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Description

The E-mu SP-12 is a legendary piece of music production history, revered by beatmakers and producers for its distinctive sound and intuitive design. Originally launched in 1985, this drum machine and sampler has stood the test of time, offering a rich palette of sounds that have shaped countless tracks across genres. With 8-bit sampling and 12-bit playback, it delivers a gritty, punchy sound that is instantly recognizable. The SP-12 combines analog synthesis with digital sampling, allowing users to manipulate sounds with precision and creativity.

Equipped with a 12-voice polyphonic sampler, the SP-12 offers flexibility and depth for crafting unique rhythms and beats. The built-in sequencer supports up to 5,000 notes, giving musicians ample room for complex compositions. Users can program patterns and sequences with ease, thanks to its straightforward interface and responsive buttons. The SP-12 also features 8 individual outputs, enabling seamless integration into any studio setup.

For those seeking a classic piece of gear that continues to inspire, the E-mu SP-12 is a perfect choice. Its robust feature set and unmistakable sound quality ensure it remains a staple in both vintage collections and modern studios.

Key Features:

  • 12-bit playback for classic, gritty sound
  • 8-bit sampling with dynamic range
  • 12-voice polyphonic sampler
  • Built-in sequencer with capacity for 5,000 notes
  • 8 individual outputs for versatile connectivity
  • Intuitive interface for easy programming
  • Classic drum machine and sampler combo, loved by producers across the globe

Product specs

Brand E-MU Systems
Model SP-12 8-Voice Drum Sampler
Finish Blue
Year 1985 - 1987
Categories Drum Machines, Samplers
Analog / Digital Digital
MIDI I/O MIDI Input, MIDI Output, MIDI Through
Polyphony 8 Voices

FAQs

What are the main features of the E-mu SP-12 drum sampler?

The E-mu SP-12 is an 8-voice digital drum sampler known for its distinctive sound and intuitive interface. It features MIDI connectivity, allowing for integration with other MIDI-compatible devices, and offers sampling capabilities that were groundbreaking at its release.

How does the E-mu SP-12 differ from the SP-12 Turbo?

The primary difference is the sampling time; the SP-12 offers 1.2 seconds of sampling time, while the SP-12 Turbo extends this to 5 seconds. Additionally, the SP-12 Turbo increases the memory capacity for storing patterns and songs significantly.

Is the E-mu SP-12 suitable for live performances?

Yes, the E-mu SP-12 is well-regarded for live performances due to its robust build and user-friendly interface, making it easy to trigger samples and sequences during a show.

Can the E-mu SP-12 be integrated with modern music production setups?

While the E-mu SP-12 is a vintage piece of equipment, it includes MIDI input and output, allowing it to be integrated into modern setups with MIDI-compatible devices, though additional converters might be needed for seamless integration.

What type of music is the E-mu SP-12 best suited for?

The E-mu SP-12 is particularly popular in hip-hop and electronic music genres, thanks to its gritty, lo-fi sound quality that adds character and texture to drum tracks.

Meuchine

Meuchine

E-mu SP-12 - 12Bits sampler from 1985

Video thumbnail for E-mu SP-12  - 12Bits sampler from 1985 by Meuchine

E-mu SP-12 - 12Bits sampler from 1985

Meuchine

Meuchine

Video thumbnail for EMU System SP12 (Testing functionality) by Default Corporation

EMU System SP12 (Testing functionality)

Default Corporation

Default Corporation

Reviews

PROS

  • 12-bit character for a unique sound

  • Quick sample loading with velocity sensitive finger triggers

  • Allows building custom drum sets with preferred sounds

  • Large selection of internal percussion sounds

  • Independently assignable outputs enhance versatility

  • Unique digital noise adds character when changing pitch of samples

CONS

  • Poor workflow compared to modern software like Ableton

  • Limited sampling time (5 seconds) can be restrictive

  • Playing with loops of different tempos is challenging

  • Quantize cannot be turned off, affecting timing accuracy

  • Buttons and build quality feel unreliable

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about E-mu SP-12.

Comparisons

  • The SP-12 Turbo is often preferred over the SP-1200 for its perceived superior sound due to older converters, despite the minimal difference in actual sound quality.

    Source
  • The Emax provides a different sound character than the SP-12, with capabilities like chromatic programs and a unique filter, making it complementary rather than redundant.

    Source

Features and functionality

  • The SP-12’s sequencer is praised for its swing, though modern sequencers are generally considered more advanced.

    Source
  • The boot-up screen displays the version, crucial for determining if an SP-12 is a Turbo model.

    Source

Setup and maintenance

  • Owners highlight the difficulty in saving/loading sounds on the SP-12, exacerbated by issues with aging components like C64 drives and floppy emulators.

    Source
  • Vintage gear maintenance is challenging; users report frequent failures in capacitors, power supplies, and buttons, with replacement parts being scarce.

    Source

User experience

  • The SP-12 Turbo provides a unique sound character that some users prefer over modern alternatives, even if the differences are subtle in a mixed track.

    Source

Mods and upgrades

  • Upgrading to a Turbo by ordering chips online can extend sample time to 5 seconds, significantly enhancing functionality and value.

    Source

Value and pricing

  • Upgrading to USB compatibility can increase the instrument's resale value, as noted by owners who bypassed the floppy drive in other vintage gear.

    Source

Critic Reviews

E-mu SP-12 | Vintage Synth Explorer

vintagesynth.com

The E-mu SP-12 is a revered classic for its role as a pioneering drum machine and sampler, influencing later giants like the SP-1200 and AKAI MPC series. Its charm lies in its lo-fi, 12-bit sampling and a solid selection of preset sounds. However, it’s held back by limited sampling time and mono outputs. While the SP-1200 surpassed it with enhanced features, the SP-12 remains a cherished piece for collectors and lo-fi enthusiasts, used by icons like Madlib and DJ Premiere. Ideal for those seeking vintage character over modern convenience.

5.0 out of 5

Based on 1 Review and 6 Ratings

5 star
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kenneth_martin_gammell

Revolutionary Drum Sampler and more

Intelligently designed, one could quickly load samples and play them on velocity sensitive finger triggers. I would create a self contained groove by sampling a bass note and guitar chords. Best of all, you could build your own drum set with the type of drum sounds you preferred, not just what came in the box. Even so, you had available a whole pile of internal percussion sounds to play with. The SP-12 had a flaw when trying to change the pitch of percussive samples, it added this grungy digital noise that became it's own cool sound effect. This flaw became popular and was exploited in recordings. Independent outputs were also a bonus. I got rid of mine once the memory started going.

Artist usage

Add artist
See how Guy E. Fletcher uses E-mu SP-12

Guy E. Fletcher

Keyboardist, Composer

Mark Knopfler’s Guitar Heroes

...
Verified via Muzines

"For the work Mark and I are currently doing on Tina Turner's new album, we're also using the Emulator SP12 drum machine, Linn 9000, and the new Pro-24 software from Steinberg Research which runs on the Atari computer."

See how Dj Evil Dee uses E-mu SP-12

Dj Evil Dee

Music Producer, DJ

Da Beatminerz

...
Verified via Photo

In this picture that Dj Evil Dee posted to his Instagram, he shows off some off his classic gear and writes, "#tbt #throwbackthursday WHAT YOU KNOW ABOUT THE SP1200, SP12 TURBO & THE AKAI 950 ???"

See how Georgi Guryanov uses E-mu SP-12

Georgi Guryanov

Bassist, Drummer

KINO

...
Verified

Georgi Guryanov, alongside Igor Tikhomirov, utilized the E-mu SP-12 for programming tracks on KINO's final ‘Black Album,’ including "Nam s toboy" (You and Me), "Zvezda" (Star), "Konchitsya leto" (Summer Will End), "Muraveynik" (Anthill), "Kogda tvaya devochka bolna" (When Your Girlfriend Is Sick), and "Kukushka" (Cuckoo). This is evidenced by the samples' sounds, which are identical to those produced by the E-mu SP-12, as detailed in the VK discussion titled "Какие синтезаторы использовала группа 'Кино'…"

See how The Dust Brothers uses E-mu SP-12

The Dust Brothers

Composer, Music Producer

...
Verified via Soundonsound

Per Sound On Sound, May 2005:

"The very first sampler we had was a Roland F10," recalls Simpson, "and then we went with the Akai S900. Those were still mono samplers. Then we dabbled with the SP12, the predecessor of the SP1200, and then we had a Roland S770, which I think was the first stereo sampler.

See how Luke Million uses E-mu SP-12

Luke Million

Keyboardist, Music Producer

The Swiss

...
Verified via Photo

In an Instagram post, Luke Million discusses his extensive use of the E-mu SP-12 in his "Come Together" EP. He highlights its role in processing drum sounds, such as pitching down an Oberheim DMX for "Killing Me Slowly" and adding crunch to the drums for "Alive."

See how Alan Howarth uses E-mu SP-12

Alan Howarth

Keyboardist, Composer

...
Verified via Soundonsound

"Phase 2 began with Big Trouble In Little China. I had a new house and built a studio in the garage out back, which I called Electric Melody Studios, and where I had an Ampex MM1100 24-track instead of the Stephens. I added a Kurzweil 250 synth and a Prophet VS, both of which became main pieces, and also got the Linn Drum LM2 and an E-mu SP12 Drumulator. I started getting into computer-based sequencers as well. The first one I got was MOTU Performer on the Mac Plus. But the crown jewel which we got in 1986 was a Synclavier system. It was so expensive that I bought it on payments, it was like buying a house! I decided to go for the Synclavier rather than the Fairlight because it had added a Macintosh as its interface."

See how Shawn Rudiman's uses E-mu SP-12

Shawn Rudiman's

Composer, Music Producer

...
Verified via Iheartsynths

In an interview with Iheartsynths, Shawn Rudiman reflects on his journey into synthesizers, mentioning that his passion began the day after Christmas in 1990. During this time, Rudiman, along with his friend Ed Vargo, ambitiously dove into music production, eventually securing a record deal for their industrial demo. This period marks the inception of his use of the E-mu SP-12, a key instrument in his early work.

See how Headnodic uses E-mu SP-12

Headnodic

Bassist, Music Producer

The Mighty Underdogs

...
Verified via Photo

In an Instagram post by Headnodic, the E-mu SP-12 can be seen standing on its side against the wall, confirming his use of this gear.

See how Afrika Islam uses E-mu SP-12

Afrika Islam

Music Producer, DJ

The Rock Steady Crew

...
Verified via Facebook

In this Facebook photo, Afrika Islam showcases his Linn 900, his Roland 909, and his SP-12.

G

George Fields

Music Producer

...
Verified via Instagram

He uploads videos on instagram playing beats on the E-mu SP-12

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use E-mu SP-12, it is most commonly used with the following gear.

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