Jimmy Page can be seen playing a 1968 Gibson B-25 acoustic during the recording of Led Zeppelin 2. He most likely used this for the song "Thank You" along with his Vox Phantom VII. It's unknown if he borrowed this guitar for the album recording or if he owned it.

(41:45 minute mark) - The Gibson B-25 was used during the "American Idiot" era, it was capoed at fifth fret. Used for "Give Me Novacaine".

Thom used this guitar for performances of "Skirting On The Surface", as well as older songs like "Karma Police" and "Paranoid Android".

Sold on Reverb.com in 2017.

This Gibson 1966 B25 Acoustic is part of the private collection of J Mascis.

Gibson's smaller-than-dreadnought offerings are totally off most players' radar, but once you get one in your hands you'll never forget. They are undoubtedly Gibson in tone and playability. They have a voice that is both woody and punchy and are just plain addictive. The B-25 has a the adjustable metal saddle that is a key to 60s Gibson tone.

We have left the strings on this noteworthy instrument the way it came to us from J. You may want to switch them out as they are absolutely used and rusted, but for a collector, leaving them as-is is totally understood!

There are a two noteworthy things here on the body, On the top of the body are two substantial cracks. One is leading from the top of the bridge to the base of the guitar. The other is on the lower bout on the front near the center of the guitar. While this may want to get looked at sooner than later, this is currently not effecting the sound or playability of the instrument. Some significant sound-hole wear from years of being played.

The bridge is at the beginning stages of separating from the body. This guitar could stand to have the neck reset in order to correct this issue. We have done our best to capture this in our photography of this guitar.

On the front lower bout is some denting and scuff marks. Pick rash on the front both on the sound-hole and near the lower portion of the bridge. Some denting on the front bouts. This is also on the rear of the guitar as well.

This instrument was absolutely played, well loved and tossed around. The best instruments often are and this one is no exception. Wonderful, full bodied sound. An excellent fingerpicker or campfire strummer.

Ships in an OHSC. This is a work of beauty from the heyday of Gibson acoustics and can be yours today.

All items in J's Reverb Shop ship fully insured with a signed and embossed Certificate Of Authenticity by J Mascis.

In this video Ty is seen with his Gibson B-25 acoustic

In the live performance of "The Meeting Place" by The Last Shadow Puppets at Avatar Studios, Miles Kane plays a Gibson B-25, as seen in the video by Domino Recording Co.

Here we see Liam using what seems to be a mid 60's Gibson B-25 in natural, photo taken from his instagram account. This guitar was briefly mentioned in the Premier Guitar interview.

Gallagher’s approach to songwriting is about as loose as it gets, but he does have a method. Keen eyes will notice he touts several different Gibson acoustics in As It Was, including a Hummingbird, a vintage L-48, and a well-worn B-25. (For plugging in, he owns up to a vintage Gretsch Country Gentleman, in deference to George Harrison.) He usually keeps a capo at the 4th fret because it suits the range of his voice, particularly in Ab.

(its actually a gibson b25n but i couldnt choose that one) In this video finn wolfhard says that he bought this gibson b25n in tokio He says its sounds amazing and that it looks kinda like an old militairy guitar

Initially, the band ran into problems with management over the direction of the music. “We tried a bunch of different demos, but management didn’t like them so we kept writing new material,” Williamson says. “I would sit in my room, working out riffs and things on my Gibson B-25 acoustic guitar, and ended up with a whole bunch of stuff. Eventually, the management got sort of consumed with breaking David Bowie in the U.S., and they quit paying attention to us. It was great, because we were then able to go into the studio on our own, without a producer or anything, and make Raw Power.”

In the Vintage Guitar interview, Williamson also states that he used this guitar for "Raw Power" and "Kill City" sessions, and that guitar is now being exhibited at the Rock and Roll Hall of Fame.

In this Instagram post, he welcomes another guitar to his guitar family. He confirmed in the comments that this is the 1966 model.

"We turn around and we’re onstage. Nothing’s in tune, nothing’s plugged up. That show had long lulls where I’m standing there, tuning one string on one of the old [Gibson] B-25s--it just wouldn’t happen. Every string was out of tune, they’re waiting, you’re getting ready to do a song that you don’t really know . . .” Scott Avett

(English translation) "Yukihiro's guitar. He mainly played a Gibson B-25 (left), but also played the same Chet Atkins model (right) on 'I Saw The Light' and 'Today's Sky'. At the Kyoto and Kobe shows, he also performed a cover of Bob Dylan's 'Don't Think Twice, It's All Right'."