Gibson introduced the B-25 in 1961 which featured a mahogany body (solid back, laminated sides), solid spruce top, and rosewood fingerboard like the B-45. The B-25 featured a smaller body than the B-45 and a narrow neck (1 5/8" nut). Many came with a plastic bridge and ceramic adjustable saddle. Most B-25's had a cherry sunburst finish, but there were a limited number of ebony finish editions with white pickguards. There was also a natural finish B-25-N edition. Production of the these standard B-25's ended in 1977.

Gibson produced a "short scale" version of the B-25, the B-25-3/4, with the same features as the standard B-25 but with a ¾ size body and a different sunburst finish. Gibson manufactured this edition from 1962 through 1968. From 1966 – 1968, the natural finish B-25-N-3/4 was also available. The short scale editions were marketed as "student" guitars.

Product specs

FAQs

What is the scale length of the Gibson B-25 ¾?

The Gibson B-25 ¾ features a shorter scale length compared to standard acoustic guitars, making it more compact and easier to play, especially for those with smaller hands or beginners.

Is the Gibson B-25 ¾ suitable for fingerstyle playing?

Yes, the Gibson B-25 ¾ is well-suited for fingerstyle playing due to its concert body shape and responsive spruce top, which offer a balanced tone and clear articulation.

What materials are used in the construction of the Gibson B-25 ¾?

The Gibson B-25 ¾ is constructed with a spruce top, mahogany back and sides, and a rosewood fretboard, providing a warm and resonant tone characteristic of Gibson acoustics.

Does the Gibson B-25 ¾ have an onboard pickup or preamp?

No, the Gibson B-25 ¾ does not have an onboard pickup or preamp, making it a purely acoustic instrument ideal for traditional acoustic playing.

How does the Gibson B-25 ¾ compare to full-sized acoustic guitars?

The Gibson B-25 ¾ offers a more compact size and shorter scale length, providing a comfortable playing experience for smaller players while maintaining the rich tonal qualities typical of Gibson acoustics.