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Pendulum Audio Pendulum ES-8 Remote Cutoff Tube Limiter

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Page last updated Jul 04, 2026

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Description

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Discover unparalleled control and versatility with the Pendulum ES-8 Remote Cutoff Tube Limiter, a standout in the world of effects processors. This high-fidelity studio gem is designed for discerning audio engineers who demand precision and warmth in their recordings. Embrace the rich, smooth sound of tube processing, perfectly capturing the essence of your audio tracks without compromising their integrity.

The ES-8 excels in taming dynamics, offering seamless integration into any studio setup. Its remote cutoff capability provides ultimate flexibility, allowing you to adjust settings without leaving your mix position. This feature makes it an invaluable tool for live sound engineers and studio professionals alike, ensuring smooth operation in any environment.

Built with uncompromising quality, the Pendulum ES-8 combines classic tube circuitry with modern technology, delivering unparalleled performance and reliability. Its intuitive interface ensures ease of use, while the robust design promises durability that withstands the demands of daily use. Whether you're sculpting vocals, drums, or any other signal, the ES-8 offers a sonic palette that is both expansive and precise.

Key Features:

Remote cutoff functionality for enhanced flexibility
Classic tube circuitry for warm, rich sound
Precision dynamics control with seamless integration
Intuitive interface for user-friendly operation
Robust build quality for lasting reliability
Ideal for both studio and live sound applications

Product specs

Brand	Pendulum Audio
Model	ES-8 Remote Cutoff Tube Limiter
Finish	Blue
Year	2010s
Made In	United States
Categories	Compressors and Limiters

FAQs

What type of compression does the Pendulum ES-8 Remote Cutoff Tube Limiter provide?: The Pendulum ES-8 offers variable-mu tube compression, known for its smooth, musical response and ability to impart warmth and character to audio signals.
Is the Pendulum ES-8 suitable for mastering applications?: Yes, the ES-8 is well-suited for mastering due to its precise control over dynamics and its ability to add subtle coloration, enhancing the overall mix without compromising clarity.
How does the remote cutoff feature of the Pendulum ES-8 enhance its functionality?: The remote cutoff feature allows for fine-tuning of the compression threshold, enabling precise control over the limiter's response to different audio signals, which is ideal for tailoring the dynamics of complex mixes.
What are the main use cases for the Pendulum ES-8 Remote Cutoff Tube Limiter?: The ES-8 is ideal for studio recording and mixing, particularly for vocals, drums, and stereo bus compression, where its tube warmth and dynamic control can significantly enhance the audio quality.
Can the Pendulum ES-8 be used in live sound environments?: While primarily designed for studio use, the ES-8 can be utilized in live sound settings where high-quality dynamic processing and tube warmth are desired, though its features are optimized for controlled studio environments.

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Artist usage

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Jonny Buckland

Guitarist

Coldplay

Verified via Soundonsound

Mentioned by mixing engineer Michael Brauer as being used on "Violet Hill" in this Sound on Sound interview about the production of Viva la Vida & Death and All of His Friends.

"In addition to all the above effects, all tracks went through my ABCD multi–bus compression system [see 'Brauerize TheMix' box]. 'A' consists of a Neve 33609 going into a Pultec P1A3S EQ; 'B' is is almost always a Distressor going into my Avalon E55 EQ; 'C' is the Pendulum ES8 tube limiter; 'D' at the time was my Inward Connection stereo tube limiter (but currently it's the [TF Pro] Edward The Compressor P8). So the bass and drums went through B, the guitars went through C — sometimes I'll send guitars through A and C, or I'll send them to C and then send them to a mono compressor return, whichever excites them the best — the keyboards went through A, and the backing vocals through A and D. I did not put the lead vocals through my multi–bus system. I stopped doing that three years ago. Instead they went through these five compressors, the Federal, Gates, Fairchild, 1176 and Distressor.

James Murphy

Singer, DJ

LCD Soundsystem

Verified via EMusician

This item is listed in the article.

Selena Gomez

Singer

Selena Gomez & the Scene

Verified via Sound On Sound

Selena Gomez uses the Pendulum ES-8 Remote Cutoff Tube Limiter, as her engineer stated, "All group aux tracks go to the 'Mix Buss' near the top of the session, and this has the T-RackS EQ. Nolan really liked that, so I kept it, and edited it. I added the UAD Chandler CurveBender EQ, pushing at 10kHz and adding some 50Hz. On inserts 3 and 4 I have my hardware Pendulum ES8 tube limiter." (Source: Sound On Sound, Inside Track: Selena Gomez 'Rare')