 is fully-weighted. It also has channel aftertouch (marginally disappointing given that Ensoniq had a long range of good-quality poly AT keybeds in previous models). But all in all, with the sure key action, good range of pleasant sounds and the 8-track sequencer, this makes for a solid and very useable instrument - one which kind of slipped under the radar with these later Ensoniq products.
41026
I have never even seen one of these... sounds awesome. Love the SQ synths
1256
The KT was kind of "slotted in" during the 5 year period between 1995 and 2000 when it didn't seem as though Ensoniq were sure whether they wanted to keep refining their existing format, or go for something radically different. In the end they chose the latter when they brought out the MR61 and the Fizzler ... I mean Fizmo (!). They were a gamble that didn't really pay off unfortunately (bad marketing, buggy OSs, UI a bit too new) Given how good the ASR-10 and TS-10 were (and the SQs before them), they probably could have kept adding to that design. The KT was kind of like the last in a line in that sense. Forgot to mention, the KT has an incredible array of alternate tuning tables, quite unlike anything I've seen in any other synth. The standard Baroque offerings are there (Kirnberger, Valotti, etc) but there are also a few Partch quater-tone tunings and several amazing microtonal tunings (24, 31, 56 note octaves, and such like!)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Ensoniq KT-88 / 76, it is most commonly used with the following gear.
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