This 2017 Rickenbacker 360 / 12 string is owned by Josh Rand Rickenbacker 360/ 12 string

In the Blossoms' Vevo UK LIFT live performance of "Getaway," Tom Ogden plays a Rickenbacker 360/12 12-String Hollowbody guitar.

And yes, Petersson also collects standard six-string guitars, which he uses to write and record. Classic American guitars in his set include a 1934 Martin 000-18, a 1960 double-cutaway Gibson Les Paul Junior in TV yellow, a black ’63 Fender Telecaster, an orange ’67 Gretsch 6120, a Gibson Barney Kessel Standard from ’62, a prototype Gibson Super 400 from ’91, a ’59 Rickenbacker 360 Capri, a ’67 Rickenbacker 360/12, and an original black ’57 Gibson J-160E (as played by John Lennon and George Harrison) that he prefers for recording, “Because of the lack of low-end, it fits in the tracks better.” Another favorite acoustic is a 1950s Artur Lang hand-made in Germany.

Played this bass with King Diamond around 1992

"We recently did a show in Nashville, and I popped over to Gruhn’s Guitars and picked up a nice ’67 Gibson ES-335 12-string. Well, that got me going, so of course, I had to buy a Rickenbacker 360/12."

Maurice Gibb is confirmed to use a Rickenbacker 360/12 12-String Hollowbody guitar for studio recordings, as detailed in an article by Timothy White in Billboard magazine. Maurice mentioned,

"Years ago, what I got for my 21st birthday was a movie camera from Ringo [Starr] and a guitar from George [Harrison] and a Monarch guitar from John [Lennon]. The one from George is the 12-string Rickenbacker, the [1965] Shea Stadium [concert] one, which he also used on recordings."

Marty Willson-Piper plays a Rickenbacker 360/12, according to this article.

Honeyman-Scott can be seen playing a Rickenbacker throughout this video for The Pretenders song, "Message Of Love." In his 1981 Guitar Player magazine interview with Jas Obrecht, Honeyman-Scott lists "a Rickenbacker 12-string" among his guitar collection.

Chris' Rickenbacker can be seen in this photo of his Forq recording setup.

Dave Gregory picked up a twelve string Rickenbacker for the recording of XTC's fifth album English Settlement, which had a profound effect on the band's evolving sound. Gregory is seen playing the instrument in the Senses Working Overtime video, as well as many live performances of that period.

In this photo taken at his Dixie Ridge Studio in Whites Creek, TN, you can see a Rickenbacker 360/12 12-String Electric Guitar on his wall.

In this video of Jefferson Airplane performing at the Monterey Pop Festival, you can clearly see Paul using a Fireglo Rickenbacker 360/12, identifiable by its rounded edges, soundhole, color, and grooved headstock. It is a common misconception that Paul bought a MapleGlo Rick with factory black tape on it in the first place. As a matter of fact, I am guessing that Paul bought this guitar in 1966, in a factory FireGlo finish that can be seen throughout the Airplane's 1967 performances, including at the Monterey Pop Festival. When he got the guitar, he customized it by placing lines of black tape over the finish and somehow fixing a holographic sun image to the upper plate of the pickguard, cut to perfectly fill the area of the plate, all of which can be seen on the different TV performances of that year. Then, in 1968, he shaved off the fireglo of the guitar to reveal the maple body, but left the tape on the guitar. However, these could be completely different guitars, for all I know. After all, Paul did have multiple Rickenbacker 360/12s.