Pricing and availability
Average Price: $10,450
High-end/Boutique
$499
$1700+
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Budget
Standard
High-end
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Description
The Studer A827 24 Track Analog Tape Machine is a hallmark of professional studio recording, revered for its impeccable sound quality and reliability. Standing as a testament to analog warmth, this machine is sought after by audio purists and professionals who crave the authentic tape saturation that digital simply can't replicate. Known for its world-class audio fidelity, the A827 offers a seamless recording experience, capturing every nuance with precision. Its robust build ensures durability, making it a staple in studios around the world.
Designed for ease of use, the A827 features intuitive controls that allow engineers to focus on creativity rather than technical hurdles. The 24-track capability provides ample room for complex recordings, whether you're tracking a full band or layering intricate soundscapes. The machine's transport system is engineered for smooth tape handling, minimizing wear and tear while maximizing tape life. This ensures that your investment continues to deliver high-quality recordings year after year.
Whether you're an experienced engineer or a newcomer to the world of analog recording, the Studer A827 offers a user-friendly interface with a legacy of excellence. It bridges the gap between vintage warmth and modern precision, making it a versatile choice for any recording setup.
Key Features:
- 24-track recording capability for expansive soundscapes
- Renowned for its world-class audio fidelity
- Intuitive control layout for ease of use
- Smooth and durable transport system for reliable performance
- Compatible with a variety of tape formats for versatility
Product specs
| Brand | Studer |
| Model | A827-MCH Gold Edition 2" 24-Track Analog Tape Machine |
| Year | 1990s |
| Made In | Switzerland |
| Categories | Recording Gear |
FAQs
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What are the main features of the Studer A 827?
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The Studer A 827 is a 24-track analog tape machine known for its high-quality sound reproduction and reliability. It features a 2-inch tape format and was manufactured in Switzerland during the 1990s, making it a staple in professional recording studios.
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Is the Studer A 827 suitable for modern recording studios?
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Yes, the Studer A 827 remains highly regarded in modern studios for its warm analog sound. While it requires maintenance and tape availability, it is ideal for studios aiming to capture classic analog tones.
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How does the Studer A 827 handle 24-track recording?
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The Studer A 827 allows for 24-track recording on 2-inch tape, providing a robust platform for multi-track recording sessions. Each track is recorded separately, offering flexibility in mixing and production.
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What maintenance does the Studer A 827 require?
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The Studer A 827 requires regular maintenance, including head alignment, tape path cleaning, and calibration to ensure optimal performance. It's advisable to have a professional technician perform these tasks periodically.
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Can the Studer A 827 be integrated with digital recording setups?
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Yes, the Studer A 827 can be integrated with digital setups using converters or interfaces to transfer analog recordings to digital formats, allowing for hybrid recording workflows.
Videos
White Sea Studio
THIS IS HOW A 24 TRACK TAPE MACHINE WORKS!
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Studer A 827.
Setup and maintenance
Features and functionality
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Use ears over VU meters for accurate recording levels. VU meters are slow, making it easy to distort high-frequency instruments like tambourines and hi-hats.
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The Studer A 827's reverse-play function is accessed by holding shift and pressing play, eliminating the need for tape flipping.
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The headgap delay feature can be used to manage latency issues with hardware inserts by selecting playback from the sync or repro head.
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User experience
Comparisons
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15 ips is preferred for rock music due to better drum sound, while 30 ips may suit other genres differently.
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The Studer A827 is often seen as more sophisticated than its predecessor, the A800, which is still highly regarded for its robust performance.
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Studer and Otari machines are described as analytical and flat sounding, contrasting with the "fat" sound often attributed to transformer-balanced MCI and Ampex models.
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Use cases and applications
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The Studer A 827's usage isn't solely for analog tape saturation; it offers a distinct character without pushing it to saturation, unlike lower-quality machines.
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Utilizing varispeed allows for real-time changes in vocal timbre while maintaining pitch, a technique used by artists like Frank Zappa and Tim Smith.
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Recording drums hot onto tape can create desirable tape saturation effects, offering a more pleasing tone than digital clipping.
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4.5 out of 5
Based on 0 Reviews and 3 Ratings
Artist usage
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Gear List: 48 input SSL Duality console Neve 8014 console 48 channel Pro Tools Studer 827 24 track tape machine 2 Fairchild Compressors 2 Acme xla-500’s Lang Equalizers Pultec Equalizers Drawmer Processor Bricasti Reverb 1176 limiters DBX 902 Processors LA-2A Compressors Distressors Shadow Hill Processor Calrec Equalizers Private Q system Custom TAD monitors.
"A Studer A827 multitrack is on hand, a remnant of the Booga Basement days, but is hardly touched lately, Tsai says."
Used to track XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.
Tveitbakk tracked to his Studer A827 2-inch tape machine and Pro Tools HDX. “Because we have a very large and very nice [48-channel] API console, we can track to tape and run it into Pro Tools simultaneously,” he says.
Used for The Small Hours, as mentioned in this December 2020 Sound on Sound interview.
Only for one album, 2016’s The Small Hours, has Matt Berry ventured outside of his own recording setup, tracking the album at Rimshot Studios in Kent using the facility’s 1966‑built 10‑channel Decca desk and Studer A827 two‑inch 24‑track.
“I just wanted to do something different for different’s sake,” he says. “It was worth it for the experience of going to a studio with your songs, but I don’t know whether I’d do that again. I enjoy controlling the whole thing in my own time. I did it just to see what it would be like, and it was worth it ’cause I got a relationship going with [studio owner] Mike Thorne. He’s got fantastic ears and he masters all of my stuff.”
In a 1990 issue of Musician magazine, Howie Epstein's home studio is noted to include a Studer A827 24 Track Analog Tape Machine.
Used at Sunset Sound Studio 3 from 2024-2025 as confirmed by drummer Mario Valdez's recordings of the facility.
Used to record Volume 3, as mentioned in this April 15, 2015 Electronic Musician interview.
Deschanel usually sings into a Neumann U47. “I have done a number of mic shoot-outs to see what we liked best,” she says. “But we don’t always universally stick to [the U47]; I love an RCA 77, too.”
On this project, [producer Pierre] de Reeder placed U47s for Deschanel and Ward; both also went to Neve 1073 mic pre’s, and Deschanel’s vocal took a small amount of 1176 compression. “Nothing’s heavily compressed,” de Reeder points out. “It’s just barely rocking the needle and making sure everything’s in control.”
All of the other inputs went through preamps in Sound Factory’s custom API console, then straight to a Studer A827 24-track tape machine.
“We enforce tape recording,” he says. “Pro Tools… [can make] the boldest, ‘fuck you’ punk band turn into the most paranoid weirdos. People get very timid very quickly. You need to encourage boldness and a certain kind of violence in recording.”
To capture the violence, he calls upon a curated array of vintage and modern equipment. Microphones by Josephson, AKG, and Coles feed preamps from Ampex and Neve on their way to a Studer 827 2” tape machine before being mixed on either a Neve 5316 or Neotek Elite console patched into an Ampex ATR-102 ½” tape machine. There is no digital conversion in the signal path and Vanderslice likes it that way.
Used for Home of the Strange, as is visible in this documentary about the album at 3:50. It is bandmate Sameer Gadhia who mentions its use at 3:45.
Today we're gonna be doing drums and we're gonna be recording drums to tape [...]
In the video "Black Hole Sun: Inside the Song with Michael Beinhorn - Warren Huart: Produce Like A Pro," at 11:14, Michael Beinhorn discusses using the Studer A 827 reel-to-reel tape recorder for recording the track "Black Hole Sun."
Used to track XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.
Tveitbakk tracked to his Studer A827 2-inch tape machine and Pro Tools HDX. “Because we have a very large and very nice [48-channel] API console, we can track to tape and run it into Pro Tools simultaneously,” he says.
Used to track XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.
Tveitbakk tracked to his Studer A827 2-inch tape machine and Pro Tools HDX. “Because we have a very large and very nice [48-channel] API console, we can track to tape and run it into Pro Tools simultaneously,” he says.
Album Usage
The Studer A 827 has been featured on the following albums:
Xoxo
Jayhawks (2020)
22, A Million
Bon Iver (2016)
Home of the Strange
Young the Giant (2016)
The Small Hours
Matt Berry (2016)
Random Access Memories
Daft Punk & Daft Punk (2013)
Volume 3
She & Him (2013)
Music Is Better Than Words
Seth MacFarlane (2011)
The Fall
Norah Jones (2009)
Sleep Through The Static
Jack Johnson (2008)
Icky Thump
The White Stripes & Jack White & Jack White (2007)
Speakerboxxx/The Love Below
Outkast (2003)
Love And Theft
Bob Dylan & Robert Zimmerman (2001)
The Colour And The Shape
Foo Fighters (1997)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Studer A 827, it is most commonly used with the following gear.
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