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Average Price: $134
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$181+
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Description
Introducing the Boss MZ-2 Digital Metalizer, a concoction of vast sonic possibilities. This unique pedal fuses the warmth of an analog distortion circuit with the precision of digital chorus and delay circuits. It's your one-way ticket to uncharted soundscapes, whether you're crafting experimental, industrial, or grime tones. The MZ-2 is designed with a straightforward distortion, two chorus modes, and three delay modes, placing a universe of tonal diversity right under your feet.
Key Features:
- Analog distortion circuit, offering warm and rich tones
- Two chorus modes, for adding depth and movement to your sound
- Three delay modes, allowing for a variety of echo effects
- Combines analog and digital circuits, providing a wide range of tonal possibilities
- Ideal for experimental, industrial, or grime genres
- Straightforward operation, making it easy to dial in your desired sound
Product specs
| Brand | Boss |
| Model | MZ-2 Digital Metalizer (Blue Label) |
| Finish | Black |
| Year | 1987 - 1992 |
| Made In | Japan |
| Categories | Distortion Pedals |
FAQs
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What type of distortion does the Boss MZ-2 Digital Metalizer provide?
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The Boss MZ-2 Digital Metalizer offers a unique combination of digital distortion with chorus and delay effects, creating a rich and textured sound ideal for metal and hard rock genres.
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Can the Boss MZ-2 Digital Metalizer be used with a bass guitar?
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Yes, the Boss MZ-2 can be used with a bass guitar, but the resulting tone may vary depending on the specific bass and amp setup. It's best to experiment to find the desired sound.
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What power supply is required for the Boss MZ-2 Digital Metalizer?
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The Boss MZ-2 Digital Metalizer requires a 9V DC power supply, such as the Boss PSA adapter, or it can be powered using a 9V battery.
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How does the Boss MZ-2 Digital Metalizer differ from other Boss distortion pedals?
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Unlike typical distortion pedals, the Boss MZ-2 includes digital delay and chorus effects, allowing for more versatile and layered soundscapes, particularly suited for creating atmospheric metal tones.
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Is the Boss MZ-2 Digital Metalizer suitable for live performances?
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Yes, the Boss MZ-2 is suitable for live performances, offering robust build quality and versatile sound options that can enhance a live guitar setup with its unique digital effects.
Videos
Pepe Music
BOSS MZ-2 Digital Metalizer Demo
Reviews
PROS
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Unique distortion, from rat-meets-Marshall to fat grind
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Responsive to picking dynamics, clean to roar
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Stereo effects make guitar sound huge
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Versatile: distortion, delay, and chorus in one
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Mono or Stereo configuration enhances setup flexibility
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Analog distortion, digital chorus/doubling features
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Allows creative sound layering with doubling and chorus modes
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Solid build quality typical of BOSS pedals
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Can fill the room with sound, ideal for solo guitarists
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Collectible value due to out-of-production status
CONS
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Tone and volume knobs can overly cut highs
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Effects can suck tone dead in mono
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Some find the drive circuit and doubling/chorus subpar
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Requires time and experimentation to fully utilize
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Onboard analogue drive circuit described as awful by some
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Digital effects can sound dated to modern ears
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Can be considered unusable outside of niche applications
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss MZ-2 Digital Metalizer.
Features and functionality
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The Boss MZ-2 combines an analog distortion with four digital effect modes, offering stereo output and mimicking an 80s glam rig in one pedal.
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The pedal allows simultaneous use of echo and modulation effects, with a blend knob for fine-tuning delay and reverb, as well as chorus and detune effects.
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The stereo aspect predominantly enhances chorus and delay effects, with "Mode" settings allowing for slapback and doubling, delivering a wide, double-tracked guitar sound.
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Use cases and applications
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Ideal for achieving a heavy, processed metal sound reminiscent of 80s glam, with the digital effects playing a crucial role in both clean and dirty tones.
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By setting pedal gain to 0 and guitar volume to 1, the MZ-2 functions effectively as an ADT (Automatic Double Tracking) effect, broadening its use beyond typical distortion.
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The pedal is particularly noted for achieving a wide stereo imaging effect, making it ideal for players seeking an expansive 80s-style soundstage.
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User experience
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Some users find the hold-to-bypass feature potentially cumbersome, preferring quick switching between clean/dirty rather than full bypass during performances.
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Some owners appreciate the raw, unprocessed sound when directly connected without amps, noting it provides an authentic representation of the pedal's capabilities.
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5.0 out of 5
Based on 5 Reviews and 10 Ratings
1787
This one... Is Odd
So the trick with this pedal is, no one really knows how to use it. It's one of those weird pedals that's like "What was Boss really thinking with this one?" The answer? "FAT DISTORTION." The instruction pamphlet has settings for everything from some grungy basic tones, to BALLADS (yes, ballads), to what literally says "The Fattest Distortion."
This is one you've got to play with. I mean, you've really got to play with it. And it's worth your time, if you don't mind noodling. You can get some creamy fat tone out of it, and with the doubling effect and stereo out, one guitarist can fill the room with sound.
Question is, are you willing to put in the work?
41029
ever try it on a synth?
1787
I don't really use a lot of hardware synths (in fact I don't rightly use any). The only synths I have currently are all software, unless you count the Casio CTK-2000 keyboard. And it's... not great.
That said, I can imagine if you put it on a synth you could get the same or similar sound that Pink Floyd got in Welcome to the Machine.
514
Best Boss Dirt Pedal
Boss hidden gem; truly great pedal. Its name might be confusing and discouraging, so let me clear - this is a two-circuit pedal. Analog for distortion, digital for chorus and doubling feature. Starting with distortion: MZ-2 stands quite close to DS-2 since they were released in almost the same time. Heavy, saturated and lots of gain available. Fav settings so far: LEVEL: 3:00 TONE: 11:00 DIST: 2:00.
However the biggest fun starts with MODE Knob. SGL: "single" distortion, so you get ONLY distorted signal. DOUB I: here starts the doubling. In fact this mode does not give much difference, the signal is just a little bit fattier. You need to play 5 minutes in this mode, then switch back to single in order to feel the difference. DOUB II: Call me stupid, but quite close to Black Album tone (put a SD-1 in front MZ-2 to get even more). Fat, heavy, addictive. DOUB III: too much, sounds more like very loud digital slap back delay. Not very useful. CHO I: subtle chorus, CE-2 simulation with rate and depth on 10:00. CHO II: more audible chorus, CE-2 simulation with rate on 10:00, depth at 2:00.
Stereo is awesome and this is what makes MZ-2 shine. Absolutely love MZ-2, worth getting!
102
A decade in a box
A strange one, indeed. BOSS was obviously looking to attract a niche crowd with this distortion pedal that incorporates two different circuits. Circuit one is pretty much a stock analog distortion while circuit two provides an additional five (FIVE!) different non-modes for doubling and chorus effects coming from newly discovered digital planets.
Doubling one: REALLY REALLY short delay for an almost slap back echo
Doubling two: REALLY Short delay for an almost slap back echo, the mode I use second most
because I really seems to be the sweet spot and hit what the developers were trying?
Doubling Three: Short Delay for short slapback-esque sound
Chorus one: Light Chorus (this was made in the eighties, right?)
Chorus two: Light Flange. To my ears this just sounds too good to not use this one the most.
This pedal is ALOT of FUN to play! one is able to create all sorts of aquanet sounds from this monster and it's a BOSS, so it'll be around forever...and all of your friends will laugh at you once you tell them the name...Digital Metalizer, by BOSS?!?
101
boss' most misleadingly named pedal
the 'digital' part in this pedals name refers to the digital slapback/doubling/chorus effect it allows you to switch in. Do yourself a favor and keep that turned off. What you're left with is a very nice and smooth high-gain drive that feels like the missing link between a vintage big muff and a Rat. Packs quite a punch too. because of the name and the color scheme this pedal is often mistakenly thrown in the heavy metal/metal zone pool, but it's a very different animal indeed. This one is Gilmour drive in a box!
207
Artist usage
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A Boss MZ-2 can be seen in the photo, used in the A Momentary Lapse Of Reason tour 1987-1990.
In a live photo of Daft Punk from 1995, there is a guitar pedal positioned on the left side of the Juno, identifiable by its 4 red knobs in a row, which closely resembles the Boss MZ-2 Digital Metalizer rather than other models like the Heavy Metal or Metal Zone. The distinct red color of the knobs, as seen in the image, supports the identification of this pedal. Additionally, similar tape is used to cover the model name on this pedal as seen on the 808 above the rack and the Boss GE-7 on the Linn Drum.
Nick Valensi uses the Boss MZ-2 Digital Metalizer, as documented in the "Pedalboards of the Stars collection part III" on The Gear Page, where it was noted that he employed this pedal during his performances at Coachella in 2026.
Spotted a few times on Buckley's documentary "Everybody Here Wants You", probably used on "Sketches for my sweetheart, the drunk" pre-production.
Known from the following sources:
Guitar Player, September 1990, "Gary Lucas' Gods and Monsters" by Mark Dery
Lucas remains true to Beefheart's aesthetic. Backed by Gods and Monsters – country yodeler Julia Heyward, bassists Paul Now and Jared Nickerson, and alternate drummers Tony "Thunder" Smith and Tony Lewis – he rattles off strings of notes like a turret gunner spitting shells. He runs his sunburst '63 Fender Strat and red '65 Gibson Firebird (both strung with light-gauge D'Addario rock strings) through a maze-like signal chain: "My pedals sit on a percussion stand," he explains. "I go through a [Dunlop] Cry Baby wah into a T.C. Electronic Sustainer/Equalizer, a Boss Digital Metallizer, a Boss Flanger, another equalizer, which I use as gain-stage control, and then into a noise suppressor, a DeArmond volume pedal, a Whirlwind box – an effects loop with a gain stage – and then into a Boss Pitch-Shifter/Delay, a Boss Chorus, and then into another Pitch Shifter – which I manually manipulate – and then into a DigiTech 8-second delay, an Electro-Harmonix 16-second delay, an Alesis Midiverb, and a second Electro-Harmonix delay. At that point, I split the signal, running the direct sound into a Gallien-Krueger 250 ML and the effects into a Roland JC-120."
Touched by Grace: My Time with Jeff Buckley (2013), pg. 62
Jeff finished singing the lyrics to his dad’s song—a hymn to Sefronia, the ancient African slave queen—with all the authority of the shaman within. I stepped on my Digital Metalizer pedal to take the song out with a fuzzed-out bluesy riff based on the orchestral line that ends the original recording.
Premier Guitar, "Gary Lucas: Sincerely Strange" by Ted Drozdowski (June 13, 2016)
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- Boss MZ-2 Digital Metalizer
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- Boss TR-2 Tremolo
- TC Electronic Hall of Fame Reverb
- Electro-Harmonix 16 Second Digital Delays (2)
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"The amps are two Roland JC120s, which I fitted with ElectroVoice speakers. Pedals are all Boss: Digital Delay, Metallizer, and a Turbo Overdrive. And that's it."
Album Usage
The Boss MZ-2 Digital Metalizer has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Boss MZ-2 Digital Metalizer, it is most commonly used with the following gear.
Community setups
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