Kurt played a left-handed Mosrite a lot. He had a Mesa Boogie amp, and we rented a Fender Bassman, a Vox AC3O and a Marshall stack which we didn't really use.

As you can see Jack is using a pair of 1485 silvertone amps and a fender twin reverb.What you might not see hiding in the background is what appears to be a fender bassman to the right of the silvertone pair. Time stamp : 34:06 / 34:07. It is only shown for about 1 second so you may need to replay a few times. near the dapper roadie.

Stevie Ray Vaughan used a Fender Bassman with matching 4x12 cabinet for some stage work.

As you can see in the minute 4:08 to 4:13 Noel is using a fender bassman amp.

According to Premier Guitar, Mike McCready's main clean tone also comes from the Fender Bassman AB165 Amp.

Here we can see Kim's Fender Bassman AB165 Amp. Source.

"I also have a 1970s Fender Bassman, which I've always used in the studio - a very honest sounding amp." - Nick O'Malley in Bass Guitar Magazine.

Appetite for Destruction tracks Izzy has recorded using Gibson es175, Fender Bassman head and Mesa/Boogie cabinet

As seen in this Private Gear tour video with Peter Frampton at (1:08), the guitar player plays through Fender Bassman head for his clean tones.

Used on "Brown Sugar", as stated by mix engineer Jimmy Johnson in this September 21, 2018 ProSoundWeb interview.

And guess what we came up with for Bill Wyman? Do you remember those Plexiglas body basses that were around then?

I checked with David Hood later and he says it was a Dan Armstrong. So to the best of our recollection, that’s what it was. He played through David’s Fender Bassman setup, the tube head and separate box.

(...) Did you have a mic on the bass amp?

Yes, the bass guitar mic was an RCA 44. We didn’t have direct back in those days.

An image of Hood's Bassman rig, taken from this March 1, 2019 al.com interview, reveals that it was an AB165.

That said, the bass amplifier rig Hood used for his classic Muscle Shoals Sound Studios work is a Fender Bassman amp head and blonde Fender speaker cabinet.

In 2016, Muscle Shoals Sound reopened at original Sheffield location 3614 Jackson Hwy. and restored to retro ’60s/'70s prime. Hood’s rig was returned to the same spot it was during many vintage sessions. Against the studio wall, just left of the drum booth.

Hood thinks he acquired the Fender head and cabinet in the mid to late '60s.

"My father was in the tire business and got hooked up with a purchasing-agent-type place who would connect you with people to buy things wholesale," Hood says. "They hooked us up with Manny's Music in New York, on 48th Street. It's no longer there, but it was a famous music store. I would call and order things from them. I could hardly talk to them because they spoke so fast, but I started buying amps and would sell them to somebody and buy another one, things like that."

(...) From Manny’s, Hood purchased the blonde cab, containing two 12-inch speakers, originally to use as an extension cabinet with the bass amp he was using. He ended up selling that amp. Now he had an extra cabinet. He then purchased a black Tolex-covered Bassman piggyback amp. “And I can’t remember why I did it, but I brought the blonde cabinet to 3614 (Jackson Hwy.) and we started recording that and using the black Bassman head with it, to monitor myself. Sometimes they’d mic it and sometimes we’d go direct. But I used it always as a monitor. In a studio full of loud guitars and keyboards and everything, you just can’t hear the bass well, even with the headphones. It’s getting where nowadays they have so many channels on the recording stuff they can use several channels for a bass. A long time ago you were lucky if you’d get one channel.”

Brody used a 1974 Fender Bassman AB165 Amp when recording in 2011 at her home studio with Alan Johannes.

In this photo you can see the fender bassman amplifier