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Description
One of the world's first music workstations, the Fairlight Computer Musical Instrument (CMI) paved the way for modern music production with its unprecedented multitimbral capabilities and convincing ability to emulate various instruments. After its introduction in 1979, the CMI quickly became a studio staple (despite its nearly $100,000 price tag), appearing in everything from "Everybody Wants To Rule The World" by Tears for Fears to the "Miami Vice" soundtrack.
Videos
Fred Koke
Herbie Hancock jams with his Fairlight CMI
Reviews
Critic Reviews
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Based on 0 Reviews and 7 Ratings
Artist usage
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Roger Limb was documented using the Fairlight CMI in the early 1980s, as shown in the Radiophonic Workshop Gallery.
Masamichi Amano, a composer known for his work in classical and contemporary music, began learning computer-aided composition at an early age. After completing his studies, he moved to Australia, where he became the first Japanese person to master the Fairlight CMI, as detailed in an interview featured on the web magazine ONTOMO.
Album Usage
The Fairlight CMI has been featured on the following albums:
End Of World
Public Image Ltd (2023)
Existential Reckoning
Puscifer (2020)
Discovery (Remastered 2015)
Mike Oldfield (2016)
Merry Christmas, Mr. Lawrence
Ryuichi Sakamoto (2015)
Zoolook
Jean Michel Jarre (2015)
Sign O' The Times
Prince & Prince (1987)
They Might Be Giants
They Might Be Giants (1986)
Dream Come True
A Flock of Seagulls (1986)
Scoundrel Days
A-ha (1986)
Songs From The Big Chair
Tears for Fears (1985)
Heartbeat City
The Cars (1984)
Junk Culture
Orchestral Manoeuvres in the Dark (1984)
Points On The Curve
Wang Chung (1984)
Beat Boy
Visage (1984)
90125 (Deluxe Version)
Yes (1983)
Future Shock
Herbie Hancock (1983)
Tug Of War
Paul McCartney (1982)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fairlight CMI, it is most commonly used with the following gear.
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