Moog MKPE Three-Band Parametric EQ

$888.00 Price Tier: High-end

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Page last updated Jun 24, 2026

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We compare 600+ stores and found this item at 1 store. Prices updated June 24, 2026.

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5.0 (1)

$888.00 7 available Used

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Average Price: $888

High-end/Boutique

$100

$501+

Price Tier

In the Effects Processors category, Moog MKPE Three-Band Parametric EQ is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

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High-end

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Description

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Unlock the full potential of your audio projects with the Moog MKPE Three-Band Parametric EQ, a professional-grade tool designed for discerning sound engineers and musicians. This three-band parametric equalizer offers precise tonal control, making it an essential component in any studio setup. Its robust design and intuitive interface ensure that it’s not only reliable but also user-friendly, allowing for seamless integration into your existing gear collection.

The Moog MKPE delivers unparalleled flexibility with its three fully adjustable frequency bands. Each band offers individual control over frequency, bandwidth, and gain, enabling you to sculpt your sound with precision. Whether you're sweetening vocals, tightening up your bass, or adding clarity to your guitar tracks, this EQ provides the versatility and accuracy needed to achieve your desired sound.

Crafted with Moog's renowned attention to detail and quality, the MKPE is built to withstand the rigors of studio and live environments. The unit's rugged construction and high-quality components ensure durability and performance consistency, while its compact design allows for easy placement in any rack setup.

Key Features:

Three fully adjustable parametric bands for precise tonal shaping
Individual control over frequency, bandwidth, and gain per band
High-quality components for superior sound fidelity
Rugged construction ideal for both studio and live applications
Easy integration with existing audio setups
Intuitive interface for quick and efficient adjustments

Product specs

Brand	Moog
Model	MKPE Three Band Parametric Equalizer
Finish	Black
Year	1970s
Categories	Equalizers

FAQs

What are the main features of the Moog MKPE Three-Band Parametric EQ?: The Moog MKPE Three-Band Parametric EQ features precision frequency control with three fully sweepable, overlapping bands. It's designed for surgical equalization, allowing users to precisely boost or cut specific frequencies in the audio signal.
How does the Moog MKPE Three-Band Parametric EQ differ from a graphic EQ?: The Moog MKPE offers more flexibility than a graphic EQ, allowing precise control over frequency, gain, and bandwidth for each band. This makes it ideal for detailed sound shaping and correction tasks.
Is the Moog MKPE Three-Band Parametric EQ suitable for professional studio use?: Yes, the Moog MKPE is well-suited for professional studio environments, providing precise control over audio frequencies, which is essential for high-quality sound mixing and mastering.
Can the Moog MKPE Three-Band Parametric EQ be used for live sound applications?: While primarily designed for studio use, the Moog MKPE can also be employed in live sound settings for precise frequency adjustments, helping to tailor the sound to different venues.
What kind of audio sources can benefit from the Moog MKPE Three-Band Parametric EQ?: The Moog MKPE is versatile and can enhance a wide range of audio sources, including vocals, instruments, and full mixes, by allowing detailed control over specific frequency ranges.

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Guy Berryman

Bassist, Music Producer

Coldplay

Verified via Soundonsound

Mentioned by mixing engineer Michael Brauer as being used on "Violet Hill" in this Sound on Sound interview about the production of Viva la Vida & Death and All of His Friends.

Bass: EAR 660, Altec 436B, Dbx 160, Akai S612, Moog MKPE

"The bass was interesting. I had the same bass track coming back on two channels, and on one of them I had the EAR 660 compressor, going into an Altec 436B compressor, going into my Moog MKPE three–band parametric EQ, all going via the inserts. That channel was for the low end, giving the sound its fullness. On the other channel I had a Dbx 160, crushing heavily, with the bottom end taken out. That gave the bass its punch and mid-range. I also sent the basses to an Akai S612 sampler. A friend of mine turned me on to doing this. I don't use it as a sampler, but as a distortion device. If you put the Akai in microphone mode and you overload it, you get really nice warm distortion that you don't really notice, but it sounds good. If I want something more vicious than the Akai, I'll use the [Thermionic Culture] Culture Vulture instead, which I feel is one of the best pieces of equipment for adding some attitude. It's great for when tracks are recorded too cleanly. Finally the basses, like the drums, went through Bus B in my multi–bus compression setup, which consists of Distressors going into my Avalon E55 EQ."