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Description

Step into a world of sonic exploration with the Ibanez DML Digital Modulation Delay, a pedal that bridges the gap between traditional delay effects and cutting-edge modulation. Known for its versatility, the DML offers a wide range of delay times, from slapback echoes to lengthy, ambient soundscapes. This pedal is a staple for guitarists seeking to add depth and texture to their sound, whether it's for live performances or studio recordings.

The Ibanez DML stands out with its unique digital modulation capabilities, allowing musicians to craft everything from subtle choruses to dramatic pitch shifts. Its intuitive interface ensures that both novice and experienced players can quickly dial in the perfect settings. The pedal's robust construction is designed to endure the rigors of the road, making it a reliable companion for touring musicians.

Another highlight of the DML is its ability to seamlessly integrate into any pedalboard setup, thanks to its compact design and standard input/output jacks. Whether you're aiming for classic delay tones or experimenting with new sonic territories, the Ibanez DML provides a platform for endless creativity.

Key Features:

  • Digital modulation delay with a broad range of delay times
  • Unique modulation capabilities for enhanced sound textures
  • Intuitive controls for easy operation
  • Sturdy construction ideal for live performance and touring
  • Compact design for easy integration into any pedalboard setup

Product specs

Brand Ibanez
Model DML Digital Modulation Delay
Year 1980s
Made In Japan
Categories Delay Pedals

FAQs

What type of delay sounds can the Ibanez DML Digital Modulation Delay produce?

The Ibanez DML Digital Modulation Delay offers a range of delay sounds, including standard digital delay and modulated delay effects, which add a chorus-like texture to the repeats.

Does the Ibanez DML Digital Modulation Delay have a tap tempo feature?

No, the Ibanez DML Digital Modulation Delay does not have a tap tempo feature, as it was designed in the 1980s before this feature became common in delay pedals.

How does the modulation feature of the Ibanez DML affect the delay sound?

The modulation feature on the Ibanez DML adds a variable chorus-like effect to the delay repeats, creating a richer and more dynamic sound.

Is the Ibanez DML Digital Modulation Delay suitable for live performances?

Yes, the Ibanez DML Digital Modulation Delay is suitable for live performances, offering reliable digital delay and modulation effects that can enhance your sound on stage.

Can the Ibanez DML Digital Modulation Delay be powered by a standard 9V power supply?

Yes, the Ibanez DML Digital Modulation Delay can be powered by a standard 9V DC power supply, making it easy to integrate into most pedalboards.

Arafúra

Arafúra

Ibanez DML - Digital Modulation Delay [Modulated Delay uses]

Video thumbnail for Ibanez DML - Digital Modulation Delay [Modulated Delay uses] by Arafúra

Ibanez DML - Digital Modulation Delay [Modulated Delay uses]

Arafúra

Arafúra

Video thumbnail for The Weird and Wonderful Ibanez DML by 60 Cycle Hum

The Weird and Wonderful Ibanez DML

60 Cycle Hum

60 Cycle Hum

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ibanez DML Digital Modulation Delay.

Features and functionality

  • The DML10 can achieve a maximum delay time of around 900ms to 1 second, allowing for both short flanging and long stepped delays.

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  • The DML-10 is noted for its versatile modulation, capable of producing sounds from vibrato and chorus to flanger, appealing to users seeking diverse effects.

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  • The DML20's mode selector allows for flanger, chorus, and multiple echo settings, providing a range from 16ms to 1024ms.

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  • The pedal features top-mounted jacks and soft Boss-style switching, appreciated for both functionality and aesthetics.

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Comparisons

  • Compared to the Boss DD3, the DML10 offers more experimental modulation, behaving like a reverb with overlapping repeats and producing rainbow machine-like pitch variations.

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  • The DML-10 is often preferred over the DML-20 and PDM-1 for its unique modulation and "boingy" short delay, offering a distinct character among the series.

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User experience

  • Despite its age, users report the DML10 can develop some noise over time, though this can often be resolved with contact cleaner on the pots.

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  • Some users express difficulty in finding the DML-10 on the market, highlighting its desirability and rarity among vintage digital pedals.

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  • Owners report it blends well with other pedals in an effects loop, although buffer status is uncertain.

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Use cases and applications

  • The DML10 is praised for its ability to emulate a tape echo slapback sound, and users find it delivers a dirty digital sound reminiscent of vintage analog gear.

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  • It's been used on overdubs and by artists like Nick Reinhart and possibly Omar Rodriguez Lopez for its unique modulation effects.

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Build quality

  • The pedal's top-mounted jacks are noted for being ahead of their time, adding to its practical design and aesthetic appeal.

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  • The pedal is noted for being delicate, with a risk of breaking if opened; care is advised during handling.

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Mods and upgrades

  • There's a strong desire for a reissue with added tap tempo and expression input, features that enthusiasts believe would enhance the pedal's appeal.

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Other

  • The Maxon DM-01 is mentioned as a possible equivalent to the DML-10 or DML-20, though direct comparisons are limited due to regional branding differences.

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