Capturing the dynamic range of your performance has never been easier with the Nady CM-60 Wired Clip-On Drum/Wind Instrument Microphone. This versatile condenser microphone is designed to excel in close-up miking, making it a valuable addition to any musician's toolkit. Whether you're recording the rich timbres of brass, the intricate nuances of woodwinds, or the rhythmic beats of percussion, the CM-60 ensures every note is heard with pristine clarity. Its compact design and clip-on functionality allow for seamless attachment to a variety of instruments, offering both convenience and flexibility.

The CM-60 is not only ideal for studio recording but also shines in live performance settings. Its ability to handle high sound fields without distortion makes it suitable for everything from jazz ensembles to rock bands. Musicians appreciate the microphone’s broad frequency response, which captures the full spectrum of sound with accuracy. Whether you're performing on stage or recording in the studio, the Nady CM-60 delivers reliable, high-quality audio that musicians can depend on.

Key Features:

• Clip-on condenser microphone for close-up miking
• Suitable for drums, percussion, brass, woodwind, and more
• Compact and lightweight design for easy attachment
• Ideal for both live performances and studio recording
• Broad frequency response for capturing detailed sound
• High SPL capability for handling loud instruments without distortion

Product specs

FAQs

Is the Nady CM-60 microphone suitable for both drums and wind instruments?

Yes, the Nady CM-60 is designed to be versatile, mounting easily on drum rims, acoustic guitar sound holes, or the bell of wind instruments for accurate sound reproduction.

What kind of polar pattern does the Nady CM-60 microphone have?

The Nady CM-60 features a tight cardioid polar pattern, which is effective at suppressing feedback and isolating the sound source from unwanted ambient noise.

Does the Nady CM-60 require phantom power to operate?

Yes, the Nady CM-60 can be used with standard mixers that provide 9-52V phantom power or with bodypack transmitters.

How does the Nady CM-60 handle vibrations and unwanted noise?

The microphone has a rubber boom shockmount design that minimizes vibration and audio transference from resonant instruments or materials.

What additional features help reduce feedback and "pop" sounds in the Nady CM-60?

The Nady CM-60 includes a built-in windscreen and an external windscreen for maximum feedback and "pop" rejection.