Pricing and availability
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Average Price: $2,231
High-end/Boutique
$500
$1501+
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Budget
Standard
High-end
Price History
Based on price data from 3 merchants for "UDO Audio Super 6". Prices shown reflect NEW condition. Tracking began Apr 19, 2026.
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Description
Step into a world of sonic exploration with the UDO Audio Super 6, a 12-voice polyphonic analog hybrid synthesizer that marries the warmth of analog with the precision of digital. At the heart of this synth are its two digital FPGA-based oscillators per voice, offering a versatile palette of waveforms, including sine, sawtooth, square, triangle, noise, and pulse width modulation. These oscillators feed into an analog 24 dB low-pass filter, inspired by the legendary SSM2044, ensuring rich and resonant tones.
The Super 6 isn't just about what's under the hood; it's about the experience. The expressive 49-key Fatar keyboard with velocity sensitivity and polyphonic aftertouch invites dynamic playing, while the comprehensive modulation matrix and dual ADSR envelopes provide endless sound design possibilities. With its binaural analog signal path, the Super 6 creates immersive stereo soundscapes, making it a favorite for those looking to push the boundaries of spatial audio.
Unleash your creativity with the built-in arpeggiator and 64-step sequencer, both MIDI-syncable, allowing for complex rhythms and melodies. Add depth with onboard 24-bit stereo effects like chorus and delay, and store your creations in the 128 rewritable patch memory locations. Whether you're on stage or in the studio, the Super 6 offers a robust set of connections, including MIDI In/Out/Thru and USB B port, ensuring seamless integration into any setup.
Key Features:
- 12-voice polyphonic analog hybrid synthesizer
- Two digital FPGA-based oscillators per voice
- Analog 24 dB low-pass filter with resonance
- Binaural analog signal path for immersive stereo output
- 49-key Fatar keyboard with velocity and polyphonic aftertouch
- Flexible modulation matrix and dual ADSR envelopes
- MIDI-syncable arpeggiator and 64-step sequencer
- Onboard 24-bit stereo effects: chorus and delay
- 128 patch memory locations (64 user, 64 factory)
- Extensive connectivity: MIDI In/Out/Thru, USB B port, audio input/output, pedal inputs
Owner's manual
UDO Audio Super 6 User ManualProduct specs
| Available since | August 2020 |
| Number Of Keys | 49 |
| Touch-Sensitive | Yes |
| Aftertouch | Yes |
| Split Zones | Yes |
| Modulation Wheel | Yes |
| Number of simultaneous Voices | 12 |
| Sound Engine | Digital Analog Hybrid |
| MIDI interface | 1x In, 1x Out, 1x Thru |
| Storage Medium | Internal |
| USB-port | Yes |
| Effects | 2 |
| Arpeggiator | Yes |
| Number of Analog Outputs | 2 |
| Digital Output | No |
| Display | No |
| Pedal Connections | 1x Pedal, 1x Sustain |
| Dimensions | 830 x 350 x 90 mm |
| Weight | 8,0 kg |
FAQs
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Is the UDO Audio Super 6 polyphonic or monophonic?
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The UDO Audio Super 6 is a 12-voice polyphonic synthesizer, allowing for rich, complex soundscapes and layered performances.
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What type of synthesis does the UDO Audio Super 6 use?
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The UDO Audio Super 6 features a digital-analog hybrid sound engine, combining the flexibility of digital synthesis with the warmth and depth of analog sound.
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Does the UDO Audio Super 6 support aftertouch?
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Yes, the UDO Audio Super 6 supports aftertouch, providing expressive control over your performance dynamics.
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Can the UDO Audio Super 6 be used with a MIDI setup?
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Yes, the UDO Audio Super 6 has a MIDI interface with In, Out, and Thru ports, making it compatible with a wide range of MIDI devices and setups.
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Does the UDO Audio Super 6 include an arpeggiator?
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Yes, the UDO Audio Super 6 includes an arpeggiator, allowing you to create complex rhythmic patterns and sequences easily.
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What are the dimensions and weight of the UDO Audio Super 6?
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The UDO Audio Super 6 measures 830 x 350 x 90 mm and weighs 8.0 kg, making it a robust yet portable option for studio or live use.
Videos
Perfect Circuit
UDO Super 6 Binaural Hybrid Polysynth Sounds
Reviews
PROS
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Exceptionally good at producing pad and bass sounds
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Solid build and nice heftiness, enhancing durability
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Prominent for its buttery, silky sound quality
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Encourages creativity with its design, lacking a preset focus
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Ideal for both studio use and gigging due to its size
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No menu diving, appealing to those who prefer auditory over visual workflow
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Unique character and tone that distinctively connects with the player
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Versatile sound, capable of delivering everything from plucky synth lines to menacing bass
CONS
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Jog wheel design could be improved for better functionality
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Occasional boot-up issue due to a hardware bug
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Handling of files and features requires significant improvement
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Lack of a screen complicates operation with multi-function controls
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Can be extremely complicated and challenging for some users to navigate
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Does not match the analog character of some competitors
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about UDO Audio Super 6.
Build quality
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The Super 6's keybed and faders feel sturdy, but the desktop version is considered more robust and visually appealing than the keys version.
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Features and functionality
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The Super 6 lacks a display, complicating patch recall and mod matrix navigation, but provides a unique hands-on experience with its faders and toggles.
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The Super 6's stereo mode can be adjusted to prevent constant panning, enhancing control over spatial effects in mixes.
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The Super 6's modulation matrix is perceived as limited, with fewer assignment options than expected for the "binaural" LFO.
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Use cases and applications
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Despite being marketed for its binaural capabilities, users find it excels in creating lush pads and sits well in mixes without additional processing.
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Comparisons
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Many users debate between the Super 6 and the Prophet 10 for their unique sounds, but the Super 6 is noted for versatility over the Prophet 10's raw analog tones.
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User experience
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Owners express that the Super 6 is enjoyable for jamming sessions due to its intuitive and tactile interface, despite its complexity.
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Jazz musicians like Matt Johnson and Kiefer favor the Super 6 for its Juno-inspired sounds, enhancing its appeal for jazz/jazz-adjacent styles.
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Owners appreciate the synth's 'sweet spot' nature, as most settings yield pleasing results, making experimentation less daunting compared to other synths.
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Users often find the synth's sound can dominate a mix, requiring careful handling to integrate it well with other elements.
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Value and pricing
Mods and upgrades
Software and compatibility
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A software editor is available for the Super 6, allowing users to examine and modify preset routings in detail, addressing the lack of a display for complex edits.
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Some owners report MIDI issues with sliders becoming unresponsive when playing MIDI from a DAW, requiring a power cycle to resolve.
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Critic Reviews
5.0 out of 5
Based on 1 Review and 2 Ratings
327
A real audio Lab
I already own an FPGA synth (Novation Peak), but the UDO overall sound is astonishing: lot of details and massive body. It has been designed as a true sound research lab, where each parameter works with the full capability towards sound richness. An SSI-based VCF (Dave Rossum design) does model the sound in a very creamy shape, and the filter drive control could recover the low frequency loss that high resonance values could introduce, gaining a massive and firm bass range.
Two oscillators (DDS1 and DDS2) are FPGA-based but work in different way: DDS1 has sampled single-cycle waveforms (sine, ramp, triangle, square and 32 custom) and its sound is huge like an analog VCO; DDS1 uses calculated waveforms instead (sine, ramp, triangle, square and PWM), that sounds smaller than DDS1 but very useful to enrich harmonics to create very subtle timbre overtones. DDS1 could be enpowered by replicating itself other 6 times, with variable detuning, making the second oscillator unneeded and useful for other purposes. A drift control would simulate analog feel, by shifting pitch, filter cutoff and envelope timings as per a true analog synth.
The build is incredible. Very solid and with a great mechanical feedback: sliders does have lot of friction to gain precise setting, rocker switches and pushbuttons looks like Roland Jupiter and Sequential tradition. The choice not to have a display is a bit confusing at beginning, but the design scope is to have the musician to concentrate on the sound instead of diving within menus, leaving off all potential distraction items.
Artist usage
Add artist
At 1:29:43 during the song Trying To Feel Alive we can see Porter playing on a synthesizer. Based on the button layout and the colour schemes it appears to be a UDO Super 6.
In a Facebook video by Tycho, the UDO Audio Super 6 synthesizer is visible in the background, suggesting its use in their setup.
In a video by Tape Notes Podcast, A. G. Cook mentions that he created a melody on a UDO Audio Super 6 for the track "Lucifer" by Charli XCX and Addison Rae.
Illangelo can be seen using the Super Six throughout this livestream video and most visibly at 21:40
In a YouTube video by Matt Johnson from Jamiroquai, the UDO Audio Super 6 synthesizer is visible above his Yamaha Motif during a demo of the new Prophet 10 Rev 4.
In this YouTube clip, you can see the UDO Super 6 (Blue) on the left-hand side. It is played later on in the set.
Oklou used the UDO Audio Super 6 synthesizer during her live set at Rewire in 2025, as evidenced by an image from the event.
Album Usage
The UDO Audio Super 6 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use UDO Audio Super 6, it is most commonly used with the following gear.
Community setups
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