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Average Price: $32
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Description
Step into a world of sonic versatility with the Line 6 POD 2.0 Guitar Multi Effects Processor, a staple for both novice and seasoned guitarists. This compact powerhouse combines A.I.R. (Acoustically Integrated Recording) technology with a rich tapestry of amp and cabinet simulations, ensuring your guitar tones are as authentic as they are expansive. Whether you're chasing the soulful warmth of vintage tube amps or the crisp clarity of modern digital tones, the POD 2.0 has you covered. With its intuitive interface and robust build, switching between the 36 presets becomes a seamless experience, allowing you to focus on your music, not your gear.
Housed in a rugged, stage-ready chassis, the POD 2.0 is as dependable as it is portable. Its comprehensive array of effects, from lush reverbs to searing overdrives, provides an endless palette for creativity, making this processor a must-have for any guitarist seeking to explore new soundscapes. Plus, the hassle-free direct recording capabilities mean you can lay down tracks that sound polished and professional, straight from your home studio.
Whether you're crafting hits in the studio or captivating audiences on stage, the Line 6 POD 2.0 is your key to unlocking a universe of tones, all in one sleek device.
Key Features:
- A.I.R. (Acoustically Integrated Recording) technology for authentic amp and cab simulations
- 36 versatile presets covering a wide range of styles
- Intuitive interface for quick and easy adjustments
- Direct recording capabilities for professional-quality tracks
- Robust and portable design, perfect for stage and studio use
Product specs
| Brand | Line 6 |
| Model | POD 2.0 Multi-Effect and Amp Modeler |
| Finish | Red |
| Year | 2010s |
| Categories | Amp Modeling Pedals, Multi-Effects Pedals and Processors |
FAQs
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What types of effects are included in the Line 6 POD 2.0 Guitar Multi Effects Processor?
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The Line 6 POD 2.0 offers a wide range of effects including modulation, delay, reverb, and overdrive, along with 32 amp models for versatile sound shaping.
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Is the Line 6 POD 2.0 suitable for live performances?
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Yes, the Line 6 POD 2.0 is designed for both studio and live use, providing reliable performance with its robust amp and effects modeling capabilities.
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Can the Line 6 POD 2.0 be used with a bass guitar?
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While primarily designed for electric guitars, the Line 6 POD 2.0 can be used with a bass guitar, though the amp models are specifically tailored for guitar tones.
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What are the connectivity options available on the Line 6 POD 2.0?
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The Line 6 POD 2.0 features 1/4" input and output jacks, a headphone output, and MIDI in/out for integration with other gear and recording setups.
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Does the Line 6 POD 2.0 require a specific power supply?
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The Line 6 POD 2.0 requires a 9V AC power supply, which is typically included with the unit, ensuring consistent performance and reliability.
Videos
Ola Englund
LINE 6 POD - 20 Years Later, Did it age well?
LINE 6 POD - 20 Years Later, Did it age well?
Ola Englund
Line 6 POD 2.0 Demo
panicorganic
Line 6 POD 2.0 Guitar Gear Review
Musora
Line 6 HX Stomp vs. Line 6 POD 2.0 - Audio Comparison (no talking)
Guitar Bonedo
Line 6 POD 2.0 VS. POD X3 VS. POD HD: Is Newer Actually Better?
Plague Scythe Studios
Is the Line 6 Pod 2.0 Still Good
Dustin Alford
Line 6 Pod 2.0 Multi-Effect and Amp Modeling Guitar Effects Processor
World Music Supply
Reviews
PROS
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Authentic blackface and clean sounds
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Excellent delays, tap tempo, phaser, and tremolo effects
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Useful for home recording without sounding distorted
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Easy to use interface
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Portable, ideal for practice sessions without an amp
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Highly customizable settings
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Versatile in effects and amp simulations
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Maintains good sound quality despite its age
CONS
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Bulky size at about 10 inches across
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Limited to left and right outputs; not compatible with standard headphone jacks
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Difficulty in obtaining a compatible power supply
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Some tonal parameters may feel limited or dull
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Line 6 POD 2.0 Guitar Multi Effects Processor.
User experience
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Owners use the POD 2.0 mainly for headphone practice with pedalboards, maintaining satisfaction over 15 years of use.
Source -
At €30, the POD 2.0 is considered a risk-free purchase, with the possibility of reselling at the same price if unsatisfied.
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For those prioritizing digital sound quality, alternatives like the GNX series by Digitech are preferred over the POD 2.0 for recording and live performance.
Source
Use cases and applications
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Players have successfully used the POD 2.0 live, running it through Tube Screamers and P.A. systems, surprising peers with its versatility.
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Users confirm the POD 2.0 can be used with headphones, as a pedal into an amp, or directly into a computer for recording.
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Owners report using the POD 2.0 to develop their virtual rig and signature sound, particularly useful for identifying preferred amp tones like the Matchless DC-30.
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The POD 2.0 is considered suitable for low-volume gigs like bookstore performances, offering a practical sound solution for intimate settings.
Source
Features and functionality
Comparisons
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Some users transitioning from POD 2.0 to Line 6 M5 Stomp find the latter more satisfying, suggesting the need for exploration in Line 6's wider range.
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Some users recommend the newer Zoom G1four for a budget-friendly modern alternative with features like an IR cab sim and USB power.
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The SansAmp TriAC is noted for delivering a cleaner tone for recording compared to the POD 2.0.
Source
Value and pricing
Software and compatibility
4.0 out of 5
Based on 2 Reviews and 32 Ratings
623
Really good for old technology
For the fact that this technology is so old now, it sounds really good, maybe a little limited in the tonal parameters, a little dull sounding sometimes, but very versatile in effects and different amps to choose from, it’s no Iridium but it’s pretty good.
1271
all the best disto and amplifiers in one pod
my best companion for years especially when I want and amazing Sound for my guitars, especially with my telecaster...
Artist usage
Add artist
Matthew Bellamy used the Line 6 POD 2.0 Guitar Multi Effects Processor for a distorted direct input guitar sound during the Showbiz and Origin of Symmetry tours. This is supported by an Instagram post by mattbellamygear, which highlights its use for both guitar and vocal distortion on these tours. The post provides an audio example from the Hullabaloo recording, emphasizing that the distorted sounds came solely from the POD, with no Marshall amp on that track. The setup included a four-button Line 6 footswitch for control, commonly seen during performances from this era.
In this picture, Gary Moore's Line 6 POD 2.0 pedal can be seen across from him.
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my workstation for last 2 days. take that, gear snobs
Around the time that Venice was made Christian Fennesz started using the Line 6 Pod 2.0 amp modeler and FX processor to save the presets of his amps and effects. Now he has AC-30 and Fender amps in his Rider. So a POD isn't really comparable.
In a YouTube video titled "The gear I used to record Burning Earth album," Gus G. discusses the equipment used for recording Firewind's "Burning Earth" LP. At the 1:11 timestamp, he specifically mentions that all the guitars on the album were recorded using only the Line 6 POD 2.0 Guitar Multi Effects Processor.
In the "Roosevelt Live In Prague" video by Telekom Electronic Beats TV, Roosevelt (Marius Lauber) is seen using the Line 6 POD 2.0 Guitar Multi Effects Processor on stage.
In the video "ep 2 in the studio," uploaded by Selena Gomez on YouTube, Selena Gomez is seen using the Line 6 POD 2.0 Guitar Multi Effects Processor while recording the song "More" for her album "Kiss & Tell." The processor is visible at the 3:52 mark, confirming its use in the studio session.
In this picture from a live performance in 2004, Joe can be seen using what appears to be the Line 6 POD 2.0. The color of it and the amount of knobs and the appearance all resemble the Line 6 POD 2.0.
Alex Metric takes future music on a studio tour
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In this studio photo from Cheney, the Line 6 POD 2.0 effects pedal can be seen on the desk.
"Dave’s stage rig includes a 1978 Roland JC-120, two Hiwatt 4x12 cabs painted by artist Barney Bubbles, his 2007 Gibson Les Paul Classic Antique Artist and a Line 6 POD Version 2.0."
Bill mentions several effects units. "I still have and use my Line 6 Pod II but also have a Line 6 Pod HD500, a Digitech Valve FX, a Zoom 2030S, a Boss ME-50, a Korg Toneworks AX-10 A and a Fractal Audio AXE FX II XL guitar processor, plus several stand alone analogue pedals."
Album Usage
The Line 6 POD 2.0 Guitar Multi Effects Processor has been featured on the following albums:
Victims of the Modern Age
Star One (2010)
Kiss & Tell
Selena Gomez & the Scene (2009)
Venice
Fennesz (2004)
Burning Earth
Firewind (2003)
The Metal Opera, Pt. 2
Avantasia (2002)
Hullabaloo Soundtrack (Eastwest Release)
Muse (2002)
The Metal Opera, Pt. I
Avantasia (2001)
Origin of Symmetry
Muse (2001)
Showbiz
Muse (1999)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Line 6 POD 2.0 Guitar Multi Effects Processor, it is most commonly used with the following gear.
Community setups
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