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Description
When it comes to studio monitors, the Tannoy Little Gold stands out with its heritage in delivering impeccable sound quality. Designed for both professional recording studios and serious home audio enthusiasts, this monitor combines classic design with modern technology. Dual Concentric driver technology, a hallmark of Tannoy's engineering, ensures unparalleled accuracy and clarity by delivering a point source of sound across the audio spectrum.
The Little Gold is available in both active and passive configurations, allowing it to seamlessly fit into any studio setup. Its wide frequency response ensures that every detail in your music is captured and reproduced faithfully, making it an ideal choice for mixing and mastering. While the vintage aesthetic might nod to the past, the performance is distinctly contemporary, showcasing Tannoy's commitment to innovation.
Whether you're a seasoned audio engineer or an aspiring music producer, the Tannoy Little Gold offers a reliable reference point for your audio work. Its robust build quality and refined sonic character make it a versatile tool in any recording environment.
Key Features:
- Dual Concentric driver technology for point source sound delivery
- Available in both active and passive configurations
- Wide frequency response for detailed audio reproduction
- Designed for professional and home studio use
- Renowned Tannoy build quality and engineering excellence
Videos
Audio Nostalgia
Tannoy Little Gold Monitor 12" - 1990's Vintage Dual Concentric Speakers
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Artist usage
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Lot #35 in the second group (#3198) of Julien's Auctions' December 17, 2017 "Neil Young Online Auction".
A pair of Tannoy Gold Monitor speakers.
16 by 10 by 23 inches each
"I use the E-magic Logic sequencer through a Mac Quadra 650 computer. This is linked to the instruments and to the studio via an Opcode Studio 4 interface. The studio desk is a Soundtracs Quartz (32 Channel, the little one), Quad amp and Tannoy Little Gold speakers. I have an Otari MX-80 24 track 2" tape recorder which I mix onto DAT via a Soundtools hard disc editor. (An Atari version so it will have to go soon). I wired the room myself and, surprisingly, it works quite well."
Accessit: RIAA amp Akai: S900, S1000, S1100, S1100EX samplers Alesis: ADAT digital multitrack (x2), BRC remote controller, AI-2 audio/video synchroniser, MIDIverb II (x2), Quadraverb (x2) Apple: Quadra 950 computer Atari: 1040ST computer running Emagic Creator sequencing software Audio Logic: 20001 digital sampler BBE: Sonic Maximiser 422A bel: BD-80 digital delay Digidesign: ProTools disk-based recording system (4-track version) Drawmer: DS201 Dual Gate E-mu Systems: Proteus/1 XR module, Vintage Keys module EMS: Synthi AKS synth Fostex: Model 3070 compressor/limiter Ibanez: DM1100 digital delay Jen: SX1000 synth Korg: DRV-1000 digital reverb, Wavestation A/D synth module LA Audio: MIDI gate Oberheim: Matrix 1000 synth module, OB8 synth OSC: Oscar monosynth Roland: D110 module, JX3P synth, MKS50 module, SH101 monosynth, TB303 bass synth, TR909 drum machine Tascam: 103 cassette deck Sony: CDP-770 CD player, DTC-1000ES DAT machine Soundtracs: IL3632 36-input mixing desk Tannoy: Little Gold monitors Technics: SL1210 Mk2 record deck Urei: monitors Yamaha: DS55 synth, NS10M monitors, Q2031 graphic EQ, SPX90 multi-FX unit, TX81Z synth module
Sony: BKE-9500 Editing Control Disk Unit Edit Desk PCM-7050 Digital Audio Recorder PVW-2650P Betacam SP Videocassette Player PVW-2800P Betacam SP Videocassette Recorder Monitors (x4)
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