Pricing and availability
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Price
Average Price: $871
High-end/Boutique
$100
$501+
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Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "Black Lion Audio Bluey". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Dive into the sonic landscape with the Black Lion Audio Bluey, a marvel of audio engineering that brings legendary studio magic right into your recording environment. This isn't just any signal processor; it's a meticulously crafted piece of history, reborn. Inspired by the iconic "Blue Stripe" compressor and refined through the golden ears of Chris Lord-Alge, the Bluey is a testament to the unexpected beauty that emerges from the fusion of vintage charm and modern innovation. When original components became scarce, necessity led to invention, resulting in a compressor that's as unique as the hits it has helped create.
The Black Lion Audio Bluey isn't just about what's been changed; it's about capturing a moment in time, a rare piece of musical alchemy that can now be a cornerstone of your studio gear. Whether you're laying down vocal tracks or mixing down your latest creation, the Bluey adds that special "mojo" that turns recordings into resonant masterpieces.
It's not just about the sound; it's about the story behind it. This is your chance to own a piece of that legacy, to bring a bit of studio magic and mystery into your sound. With the Bluey, every recording session is an opportunity to make history.
Key Features:
- Modified "Blue Stripe" compressor, inspired by Chris Lord-Alge's unique unit
- Discrete circuit with Cinemag transformers, echoing the original UTC transformers
- Extended functionalities including parallel compression for nuanced sound shaping
- Classic ratio switching via four push buttons, offering versatile compression options
- Adjustable attack and release for precise dynamic control
- Link connection for coupling two devices, enabling stereo operation
- Balanced XLR input and output for professional-grade connectivity
- Internal power supply, switchable between 115/230 VAC for global use
Owner's manual
Black Lion Audio Bluey User ManualProduct specs
| Type | FET Limiter |
| Number of Channels | Single channel |
| Controls | Attack, Release, Mix, Input, Output |
| Ratio | 4:1, 8:1, 12:1, 20:1 |
| Inputs | 1 x XLR |
| Outputs | 1 x XLR |
| Other I/O | 1 x RCA (stereo link) |
| Rack Spaces | 2U |
| Power Source | Standard IEC AC cable |
FAQs
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What type of compression does the Black Lion Audio Bluey FET Limiting Amplifier provide?
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The Black Lion Audio Bluey is a FET Limiting Amplifier, known for its fast attack and release times, making it ideal for dynamic control in vocals and instruments.
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What are the available ratio settings on the Black Lion Audio Bluey Limiter?
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The Black Lion Audio Bluey offers four ratio settings: 4:1, 8:1, 12:1, and 20:1, allowing for versatile compression options from subtle to aggressive limiting.
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How many channels does the Black Lion Audio Bluey Compressor support?
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The Black Lion Audio Bluey is a single-channel compressor, designed for mono signal processing.
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What are the input and output connections on the Black Lion Audio Bluey?
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The Black Lion Audio Bluey features 1 XLR input and 1 XLR output, along with 1 RCA stereo link for additional connectivity options.
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What are the main control parameters available on the Black Lion Audio Bluey?
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The Black Lion Audio Bluey provides control over attack, release, mix, input, and output, allowing for detailed shaping of the compression characteristics.
Videos
Sweetwater
1176 vs. Bluey — Can You Hear the Difference?
Reviews
PROS
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Unique sound accentuates mids and highs while keeping lows full
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Wet/dry knob and ultra-fast attack/release times offer flexibility
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Performs well for both transparent compression and heavy limiting
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Durable, heavy, all-metal build quality with high-quality knobs and buttons
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Harmonic distortion adds character, making tracks pop and stay upfront
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Excellent on vocals, guitars, and bass, providing record-ready sound
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Aggressive compression without undesirable side effects
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Provides analog warmth and presence to digital tracks
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Distinct and rich sound compared to other 1176 clones
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Backlit VU meter adds to aesthetic and functionality
CONS
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Higher self-noise level compared to some other models
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Blend knob functionality may not meet everyone's needs
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No physical manual or additional accessories included in the package
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May not suit those new to the 1176's unique behavior
Critic Reviews
4.0 out of 5
Based on 1 Review and 2 Ratings
41026
Pretty good for the money.
This is a great sounding fet compressor for hard rock vocals. As one would expect, the self noise is a little higher than an 1176LN. It's still within acceptable levels under same operating condions and the revision A output electronics are definitely vibey. The build quality is exemplary.
Don't discount the bluey on other sources though, if it's not right on a vocal it way just the thing for a kick, snare or boring campfire acoustic where the fast 1176 time constants and a less than pristine and clean sound is desired over VCA dynamics control. Even when not providing gain reduction audio run thru bluey acquires additional weight and harmonic content within input and make up set to unity.
Due to some CLA mods on the ins and outs to mimic his SSL insert buffers I find I prefer to run it as an external effect in a daw rather than on console inserts. It definitely sounds best that way even with the reconversion while mixing. Its subtle though. I might even be imagining it or it could just be that my desk has tlo72s post eq buffering the inserts and whatever is driving my converters is probably more modern.
The other additional feature is a blend knob. This seems to take the dry signal from after the input amp/knob which makes this control utterly worthless to me most of the time. If you set your makeup properly to match unity gain when the bluey's insert is bypassed the dry signal will always be way too loud. In order to get a true 50/50 wet dry at 12 o'clock you need to gun your makeup gain to ridiculous levels which usually requires a pad on the return while upping the noise floor and THD from the output amplifier in ways that aren't always tolerable to me. Otherwise it's a great vintage style compressor with a double serving of 1176 character.
After spending a few LPs and singles with the bluey floating around the studio I'm ready to commit rack space and wire it into the patchbay. I'm not sure how they pulled this off at the price point.
Not for those new to the 1176 and its quirks, buy a distressor if you want familiar vca behavior that can reach back in time to the 60s in some of its many modes. This is not a swiss army knife, it's a very specific type of tool that can do many jobs, but it doesn't have a corkscrew or a toothpick.
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