Pricing and availability
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Reviews
Price
Average Price: $319
Standard/Professional
$100
$501+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 1 merchant for "FMR Audio RNLA 7239". Prices shown reflect NEW condition. Tracking began Apr 25, 2026.
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Description
Dive into the realm of studio perfection with the FMR Audio RNLA 7239, a compact powerhouse that redefines the essence of compression. Unlike its sibling, the RNLA 7239 boasts balanced outputs and a vibrant, colorful sound palette, reminiscent of vintage optical compressors. Its unique logarithmic release mode ensures your transients are preserved, even under intense gain reduction. Ideal for both subtle dynamics control and creative compression, this unit is a must-have for producers and engineers seeking that elusive, professional sheen.
Key Features:
- Balanced outputs for professional-grade connectivity
- Colorful sound character, akin to classic optical compressors
- Unique logarithmic release mode for preserving transients
- Compact, third-rack format for easy integration into any setup
Product specs
| Available since | February 2006 |
| Compressor | Yes |
| Gate | No |
| Peak Limiter | No |
| 2-Channel Unit | Yes |
| Attack/Release Adjustable | Yes |
FAQs
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What type of compression does the FMR Audio RNLA 7239 provide?
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The FMR Audio RNLA 7239 is known for its "Really Nice" compression, offering a smooth and musical character that is ideal for adding warmth and presence to vocals and instruments.
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Is the FMR Audio RNLA 7239 suitable for stereo applications?
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Yes, the RNLA 7239 is a 2-channel unit, making it suitable for stereo applications, allowing you to process two channels simultaneously.
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Can I adjust the attack and release times on the FMR Audio RNLA 7239?
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Yes, the RNLA 7239 allows you to adjust both the attack and release times, providing flexibility in shaping the compression characteristics to suit your audio needs.
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Does the FMR Audio RNLA 7239 include a peak limiter?
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No, the RNLA 7239 does not include a peak limiter. It focuses on providing compression without additional limiting features.
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How does the FMR Audio RNLA 7239 differ from other compressors?
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The RNLA 7239 is distinguished by its "Really Nice" compression which provides a unique, warm, and musical sound, making it a favorite for those seeking character and presence in their audio processing.
Videos
Zed Marty
FMR RNLA 7239 Review: Drums, Bass, Guitar & Vocal
Reviews
PROS
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Compact size, easily portable for mobile setups
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Impressive sound quality, described as "gooey and thick"
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Adds a pleasant, creamy character to audio
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Exceptional value for money, especially for a stereo compressor
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Robust build quality with metal casing and sturdy knobs
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Offers fine control, comparable to higher-end models
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Effective for a wide range of applications, from live music to studio recordings
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Enhances sound with a lower harmonic richness
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Clear layout and efficient metering for easy use
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Considered a "secret weapon" for vocal recordings
CONS
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Lacks a power switch, inconvenient for some users
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Comes with a wall wart, which may be seen as a drawback
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Sidechain input could be more user-friendly
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May be too heavy-handed for certain mixing applications, like rock or pop
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about FMR Audio RNLA 7239.
Comparisons
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The RNLA 7239 is noted as a decent compressor for its price, distinguishing it from the more transparent RNC model.
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The RNLA 7239 is often compared to the Art Pro VLA II for live setups, with the latter offering vactrol drive and tube boost capabilities.
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Users find the RNLA 7239 to offer a distinct character compared to the RNC 1733, with the RNLA being less clean and more suited for those seeking coloration.
Source
Features and functionality
Use cases and applications
Value and pricing
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Owners note that the RNLA 7239 has increased in price but still see it as a worthwhile investment for its unique tonal characteristics.
Source
4.5 out of 5
Based on 1 Review and 8 Ratings
41026
bang for buck
sonically in the LA3/LA4 camp... way more fine control available. Just a great stereo comp/limiter. Real winner for live electronic music... maybe a bit heavy handed for buss duties when mixing rock n roll or pop, but worth a shot in parallel on sub groups. I love the guys at FMR
Artist usage
Add artistGenre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use FMR Audio RNLA 7239, it is most commonly used with the following gear.
Community setups
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