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Description
Introducing the Korg Electribe EMX-1, an innovative fusion of an eight-part drum machine and a two-part synth/sequencer. This evolution from its predecessor, the M1, brings a plethora of enhancements to your fingertips. Delight in the added drum voice and the expanded control with extra knobs and buttons. Experience the convenience of Smartmedia card storage and the addition of three more sequenced synths. Revel in the improved display, the practical audio input, and the enriched sound from a stereo pair of Russian-made EHX 12AX7 valves.
Key Features:
- Combines an eight-part drum machine with a two-part synth/sequencer
- Additional drum voice for more complex beats
- Enhanced control with extra knobs and buttons
- Convenient Smartmedia card storage
- Includes three additional sequenced synths
- Better display for easier navigation and control
- Includes a handy audio input
- Stereo pair of Russian-made EHX 12AX7 valves for a richer sound.
Product specs
| Brand | Korg |
| Model | Electribe-MX EMX-1 Music Production Station |
| Finish | Blue |
| Year | 2000s |
| Made In | Japan |
| Categories | Desktop Synths, Digital Synthesizers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 16 Voices |
FAQs
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What type of synthesis does the Korg Electribe EMX-1 use?
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The Korg Electribe EMX-1 utilizes MMT synthesis (Multi Modeling Technology), which includes sixteen different oscillator algorithms for versatile sound design, including analog synthesis models and PCM.
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How many voices of polyphony does the Korg Electribe EMX-1 offer?
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The Korg Electribe EMX-1 offers 16 voices of polyphony, allowing for complex layering and multi-part arrangements.
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What are the main MIDI connectivity options for the Korg Electribe EMX-1?
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The Korg Electribe EMX-1 features MIDI Input, MIDI Output, and MIDI Through, providing comprehensive connectivity for integration with other MIDI-compatible gear.
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Is the Korg Electribe EMX-1 suitable for live performances?
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Yes, the Korg Electribe EMX-1 is designed for live performance with its intuitive interface, real-time control knobs, and ability to sequence and manipulate sounds on the fly.
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Can the Korg Electribe EMX-1 be used to create complete tracks?
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Absolutely, the Korg Electribe EMX-1 is a music production station that allows you to create complete tracks with its built-in synthesizer, drum machine, and sequencer capabilities.
Videos
Mihail Shevchenko
Live Techno Set with Korg Electribe EMX-1 by Enformig
Reviews
PROS
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Oriented around EDM with hard hitting drum sounds and analog modelling synth sounds
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User-friendly interface, minimal menu-diving required
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Features five synth tracks and nine programmable drum pads
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Contains an arpeggiator/slider for live-sounding ad-libs
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Forgiving overdub-based recording process for on-the-fly edits
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Robust effects, particularly the BPM Delay
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Wide range of stock sounds, including 200 presets
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Allows motion sequencing for dynamic part control
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Multiple outputs and usable tube drive for enhanced sounds
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Durable steel body with responsive knobs
CONS
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Prone to "knob jitter" due to aging lubricant, affecting precision
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Sample library feels outdated, lacking organic sounds for non-EDM genres
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Monophonic limitation compared to newer models
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Cannot load your own samples, limiting sound customization
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Reverb effect quality is subpar
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Korg Electribe EMX-1.
Mods and upgrades
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JJ ECC803s gold pin tubes have been recommended to address issues with tube overdrive, although some users found tube upgrades generally ineffective.
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Owners mention the ability to automate almost every knob, enhancing its use as a groove box and improving sound manipulation.
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Replacing the tubes can enhance sound quality, reducing distortion and warming up the bass sounds.
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Use cases and applications
Comparisons
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The EMX-1 is digital and based on 12-bit samples, potentially sounding crunchier compared to high-quality drum samples, offering a different texture than fully analog synths.
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Some users prefer the sound of older Electribe models, like the EM-1 and ER-1, for their superior audio quality and less harsh sound compared to the EMX-1.
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Owners note that the Novation Circuit provides clearer and more defined sound quality compared to the EMX-1, which is often described as tinny and harsh.
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Features and functionality
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The unit includes an external input, allowing other synths to be run through it, expanding its utility in a setup.
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Some users find the precise knob positions limit live performance tweaking, making the sound feel static during live sets.
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The EMX-1's voices and sequencer are not polyphonic, limiting chord recording capabilities, but it can produce full songs unlike the Electribe 2.
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The EMX-1's synth section shines with unique oscillators like Formant and VPM, offering sound options uncommon in hardware synths.
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The EMX-1's reverb effect is widely regarded as subpar, while using multiple delays can enhance sound design, particularly for drum tracks.
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User experience
Other
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The SmartMedia version has a diagnostic port, potentially moddable, unlike the SD version.
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Value and pricing
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At $400, it's considered a good deal as the market value has been noted to climb as high as $700-800.
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4.5 out of 5
Based on 11 Reviews and 63 Ratings
162
Fun. Versatile. In some ways limited.
Korg's Electribe EMX-1 is a fun easy-to-use drum machine and sequencer with lots of sound design options.
Since the EMX-1 has so many functions it is difficult to capture the capabilities of this machine in a short review. Therefore I will only discuss its key features.
The drum part can hold 9 different sounds at a time which you load from the inbuilt sample library. You can effectively adjust anything you'd like for each part. Most importantly the volume, pitch and release. You can also add swing to each part which is controlled by a global swing value, however I find that it sounds rather crude.
The synth part can hold 5 different sounds with a variety of oscillator options. You can either play notes using the step buttons as a keyboard, or program notes in a sequence. You can adjust the filter cutoff, resonance, attack and drive for either a low-pass, high-pass, band pass or band pass +. You can also modulate the depth of the pitch, oscillator shape, filter, amp and pan with an LFO which can be synced to the tempo.
In terms of building beats/patterns, you can simply record what you play on the go, or program a sequence. A handy feature included which involves a bit of reading into is the motion sequencing which allows you to program any of the part controls per step. For example, if you'd like to program a hi-hat to sound more dynamic, you can program each hit of the hat to be a different volume.
You also have the option of sending any part to a number of effects. I find the bpm-synced delay and EQ most useful. The reverb is RUBBISH.
I'd say that the biggest limitation of the EMX-1 is the sample library. This machine was released over 20 years ago and the samples go to show that. There are 207 samples to pick from and I'd say a quarter of them are actually functional for a contemporary beat. I assume the EMX-1 was catered towards electronic musicians so a lot of the samples don't sound particularly organic and if you're trying to make anything outside of EDM, you'll find it can be quite hit or miss. It would have been nice if you could load your own samples on to the EMX-1 but I suppose Korg reserved that feature for its sister product the ESX-1 sampler.
That said, you CAN make it work. It just takes a little more time and I'd argue that's what makes this machine so fun. You can plug and play, but I think you'll get more out of it when you start spending the time adjusting the sounds.
I'd recommend this machine to anyone that is looking for a cool vintage drum machine/sequencer that isn't expecting to take things too seriously. There are plenty of modern options which will likely be more functional in the modern age but the EMX-1 still has enough tricks to be useful in the right context.
415
Easy to use; covers 90% of my live set; tube upgrade can improve sound
This is an amazing groove box with 5 synthesizer tracks and a drum machine. The drums sound legit - it has really powerful kicks - and the synthesizer(s) are really good, also. The E-MX is super easy to use and still a lot of fun after years. The synths fall short in therms of polyphony and legit Acid, but this is acceptable. If you want to play polyphonic pads, you may add a different Synth, like the JP-8000, to it. If you want legit Acid, you need to add a TB-303 or clone. I replaced the E-MX's stock tubes to JJ Electronics. A huge difference! So, if you get an E-MX or an E-SX, take a tube upgrade in consideration.
415
It's currently broken. :(
125
The first Groovebox I've had in my Collection.
This Tool made me quickly explore the way to make beats and tunes. And how fast you could chain them in Patterns and Songs.
77
Nice sounds
The body is made by steel, knobs feels great and very responsive. Compressing the sound really nice.
Artist usage
Add artist
At 7:05 in the "The Making Of 2-1: Homemade Timpani" video from Future Music magazine, Imogen says "Something here says Korg EM... X. Which makes me think that I must have made that sound. On the Korg EMX."
In this YouTube video of Legowelt's RA performance at Dimensions Festival, the Korg Electribe EMX-1 can be seen starting at 0:10
As far as my keyboard of choice, this entire record was down with a Korg Electribe MX. It's a tiny little box, the size of a laptop computer. It's got a little sort of keyboard thing on it. It's more of a sequencer. But it's got a 12AX7 preamp tube in it and you can control the tube saturation. It's got all these different effects. It's a really cool little box.
In an Instagram post by Octave One, the duo is seen using the Korg Electribe EMX-1 while preparing for their upcoming tour dates. The caption, "Attack of the Clones y'all! Working on old backups and setting up new ones," suggests the gear is integral to their live performances.
In the video "Yaeji Gives A Tour of Her Playful Powerful Creative Studio" by Splice on YouTube, a Korg Electribe EMX-1 is clearly visible in Yaeji's studio setup at 0:14, and she further highlights this piece of equipment at 3:03. She said:
It also just sounds really good and I love the effects on it. The tube sounds nice.
At 0:08, Reynolds can be seen with a Korg ES-1 Mk 2, a Korg EMX-1, and a Kaoss Pad 2
He used the Korg Electribe EMX on his Hansome Furs project.
From the linekd interview:
CZB: What kind of drum machine is this? Dan Boeckner (Handsome Furs): It's a Korg Electribe MX and it is not very well liked in the electronic music community. It's kind of looked down upon. Basically, Korg made this machine to compete with the Roland Groovebox, which was a more professional sequencer that combined all of their previous drum machines, like the 808, the 909 ... so Korg came up with this idea that they would make this machine that was really not for live performances. It was for kids in the UK to make drum'n'bass in their homes, pretty close to the mid-nineties. It was never really meant for live performance and all the sounds on it are very specific to this era. In the successive years in them making the new models of the machine, they never updated any of the sounds. The great thing about it is you can go through it and de-program it completely. You can take the sounds and tear them apart and put them back together again – and the work flow is very simple, because it's made for amateur electronic musicians, which I think is why the electronic community looks down on it – but it's great....Yeah, I think we're one of the only bands that makes albums using this machine, so that kind of makes me happy.
Bryan Erickson, known for his work with Velvet Acid Christ, utilizes the Korg Electribe EMX-1 for its excellent drum sounds, particularly in dance music production. While he doesn't use its internal sequencer, he appreciates its capabilities for creating bips, bleeps, and acid-distorted lines reminiscent of the 303 and 101. Erickson highlights its detuned lead sounds for trance and praises its warm, punchy sound and decent effects. Although he prefers other synths for more complex sounds, he values the EMX-1 for its instant gratification in producing trance and dance drums. This information is detailed on the Velvet Acid Christ gear page archived online.
Album Usage
The Korg Electribe EMX-1 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Korg Electribe EMX-1, it is most commonly used with the following gear.
Community setups
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