This Yamaha REV5 was owned by Billy Corgan

Seen in the picture of his studio rack in the May 2018 Sound on Sound interview.

Mark Knopfler used a Yamaha REV5 Digital Reverberator during his tours with Dire Straits in the early 1990s, as part of a custom system designed by Pete Cornish. This information is corroborated by the website Mk-guitar.

From an interview with the Prodigy's chief live sound engineer: "The [Roland] Dimension D is used to make the guitar big, because we've only got one guitarist and we try to make everything bigger than everything else. I've also got a [Yamaha] Rev 7 and a Rev 5. I've got them Y?split together because they've got a habit of stopping working, so one of them is usually working at any one time. They're both drum reverbs, I just run them both off the snare. Then I've got a guitar reverb, an SPX990, and a [TC Electronic] M2000 on vocals, which does harmoniser on some songs and reverbs on others. Then I've got a TC D•Two for all my more traditional delays.”

Listed among Wakeman's studio gear in this July 1999 Sound on Sound interview.

At 4:17 Junkie XL introduces his Yamaha REV5 Reverberators

This can be seen as part of the rack-mountable equipment in the studio in this video.

Pata uses the Yamaha REV5 Digital Reverberator, as mentioned in the scorebook for "Jealousy."

Mixing engineer Jaycen Joshua lists the Yamaha REV5 Digital Reverberator in the gear section of his official website, indicating its role in his studio setup.

Equipment used on Rick Astley's "Never Gonna Give You Up," which was recorded at Stock, Aitken & Waterman's PWL Studio, included "The Linn 9000, which most sequences and drums were done on, was run from a [Friendchip] SRC synchroniser, and a [Yamaha] DX7 was used for virtually all of the bass lines. There was also a [Roland] Juno 106; a [Yamaha] Rev 5 and Rev 7; Dbx 160 compressors; SDE 3000 delays; an Emulator; and the wonderful Publison Infernal Machine 90, which was the first sampler that could actually pitch?change without really affecting the time signature. You could time?stretch things and make them fit reasonably well — It was a little choppy, but for the time it was phenomenal. Other than that, there was an AMS delay/harmoniser, which always had a number of kick and snare samples, and that was pretty much it."

In the YouTube video titled "ニラジ・カジャンチ『プロのバンド・レコーディング全公開』後編" by SoundRecordingJP, Neeraj Khajanchi is shown using the Yamaha REV5 Digital Reverberator. This effects processor is known for its studio-quality modulation effects and customizable reverb settings, making it an essential tool for professional multi-effect processing in studio recording.

Neil Kernon utilized the Yamaha REV5 Digital Reverberator among other equipment such as the EMT 250, EMT 251, several Yamaha REV1s, and numerous SPX-90s while mixing an album at Yamaha's studio in Glendale, CA. This information is supported by a comment from the Gearspace forum in the "Queensryche making of Rage For Order video" discussion.