Pricing and availability

We compare 600+ stores and found this item at 6 stores. Prices updated .

Sweetwater
5.0 (16)
$4,725.00
Guitar Center
5.0 (1)
$4,725.00
Reverb
5.0 (16)
$5,450.00 New
$3,903.91 Used
Musician's Friend
4.0 (150)
$4,725.00
Thomann
5.0 (10)
$3,866.00 $3,799.00 $67.00 · All time low
Vintage King
4.9 (14)
$4,725.00

Average Price: $4,579

High-end/Boutique

$100

$501+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 5 merchants for "TUBE-TECH CL-1B". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

The Tube-Tech CL 1B Opto Compressor stands as a benchmark in the world of professional audio, revered for its ability to deliver velvety-smooth compression that enhances any recording with unparalleled warmth and transparency. This iconic piece of studio gear, often seen in top-tier studios from LA to Nashville, is celebrated for its intuitive controls and versatile application across a variety of instruments and vocal tracks. Its simplicity belies a sophisticated design that effortlessly preserves the clarity and character of your sound, even under heavy compression.

At the heart of the CL 1B lies a gain-reduction element that is immediately effective, offering engineers and producers the option of fixed or manual time control to tailor the compression to their exact needs. The compressor's all tube-based push-pull amplifier provides up to 30dB of variable gain, ensuring your tracks sit perfectly in the mix. Whether it's vocals, bass, guitars, or keys, this compressor allows you to achieve a polished sound with ease, without unwanted artifacts.

For those in the know, the CL 1B is not just equipment; it's an essential tool that integrates seamlessly into any professional setup, offering balanced connections and linkability with multiple units for expanded processing options.

Key Features:

  • Unique low distortion gain-reduction element
  • All tube-based push-pull amplifier
  • Linkable with another CL 1B via two busses
  • VU meter for monitoring input, compression, and output
  • Continuously variable attack and release time
  • Gain range: off to +30dB
  • Variable Threshold: off to -40dBu
  • Frequency response @ -3dB: 5Hz-25kHz
  • Low noise: < -75dBu @30dB gain
  • Clickless bypass switch
  • Balanced XLR input and output

Owner's manual

TUBE-TECH CL-1B User Manual

Product specs

Type Tube Optical
Number of Channels 1
Controls Gain, Ratio, Threshold, Attack, Release
Threshold -40 dB to 0 dB
Ratio 2:1 to 10:1
Frequency Response 5Hz-25kHz (-3 dB)
Inputs 1 x XLR
Outputs 1 x XLR
Sidechain I/O 2 x 1/4"
Rack Spaces 3U
Height 5.25"
Depth 6.7"
Width 19"
Weight 9 lbs.

FAQs

What makes the Tube-Tech CL 1B compressor unique compared to other compressors?

The Tube-Tech CL 1B is a tube optical compressor known for its smooth, musical compression, making it ideal for vocals and bass. Its tube design provides warmth and character, while the optical element ensures a natural, transparent sound.

What types of music is the Tube-Tech CL 1B best suited for?

The Tube-Tech CL 1B excels in genres like pop, hip-hop, and R&B due to its ability to transparently compress vocals and bass without adding harshness, maintaining a polished and consistent sound.

Can the Tube-Tech CL 1B be used for stereo applications?

The Tube-Tech CL 1B is a mono compressor, but it can be used in stereo applications by pairing two units together, allowing for independent control and processing of each channel.

How does the Tube-Tech CL 1B handle fast transients?

The Tube-Tech CL 1B features adjustable attack and release controls, allowing it to handle fast transients effectively while maintaining a smooth compression curve, making it versatile for various dynamic sources.

What are the connectivity options for the Tube-Tech CL 1B?

The Tube-Tech CL 1B offers XLR inputs and outputs, along with sidechain I/O via 1/4" jacks, ensuring compatibility with professional studio setups.

TUBE-TECH, LYDKRAFT

TUBE-TECH, LYDKRAFT

TUBE-TECH CL1B Demo: Sound and Controls. Simple Voice demo

Video thumbnail for TUBE-TECH CL1B Demo: Sound and Controls. Simple Voice demo by TUBE-TECH, LYDKRAFT

TUBE-TECH CL1B Demo: Sound and Controls. Simple Voice demo

TUBE-TECH, LYDKRAFT

TUBE-TECH, LYDKRAFT

Video thumbnail for Tube-Tech CL 1B | Compressor | Vintage King by Vintage King

Tube-Tech CL 1B | Compressor | Vintage King

Vintage King

Vintage King

Video thumbnail for Slate Custom Opto vs Tubetech CL1B Hardware Comparison by Christian Svedin

Slate Custom Opto vs Tubetech CL1B Hardware Comparison

Christian Svedin

Christian Svedin

Video thumbnail for Tube-Tech CL1B Tube Compressor by Retrosonic Pro Audio

Tube-Tech CL1B Tube Compressor

Retrosonic Pro Audio

Retrosonic Pro Audio

Reviews

PROS

  • Superior warmth and smooth compression ideal for vocals

  • Unmatched transparency, hard to make it sound bad

  • Provides rich, creamy audio enhancement like no plugin can

  • Excellent on a range of sources: vocals, bass, keyboard

  • Simple controls, even for beginners

  • High-quality components and design justify the price

  • Versatile use in studio and live settings

  • Can effortlessly achieve professional recording/mixing results

  • Benefits from tube upgrades for custom sound preferences

  • Regarded as the industry standard and best vocal compressor

CONS

  • High price point may be prohibitive for some

  • Knobs could offer more resistance to prevent accidental adjustments

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about TUBE-TECH CL-1B.

Comparisons

  • Kiive emulation is noted for its versatility and is perceived by some users as sounding closer to the original CL-1B than the UAD version.

    Source
  • Compared to the LA-2A, the CL-1B is noted to be faster, which is beneficial for capturing quick transients in genres like rap.

    Source
  • The Softube CL1B plugin is noted to closely emulate the hardware version, particularly when compared to other plugins like the UAD, which uses the same Softube code.

    Source
  • Softube's CL1B v1, while close to the original hardware, is noted to lack the hardware's "lift" and saturation characteristics, requiring users to adjust their processing approach.

    Source

Software and compatibility

  • Issues with UA Connect include forced auto-updates that may disrupt plugin functionality if they conflict with the operating system, requiring internet for operation.

    Source
  • UA's DSP-based CL-1B is essentially a Softube emulation, highlighting the distinction between UAD's platform and native plugin availability.

    Source
  • Users suggest that the Softube CL1B MKII is an excellent native plugin choice, with some indicating that UAD's delay in adopting MKII demonstrates its quality.

    Source

Use cases and applications

  • The UAD CL-1B is appreciated for its smooth compression, particularly effective on vocal tracks, though some users prefer it for adding a "smear" effect on acoustic buses.

    Source
  • The CL-1B is favored for its transparency and is frequently used on vocals and bass, though some users also apply it successfully to acoustic guitars and percussion.

    Source
  • The compressor is popular in Nashville studios for country vocals, although some users find it less forgiving with dynamic singers, requiring careful management of the threshold.

    Source
  • The CL-1B's tube design subtly smoothens the low and top end, making it especially appealing for vocal work where a natural, transparent sound is desired.

    Source
  • The CL1B is praised for its ability to soften transients without losing clarity, making it suitable for preserving the "air" in vocal recordings.

    Source
  • For achieving CL1B-like results, combining a plugin with high-frequency saturation or a de-esser is recommended to mimic the hardware's analog warmth.

    Source

Features and functionality

  • The CL-1B offers more control with its additional parameters compared to the LA-2A, making it a versatile choice for those who want less character from their compressor.

    Source

User experience

  • Owners report a learning curve with the attack knob, cautioning that small adjustments can significantly impact the sound, but achieving the right settings yields exceptional results.

    Source
  • Owners highlight the variability in sound among different CL1B hardware units, especially with tube gear, suggesting careful listening over reliance on reviews.

    Source

Critic Reviews

The Amazing TUBE-TECH CL 1B from 1991

vintagedigital.com.au

The Tube-Tech CL 1B Opto Compressor is lauded for its smooth and musical compression, maintaining clarity even at extreme settings. Its intuitive operation and versatility make it a favorite for vocals, guitars, and more across genres. While the review doesn't delve into drawbacks, the absence of criticism and its widespread acclaim in top studios suggest it’s a stellar choice for professionals.

positive
Add

5.0 out of 5

Based on 5 Reviews and 14 Ratings

5 star
4 star
3 star
2 star
1 star
M

Amazing vocal compressor. Best in the Biz in my opinion.

The absolute best sounding and transparent compressor!!

shok
shok

1527

Fast AF Compression!

Slap this puppy on vocals and it will regulate and magicalize! Simply put, Fast AF compression.

nacho_rettally

Unoticed when compressing Vocals

I use this compresor because its lack of coloring. Love it on vocals and acoustic guitars!

bobguido7

Tube Tech CL 1B

"I don't think anyone will argue that this is the world's best vocal compressor and has been for the last 25 years"

C

The Industry Standard Tube Tech

It is the industry standard. It is the real deal. It is a Tube Tech. What more is there to say?

Artist usage

Add artist
See how Tom Elmhirst uses TUBE-TECH CL-1B

Tom Elmhirst

Audio Engineer

...
Verified via YouTube

In this YouTube video at 2:22, Tom can be seen using the CL1B Opto Compressor. He was using this item to mix David Bowie’s song Lazarus, around December of 2015.

See how Neeraj Khajanchi uses TUBE-TECH CL-1B

Neeraj Khajanchi

Music Producer, Audio Engineer

...
Verified via YouTube

Neeraj Khajanchi uses the Tube-Tech CL 1B Opto Compressor in his studio, as seen in a YouTube video by 作曲家・和田貴史の庭. Known for its musical and smooth compression, this industry-standard all-tube optical compressor maintains the clarity of the source even at extreme settings, with a simple and intuitive interface that facilitates quick sound adjustments.

See how Bella Poarch uses TUBE-TECH CL-1B

Bella Poarch

Singer

...
Verified via Photo

In this image, you can see Bella Poarch uses the Tube-Tech CL 1B compressor in her vocal chain as seen in the studio rack

See how Summrs uses TUBE-TECH CL-1B

Summrs

Rapper

...
Verified via Photo

In an Instagram story, Summrs can be seen using the TUBE-TECH CL-1B, visible on the right side of the image.

See how Ryan Petersen uses TUBE-TECH CL-1B

Ryan Petersen

Drummer, Music Producer

...
Verified via YouTube

In the video "EPIC HOME STUDIO Setup 2024 | Ryan Petersen (studio tour)" by Andrew Masters on YouTube, at 11:31, a pair of Tube-Tech CL 1B tube optical compressors can be seen in the preamp rack of Ryan Petersen's home studio, confirming his use of this equipment.

See how Toby Gad uses TUBE-TECH CL-1B

Toby Gad

Guitarist, Music Producer

...
Verified via Archive

In this article archived from Toby Gad's website tobygad.com, he writes on page 2:

"a TubeTech CL-1b compressor (works miracles)..."

See how Kip Blackshire uses TUBE-TECH CL-1B

Kip Blackshire

Singer, Keyboardist

The New Power Generation

...
Verified via Photo

As seen in Kip's Instagram photo.

See how Renato Zero uses TUBE-TECH CL-1B

Renato Zero

Singer

...
Verified via Photo

Renato Zero uses the TUBE-TECH CL-1B as part of the outboard gear in his personal recording studio built by AcusticArte near his residence in Rome. The studio features an SSL Duality console, as well as other equipment such as a Vari-mu Manley and a TUBE-TECH MP1A mic preamp, as seen in the accompanying photo.

See how Glenn Rosenstein uses TUBE-TECH CL-1B

Glenn Rosenstein

Guitarist, Music Producer

...
Verified via Glenn Rosenstein

According to his official website, music producer Glenn Rosenstein owns the TUBE-TECH CL-1B.

See how Harry Connick, Jr. uses TUBE-TECH CL-1B

Harry Connick, Jr.

Singer, Keyboardist

...
Verified via Mixonline

Used for vocals on Connick's 2004 tour, as mentioned by sound engineer Gregg Rubin in this July 1, 2004 Mix Online article.

The D5 also offers space savings over a comparable analog board and the preamp racks are onstage. All of the effects processing — expect for Tube-Tech CL-1B compressors (vocals) and XTA DP-226s (crossovers, house EQ and delays) — takes place in the console.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use TUBE-TECH CL-1B, it is most commonly used with the following gear.

Community setups

Show yours
ryan_kay

ryan_kay

Gear IQ 59

cotto

cotto

Gear IQ 131

beaudamion

beaudamion

Gear IQ 189

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