Pricing and availability
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Average Price: $3,712
High-end/Boutique
$150
$501+
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Price History
Based on price data from 2 merchants for "Avid Pro Tools|HDX + HD OMNI I/O Interface". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unlock the full potential of your recording studio with the Avid Pro Tools|HDX + HD OMNI I/O Interface, your go-to solution for seamless audio production. This robust system pairs the power of Pro Tools|HDX with the versatile HD OMNI I/O, creating a powerhouse that meets the needs of professional sound engineers and ambitious home studio enthusiasts alike. The HDX card delivers immense processing capabilities, allowing you to run large-scale projects with incredible efficiency. Meanwhile, the HD OMNI I/O Interface offers pristine sound quality and comprehensive I/O options, acting as a versatile all-in-one preamp, monitoring device, and audio interface.
Designed for those who demand nothing less than perfection, this system ensures ultra-low latency and supports high-resolution audio, making it ideal for both tracking and mixing. With the ability to handle complex sessions and numerous plug-ins, it provides the flexibility you need to bring your creative ideas to life. Whether you're capturing the subtleties of a solo instrument or the full dynamics of an orchestra, the Avid Pro Tools|HDX + HD OMNI I/O Interface has you covered.
Key Features:
- Pro Tools|HDX card delivers exceptional processing power
- HD OMNI I/O Interface offers pristine audio quality
- Supports up to 192kHz audio resolution
- Ultra-low latency for real-time tracking and mixing
- Comprehensive I/O with 14 x 26 simultaneous channels
- Integrated preamps and monitoring capabilities
- Compatible with Avid’s industry-standard Pro Tools software
Product specs
| Brand | Avid |
| Model | HD Omni Pro Tools HD / HDX Audio Interface |
| Finish | Dark Gray |
| Year | 2010s |
| Categories | Audio Interfaces |
| Bit Depth | 24-bit |
| Bus-Powered | No |
| Compatibility | Windows, macOS |
| Computer Connectivity | DigiLink |
| Digital Input Format | ADAT/Optical, AES/EBU, S/PIDF |
| Digital Output Format | ADAT/Optical, AES/EBU, S/PIDF |
| Electronics | Analog, Digital, Solid State |
| Format | 19-inch Rackmount |
| Number of Analog Inputs | 6 |
| Number of Analog Outputs | 10 |
| Number of Channels | 28 |
| Number of Digital Inputs | 20 |
| Number of Digital Outputs | 26 |
| Number of Headphone Outputs | 1 |
| Number of MIDI Inputs | 0 |
| Number of MIDI Outputs | 0 |
| Number of Mic Preamps | 2 |
| Sample Rate | 192 khz |
| Simultaneous I/O | 8 x 10 |
FAQs
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What are the main connectivity options for the Avid Pro Tools|HDX + HD OMNI I/O Interface?
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The Avid Pro Tools|HDX + HD OMNI I/O Interface connects via DigiLink and offers digital input and output formats including ADAT/Optical, AES/EBU, and S/PIDF, making it versatile for professional studio setups.
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Is the Avid Pro Tools|HDX + HD OMNI I/O Interface compatible with both Windows and macOS?
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Yes, the Avid Pro Tools|HDX + HD OMNI I/O Interface is compatible with both Windows and macOS operating systems.
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How many mic preamps does the Avid Pro Tools|HDX + HD OMNI I/O Interface include?
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The Avid Pro Tools|HDX + HD OMNI I/O Interface includes 2 high-quality mic preamps, suitable for capturing detailed audio recordings.
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Can the Avid Pro Tools|HDX + HD OMNI I/O Interface handle high-resolution audio?
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Yes, the interface supports a sample rate of up to 192 kHz and a bit depth of 24-bit, allowing for high-resolution audio recording and playback.
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Does the Avid Pro Tools|HDX + HD OMNI I/O Interface support bus powering?
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No, the Avid Pro Tools|HDX + HD OMNI I/O Interface is not bus-powered; it requires an external power source for operation.
Videos
Sweetwater
Avid Thunderbolt Omni Overview - Sweetwater Sound
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Avid Pro Tools|HDX + HD OMNI I/O Interface.
Comparisons
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HDX users prefer its DSP mode for seamless tracking, while Carbon users face some inconvenience switching DSP modes during sessions.
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The AD/DA converters in the HD Omni are still considered superior to modern lower-tier models like the Audient ID14 or Rodecaster Duo, despite its age.
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Compared to Carbon, HDX systems are favored for their ease of DSP integration in classic mode, despite the noise considerations.
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Use cases and applications
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The HD Omni isn't ideal for someone not using HDX systems, as it doesn't capitalize on HDX benefits without extensive IO use.
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HDX systems are primarily suited for professional studios due to their extensive connectivity and low latency, though home studio users appreciate the enhanced tracking experience.
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Users on macOS bypass system audio limitations by routing a 3.5mm connection to a monitor selector, enabling simultaneous system and DAW audio playback.
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Software and compatibility
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Avid's Digilink interface requires an HD Native or HDX card, and a Digilink IO license is necessary for operation.
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Avid interfaces like HDX require ASIO drivers for use with DAWs; no Windows system audio driver is available, unlike the MBox Studio which supports system audio.
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Aux I/O, included with Pro Tools versions from 2022.9, offers internal routing but needs Pro Tools open, whereas hardware routing works independently.
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Value and pricing
Features and functionality
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HDX requires an HDN or HDX card for operation, emphasizing its professional studio application rather than casual usage.
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The HDX system offers real-time sample rate conversion, providing flexibility for various session requirements without compromising audio quality.
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An external mixer or interface with monitor paths, like the Omni, is necessary for combining system audio with DAW outputs in Windows environments.
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The HDX model significantly reduces latency and CPU strain, enhancing performance for heavy sessions, despite the inconvenience of manual audio source switching.
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User experience
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Users note that HDX systems can have noticeable fan noise; a workaround is placing the HDX in a separate room with extenders for control room access.
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Users report the new hybrid engine in HDX allows for full session mixing with latency-free tracking, making it preferable over standard interfaces.
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Critic Reviews
5.0 out of 5
Based on 2 Reviews and 12 Ratings
144
Cause I hate logic and cubase
If I would restart my career I would probably use a different sequencer....but this is the industry’s standard
Artist usage
Add artist
From the equipment list of the website of Trevor Horn's SARM studio:
PRO TOOLS RIG 6 core Intel Xeon Mac Pro Pro Tools HDX 1 System running 10.3.9 + 11.2.1 + 12.3.1 Logic Pro X 512SSD System Drive + OSX 10.9.5 Mavericks Avid 16 I/O Interface
Marc Kinchen shared this picture of his studio rack which includes this interface.
Matt Lange uses the Avid Pro Tools|HDX with the HD OMNI I/O Interface, as shown in his Instagram post captioned "Maschine meets braids/clouds."
Aeroplane utilizes the Avid Pro Tools|HDX with the HD OMNI I/O Interface as part of his studio setup, as seen in a YouTube video.
Is not a secret that many composers and industry professionals use Avid processors for an excellent product. Nicola Lerra uses an Avid system for mixing and mastering session.
White Hot Ice utilizes the Avid Pro Tools|HDX with the HD OMNI I/O Interface for their recording sessions, as evidenced by a user-uploaded photo.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Avid Pro Tools|HDX + HD OMNI I/O Interface, it is most commonly used with the following gear.
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