Pricing and availability
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Average Price: $10,000
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$500
$1501+
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Description
Dive into the sonic landscape of the past with a modern twist with the Sequential Circuits Prophet T8. This synthesizer seamlessly melds the warmth of vintage sounds with the precision of digital control. Its 2 VCOs per voice ensure rich, dynamic tones, while its comprehensive MIDI integration makes it a breeze for modern music production. Whether you're crafting ambient textures or pulsating leads, the Prophet T8 stands as a versatile companion for any musician looking to bridge the gap between the analog and digital realms.
Key Features:
- 2 VCOs per voice for lush, dynamic soundscapes
- 24 db/octave low pass filter for smooth, nuanced tonal shaping
- Comprehensive MIDI integration for modern workflow compatibility
- LFO, VCA for extensive modulation options
Product specs
| Brand | Sequential |
| Model | Prophet T8 76-Key 8-Voice Polyphonic Synthesizer |
| Finish | Black with Wood Sides |
| Year | 1983 - 1986 |
| Made In | United States |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Weighted |
| MIDI I/O | MIDI Input, MIDI Output |
| Number of Keys | 76 Keys |
| Polyphony | 8 Voices |
FAQs
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Is the Sequential Circuits Prophet T8 synthesizer polyphonic?
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Yes, the Prophet T8 is an 8-voice polyphonic synthesizer, allowing you to play up to eight notes simultaneously.
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What type of keyboard action does the Prophet T8 feature?
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The Prophet T8 features a full-size, weighted keyboard action, providing a piano-like feel that is ideal for expressive playing.
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Does the Prophet T8 have MIDI capability?
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Yes, the Prophet T8 includes MIDI input and output, allowing for integration with other MIDI-compatible devices and DAWs.
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What are the standout sound characteristics of the Prophet T8?
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The Prophet T8 is known for its rich, warm analog sound, with versatile modulation options and a classic vintage tone that is highly sought after by synthesizer enthusiasts.
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How many keys does the Sequential Circuits Prophet T8 have?
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The Prophet T8 features a 76-key keyboard, providing an extended range for performance and composition.
Videos
naokidel
Prophet T8 Demonstration
Reviews
PROS
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Improved specs over Prophet-5, offering advanced features
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Glorious weighted velocity and polyphonic aftertouch keyboard
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Superb action enhancing playability
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Fat sound profile with versatile sonic capabilities
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Includes a decent acoustic piano patch
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Can replicate CS80 capabilities with unique sound quality
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Considered underrated by enthusiasts
CONS
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Smoke damage in transit can affect functionality (based on one-off import experience)
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Some users find it doesn't live up to Prophet 5's legacy
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Different Curtis chips and architecture may not suit all tastes
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Perceived by some as overrated compared to expectations
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Sequential Circuits Prophet T8.
Features and functionality
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The Prophet T8 is noted for its piano-weighted keyboard, which some users find less user-friendly compared to other models.
Source
User experience
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Howard Jones and Thompson Twins used the T8 to enhance touch and velocity sensitivity with their setups, indicating its use in live performance settings.
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Owners highlight the unique experience of playing a Prophet T8, stating it's comparable to, yet distinct from, models like the Prophet-5 Rev 2, with nuances in feel and sound.
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Value and pricing
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The price for a Prophet T8, especially with a notable history like Tony Banks’, can exceed £11k, reflecting its rarity and collector's value.
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Other
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The Prophet T8, once part of Genesis's studio assets, was sold privately as part of the studio's closure and asset liquidation.
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Build quality
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The Prophet T8's hand-drawn circuit boards are noted for their intricate and artistic traces, though the wiring and op amp stacking can appear complex and challenging to navigate.
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Setup and maintenance
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Sequential supports user repairs, providing parts directly to owners, which is a significant advantage for those looking to maintain their own synths.
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Critic Reviews
2.0 out of 5
Based on 1 Review and 1 Rating
257
A complete dog of a synth
I imported one of these over from tribeca manhattan back in 2001 not long after 911, it took an age to arrive and it had smoke damage, had it not been fully recovered by a synth engineer genius by the name of Tony Allgood it would have never seen the light of day again, even though it had been fully rebuilt i never got on with its sound, it was a shadow of the Prophet 5 i'd had a couple of years earlier, different Curtis chips, and architecture, what was supposed to be an 8 voice poly prophet 5 with aftertouch ended up as a Prophet 800 with a piano keyboard in my opinion, and incredibly overrated synth of which i wouldn't have twice, i was glad to see the back of it.
41029
I dunno, I kinda enjoyed every 8 I'v played... but I never have owned one
257
The action really helps the expression, but i really didnt like the change of CEM's they made i dont think, it just didnt have the x factor, i think the envelopes were software too and with that slow Z80 inside it didnt do it any favours for percussive sounds. Nice to have owned one though.
Artist usage
Add artist
"Q. I noticed that during your solo albums you moved through the gamut of classic 80s keyboards including the PPG Wave, Yamaha GS-1 and Roland D-50. What are your fave synths from the 80s?
I loved the GS-1. It was big and high quality but I don’t think I used it a lot on my solo albums. I think it was originally made for the small church market in America so that they could get the sounds they needed without buying a huge church organ. I had a deal with Yamaha who stuck with us over the years and when the GS-1 came out I ended up going to Hamburg and sitting with a Yamaha programmer who created some great string sounds for me. I loved playing that instrument and I could play the vibrato with my feet. I’d stand up and rock back back to keep the sustain going and do the vibrato with my foot.
I used the PPG a lot. I got into the Rack Mounted DX-7, the TX-816. I’d got into MIDI in the early days in my own studio for the first couple of solo albums, Transportation and Stand Up and Walk and linking all these things up to get new sounds. I had a Prophet T8, the Prophet Sampler, the Roland D-50. it was like Keyboard City. The Prophet VS was used a lot. I really liked the joystick and the way you could morph between sounds."
At 4:09 in this YouTube video of Tears for Fears live at Massey Hall in 1985 on the Songs From The Big Chair tour, this clip taken from the documentary “Scenes From The Big Chair” shows the band performing “Shout” interspersed by interviews with Ian Stanley and Roland Orzabal. At 4:09 you can see a Prophet T8 on Ian’s synth rack. The use of a Prophet T8 live and in the studio is backed up by the following quote by Roland Orzabal from a 1984 interview
“The Prophet T8’s even better than the Five, I think it’s my favourite analogue synth. I like the piano-weighted keyboard — in fact everything I found wrong with the Prophet-5, like the fact that you had to use the modulation wheel for any modulation, seems to be put right on the T8. You’ve got in-built modulation, touch sensitivity, and I really like the Poly Mod.” – Roland Orzabal
This photo from the writing sessions of Here's To Future Days in Ireland features a Prophet T8 synthesizer visible. Joe Leeway previously had a faulty Prophet-5, which he replaced with the newly-released T8 when it was released in early 1984. He then used it for the Into The Gap tour.
"I've got the complete Oberheim system (DMX, DSX and OB8), a Prophet T8, and I still use Prophet 5 now and again. I have got a problem at the moment though because it seems almost everything is going over to MIDI. I've actually got the very first MIDI OB8 - I had it converted. I'm pretty sure it's the first one because Chase Musicians - where I buy most of my synths - had only this one in stock: I got it for the studio and they wanted to keep it in the shop! (An Oberheim-sanctioned OB8 MIDI retro-fit has been available since January.) It's proved very useful for running the DSX sequencer with other synths."
Scott Warren is confirmed to use a Sequential Circuits Prophet T8 during live performances with Dio, as evidenced by a photo shared by Scott Warren himself on Facebook.
Rupert Hine utilizes the Sequential Circuits Prophet T8, as evidenced in the article "The Thinking Man's Guide To Production" from Electronics & Music Maker, June 1986. In this article, Hine mentions using the Prophet T8 on the Thinkman album and describes it as "the best analogue synth around at the moment."
According to an article from Sound On Sound, Pete Namlook purchased a Sequential Circuits Prophet T8 near the end of the 1980s.
"A Prophet T-8 was the main controller, although not used all that much as sound source. A Yamaha DX-7 and TX-7 were used for all the electric piano sounds. A lot of the strings were a combo of two Roland synths, the MKS-70 and the D-550. I used an Akai s1000 a lot and a Linn 9000 as sequencer, drum machine (this was before powerful computers were easy to transport). An Emulator 2 was used for the guitar and many other samples."
Album Usage
The Sequential Circuits Prophet T8 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Sequential Circuits Prophet T8, it is most commonly used with the following gear.
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