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Jen Double Sound Fuzz Wah

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Page last updated Apr 17, 2026

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Description

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The JEN Double Sound Fuzz Wah is a distinctive addition to any guitarist's pedalboard, combining the classic fuzz effect with a dynamic wah function. This pedal is a nod to vintage tones while offering modern versatility. Known for its unique dual functionality, it allows musicians to seamlessly switch between a gritty, textured fuzz and an expressive wah, making it ideal for a range of musical styles from rock to funk.

Featuring a classic Germanium fuzz circuit, the JEN Double Sound Fuzz Wah delivers rich, warm tones reminiscent of the golden era of rock music. The responsive wah feature adds a layer of expression and nuance, allowing players to sculpt their sound dynamically. This pedal is perfect for those who appreciate the analog warmth and want to explore the creative potential of combined effects.

The interface is user-friendly, with intuitive controls that make it easy to dial in the desired sound. Whether you're aiming for the searing leads or the rhythmic wah sweeps, this pedal has the capability to enhance your performance with vintage vibes and modern functionality.

Key Features:

Combines fuzz and wah effects in a single pedal
Classic Germanium fuzz circuit for warm, rich tones
Responsive wah feature for expressive sound shaping
User-friendly interface with intuitive controls
Suitable for a variety of music genres

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Hanford Tape Sessions

Jen Double Sound Doublesound Fuzz Wah 1970

Hanford Tape Sessions

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about JEN Double Sound Fuzz Wah.

Features and functionality

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The EHX Cock Fight offers a bias modded silicon fuzz face, resembling the Jen Double Sound circuit, with a "bottom" knob to boost bass during wah use.
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Wetton's pedalboard featured a unique setup with a pedal by Pete Cornish, incorporating a wah pedal with separate footswitches for bypass and fuzz engagement, mimicking the Jen Double Sound functionality.
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Comparisons

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The Wilson Effects Wilson Wah v2 includes a dip switch for the Italian Jen Wah sound but lacks integrated fuzz, similar to the Jen Double Sound.
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The Jen Double Sound fuzz wah was part of Wetton's gear, contrasting with his setup for "Book of Saturdays," which lacked effects, highlighting the pedal's selective usage.
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The Foxx Tone Machine is mentioned alongside the Jen Double Sound Fuzz Wah, suggesting a compatibility or tonal similarity for achieving rich, layered sound effects.
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User experience

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Owners of the Justin Chancellor Dunlop pedal praise its adjustable fuzz and two distinct wah filters, offering versatility for different tones.
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Users have identified the Italian-made Jen Double Sound Fuzz Wah as a key component in replicating John Wetton's signature bass tones, particularly in studio settings with SVT amps.
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Use cases and applications

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John Wetton reportedly used the Jen Double Sound fuzz wah for songs like "Talking Drum," suggesting its effectiveness for replicating his iconic bass tones.
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The Jen Double Sound Fuzz Wah is often used alongside octave pedals and envelope filters for a deep, warbling bass effect, similar to sounds in King Crimson's LTiA Pt1.
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John Wetton

Singer, Guitarist

King Crimson

Verified via Vintage Guitar® magazine

According to an article by Pete Prown in Vintage Guitar® magazine, John Wetton obtained most of his distortion and wah effects from the JEN Double Sound Fuzz Wah pedal.

Eivind Aarset

Guitarist

Verified via Guitarmoderne

From my Jan Braathen Stratocaster I go into a fuzz—I have gone back to the Prescription Electronics fuzz. The chain goes from the fuzz into the Bogner Harlow booster/compressor, into a Dunlop Mini-Wah, then into a Boss OD-2 and an Empress overdrive. I go into the Jam multi-purpose true bypass box. It is a switcher made by Jam pedals in Greece that lets me switch on some loops with multiple effects and keep some noisy effects out of the signal path when they are not on. I keep the Alesis Bitrman in the loop because that effect tends to degrade the signal when it is off. Also in the Jam loops are an Electro Harmonix Super Ego and Jam Dan Comp Compressor. You can hear the Super Ego on “One and the Same Again,” on I.E., I have the compressor in the loop with the Super Ego to bring out the string noise, which I like. Also in the loop system are a Z.Vex Fuzz Factory, a Jam Waterfall Vibrato, and a Jam The Big Chill Tremolo. The signal goes into a Morley volume pedal, and then to two Eventide H9s controlled by the iPad. I have a vintage Jen fuzz [like a Vox Tonebender] that sounds great and is all over the new record, but the level is too uncontrollable to take out live.