The original 535Q 18V model has adjustment knobs on the underside, which users find inconvenient during live performances.

The 535Q 18V has a chrome six-position tone knob that offers a wide tonal range, highly valued by long-term users for its versatility.

Users find the 535Q's variable sweep, boost, and Q controls helpful for emulating the WH10 sound while addressing its typical shortcomings.

The 535Q lacks the optical strip mechanism, which some users perceive as a more durable alternative to the traditional rack and pinion.

Two battery connectors are inside the pedal, but users report batteries depleting quickly, making them ineffective for extended use.

Despite owning other models, users consistently favor the 535Q 18V for its superior sound, even over newer models like the Dunlop CAE 404.

The Cry Baby 535Q is noted for being more vocal, akin to the black and grey WH10, while the Dimebag model is closer to the V1 grey and blue Ibanez.

The 535Q's tonal range and versatility often surpass the Dimebag Crybaby From Hell, despite the latter having dual Q controls.

Some owners from the early 2000s continue to use the 535Q 18V, indicating its durability and lasting appeal over decades.

Some users encounter difficulties with the 535Q's shallow sweep, finding it less satisfactory compared to the Ibanez WH10.

Owners have reported the 535Q's rocking motion as clunky, with minimal changes from the knobs and an underwhelming red "Q" boost.

For achieving a WH10 tone, recommended settings include range selector on 10, boost on 10, and Q in the highest position.

Some users favor the 535Q for its ability to perform well without standing out excessively at the heel-down position.

The Cry Baby 535Q's metal construction is appreciated for its reliability during gigs, contrasting with the plastic build of some WH10 versions.

The actuator piece that engages the switch can wear out over time, and the hole for the switch might enlarge, affecting reliability.