Pricing and availability
We compare 600+ stores and found this item at 1 store. Prices updated .
Store
Reviews
Price
Average Price: $70
Budget/Beginner
$80
$181+
Price Tier
Budget
Standard
High-end
* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.
Description
Unleash the beast within your guitar with the Boss HM-3 Hyper Metal! This distortion pedal is built to deliver high-gain, aggressive tonal assault that's bound to command attention. With its user-friendly interface comprising of volume, distortion, and high/low color mix knobs, you can effortlessly dial in that Pantera-esque growl. Despite its short production life, it remains one of Boss's most potent gain pedals, making it an ideal choice for genres like thrash, black, or death metal.
Key Features:
- High-gain distortion pedal perfect for aggressive genres
- Intuitive interface with separate knobs for volume, distortion, and high/low color mix
- One of Boss's highest gain pedals
- Ideal for thrash, black, or death metal
- Short production life, making it a rare find
Product specs
| Brand | Boss |
| Model | HM-3 Hyper Metal Distortion |
| Finish | Black |
| Year | 1993 - 1998 |
| Made In | Taiwan |
| Categories | Distortion Pedals, Overdrive and Boost Pedals |
FAQs
-
What kind of distortion tones can I expect from the Boss HM-3 Hyper Metal pedal?
-
The Boss HM-3 Hyper Metal pedal is known for delivering high-gain, aggressive distortion tones ideal for heavy metal and hard rock genres. It excels in producing a thick, saturated sound with a pronounced mid-range, perfect for cutting through dense mixes.
-
Is the Boss HM-3 Hyper Metal suitable for use with both guitar and bass?
-
While the Boss HM-3 Hyper Metal is primarily designed for electric guitar, many users also find it effective for bass, especially when seeking a heavy, distorted tone. However, it may require some EQ adjustments to maintain low-end clarity on bass.
-
Does the Boss HM-3 Hyper Metal pedal work well with other effects pedals?
-
Yes, the Boss HM-3 Hyper Metal can be effectively integrated into a pedalboard with other effects. It pairs well with modulation and delay pedals, allowing for creative soundscapes, though it's often placed early in the signal chain for optimal performance.
-
What power supply does the Boss HM-3 Hyper Metal require?
-
The Boss HM-3 Hyper Metal pedal requires a standard 9V DC power supply, which is typical for most Boss pedals. It can also be powered using a 9V battery for portable use.
-
How does the Boss HM-3 Hyper Metal differ from the Boss HM-2 pedal?
-
The Boss HM-3 Hyper Metal offers a more modern, refined distortion compared to the HM-2, with a focus on higher gain and a tighter mid-range. The HM-3 is often preferred for more contemporary metal tones, whereas the HM-2 is known for its classic "chainsaw" sound.
Videos
Riffs, Beards & Gear
Remember The 90's: The Boss HM-3 Hyper Metal
Reviews
PROS
-
Classic 90s metal sound for nostalgia fans
-
Versatile, capable of both death metal and sludge tones
-
Distinctive fuzzy high gain without excessive noise
-
Adjustable EQ for tight sound customization
-
Less compressed, offering huge doomy overtones
-
Works well with bass, enhancing doom and drone genres
-
Quieter operation compared to similar pedals
-
Can achieve a wide range of tones, from sludge metal to doom
-
More contemporary and balanced sound than HM-2
CONS
-
May produce ambient noise at extreme settings
-
Fizzier tone when used with certain amps
-
Compressed sound when driven hard, not suitable for all
-
Some may find the pedal's character too harsh for their taste
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss HM-3 Hyper Metal.
Comparisons
-
The HM-3 is compared to the Metal Zone, sharing EQ similarities but differing in overall tone, described as smoother and less dynamic than the HM-2.
Source -
The HM-3 is described as bassier than both the Boss MD2 and HM2, with a potential "boomy" quality that can be adjusted with a bass cut on the Low pot.
Source -
Users suggest incorporating an Amptweaker Tight Metal ST for clarity and definition when using multiple metal pedals, avoiding tonal confusion.
Source
Mods and upgrades
-
Users note that the Metal Zone's fixed tone shaping EQ before and after clipping contributes to its criticized sound, and mods often involve removing these sections.
Source -
Boosting the HM-3 with a Tube Screamer is recommended to enhance midrange and tighten the bass, offering a more aggressive tone.
Source
User experience
-
Owners mention the HM-3's compressed, consistent tone across different volumes, contrasting with the dynamic and reactive nature of its predecessor, the HM-2.
Source -
The HM-3's swifter pick attack and more refined sound make it appealing for those who find the HM2's tone too unruly and compressed.
Source -
First-time pedal owners from the late '90s still revisit the HM-3, indicating its lasting appeal and relevance.
Source -
Described as a "sleeper" pedal, the HM-3 is appreciated for its understated yet impactful presence in a guitarist's setup.
Source
Value and pricing
-
The HM-3 is often available for $30-40, and some users suggest it holds its value well enough to be flipped without a loss.
Source
Use cases and applications
-
Users highlight the HM-3's suitability for single coil guitars, particularly with Strat models, providing a more open and "amp-like" sound.
Source -
The HM-3 excels in creating heavy doom and sludgy Black Sabbath-type tones, offering versatility for both darker and brighter styles.
Source -
Although it delivers 90's heavy alt-rock tone, the HM-3 does not produce a chainsaw effect, distinguishing it from other metal-focused pedals.
Source
3.5 out of 5
Based on 4 Reviews and 20 Ratings
36
A very misunderstood beast
I Had one pop up at music store I frequent so I went to try it. Upon testing, it definitely sounded very close to a Big Muff but tighter sounding & adjustable EQ. I was confident enough this would sound good though my setup so why not? Once home and plugging it in, I put it up against my trusty SUF ‘Civil War’ muff clone. Not only I could get the exact tone (and more) onto the HM-3, it was quieter and had pleasantly less white noise. The EQ is your #1 starting spot into getting great tones from this. Remember a little bit can go a long way so don’t set stuff on blast at first and start light and make small gradual adjustments until it sounds to personal taste. The Metal Zone MT-2 can sound a bit too sterile, The Heavy Metal HM-2 is a one trick pony with it’s infamous “chainsaw” sound, but I’d argue the Hyper Metal HM-3 the most usable out of the 3. I was surprised too how easily it got along with my late 50’s Silvertone 1396 which can be a bit picky with fuzz pedals. I wish Boss reissued the Hyper Metal under the Waza Craft series with adjustable Mids and this pedal would truly be unstoppable.
633
underrated?
to be honest i dont remember much about this pedal... i liked it... i think? i remember it being a pretty good instant sludge metal guitar tone when put into the clean channel of a decent amp but can be a little fizzy and odd. not for me,
plus mine stunk of cigarrette smoke. EW
250
Great distortion "effect"
This is a great pedal for a distortion effect rather than a good sounding drive pedal. Ministry or NIN covers? This is your guy! Look for serious distortion in the HM-2, RAT or even a modded DS-1
160
Good. Not great.
I have a vintage Taiwanese one from the 1980s. Not sure what year exactly. It's a very different pedal from the HM-2, I think. It sounds much more contemporary. It's a very harsh and mid-rangey pedal (for lack of a better description). The HM-2 has a lot overwhelming low-end by comparison. I think the HM-3 fixes a lot of problems that the HM-2 had, when it comes to having a more even level between low mid and high frequency. HM-3 is more usable for chords, strumming and soloing. Would keep this one if I had to choose between HM-2 and HM-3.
Artist usage
Add artist
Used in 01/30/94 at Robert Lang studio for the You Know You're Right sessions
Saw him using this @ Keep It Low Festival 2017. He also shows his Pedalboard on Instagram
According to this Guitar Geek rig diagram, Donita Sparks of L7 used a Boss Hyper Metal distortion pedal.
In the live performance video "UFOMAMMUT - GOD" from the DVD "XV," Poia is seen using the Boss HM-3 Hyper Metal pedal. It can be identified by its distinct labeling and black knobs.
"My basic equipments are boss HM-3, FZ-2, DOD Buzz Box,Death Metal,Ibanez WH10, LAL Cyber Psychic, Korg Kaoss Pad KP3 and a Mic. On that recent tour I brought an MFB KRAFTWERG SYNTH and iPad for Animoog synth application. So, when I record materials, I add some pedals to feel for free."
Album Usage
The Boss HM-3 Hyper Metal has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss HM-3 Hyper Metal, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation1 alternative for Boss HM-3 Hyper Metal, curated by the Equipboard community.
$118.15