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Wattson Classic Electronics SuperFuzz

5.0 (6)

1 Review

This product is Vintage or Discontinued

Find out who is using Wattson Super Fuzz FY-6

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Page last updated Aug 10, 2025

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Description

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The Wattson Super Fuzz FY-6 is a fuzz effects pedal that pays homage to the classic fuzz tones of the late '60s while incorporating modern reliability. Known for its iconic circuit design, this pedal is perfect for those who crave a rich, creamy fuzz sound that can effortlessly cut through any mix. The FY-6 stands out with its ability to produce both smooth, sustained leads and thick, textured rhythm tones, offering versatility to guitarists and bassists alike.

Built with quality components, the Super Fuzz FY-6 ensures consistent performance whether you're jamming in the studio or hitting the stage. Its straightforward controls make it easy to dial in your desired sound, while its robust construction promises durability for years to come. The pedal's design includes true bypass switching, which maintains your guitar's natural tone when the effect is not engaged.

Musicians appreciate the FY-6 for its authentic vintage sound that has been a staple in countless classic rock recordings. Whether you're aiming to replicate the legendary fuzz sound of yesteryear or create your own signature tone, the Wattson Super Fuzz FY-6 provides the tools necessary for sonic exploration.

Key Features:

Classic late '60s fuzz tone
Iconic circuit design for authentic sound
Suitable for both guitarists and bassists
True bypass switching for signal integrity
Durable construction ensures longevity
Simple control layout for ease of use

Product specs

Power	9V
Analog/Digital	analog

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Wattson Classic Electronics SuperFuzz.

Build quality

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The Behringer SF300 feels fragile, with a plastic enclosure that may not withstand frequent use, while the Wattson Superfuzz is praised for its robust construction.
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Features and functionality

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The SF300 has additional tone-shaping options, but its sound can be described as muffled compared to the more open and clear tone of the Wattson.
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The SF300 offers a "secret mode" where setting the fuzz switch between positions 1 and 2 activates both simultaneously for a unique sound.
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The Wattson's integration in pedal boards often requires additional filtering to manage its wide frequency output, ensuring the high frequencies are properly cut for clarity.
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User experience

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The SF300 is noted for having a significant noise floor, with noticeable hum as soon as it's activated, which isn't present in the Wattson.
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Use cases and applications

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The Wattson is preferred for live performances due to its reliability and clarity, while the SF300 is seen as suitable for casual experimentation.
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The Wattson SuperFuzz's clear sound makes it ideal for intricate setups where maintaining distinct frequency ranges is crucial, such as live performances or complex mixes.
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The pedal is often paired with a low pass filter to refine its broad harmonic output, making it suitable for artists who prioritize clean frequency separation.
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Comparisons

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The SF300 is likened to having a "blanket over it" in sound quality, suggesting a loss of clarity and definition compared to the Wattson.
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The Wattson SuperFuzz is a modern clone of the Shin Ei Superfuzz, capturing its unique sound that is reminiscent of Ratatat's signature tone.
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5.0 out of 5

Based on 1 Review and 6 Ratings

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mikefiction

1264

almost 7 years ago

Jesus and Mary Chain want their Pedal Back

Jesus and Mary Chain want their Pedal Back. But they can't have it. Because it's mine. It growls and spits and fizzes and fuzzes.

It is no longer made which is sad. I wish everyone could have one. It makes your amp sound like it might explode. It's a superfuzz.

Roles:

Guitarist Keyboardist Audio Engineer

Genres:

Electronic Rock Electro-industrial

Artist usage

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Alex Turner

Guitarist

Arctic Monkeys

Verified via Photo

Alex Turner uses a Wattson Super Fuzz FY-6 on his board during The Last Shadow Puppet’s second tour of their Everything You’ve Come To Expect album. Turner has also used this pedal during the recording of Arctic Monkey’s Humbug recording sessions at Rancho De La Luna. Pictured the Wattson Super Fuzz can be seen on Turners board next to his Boss Tuners.

Capturing the precise tone of the original classic fuzz pedals from shin-ei and univox, the Wattson Super Fuzz fy-6 is housed in a 16 gauge steel chassis. Turner used this pedal on songs such as “Aviation” to get a vintage sounding Fuzz tone.

Graham Coxon

Guitarist

Blur

Verified via Imgur

In these stills which show Blur recording "The Magic Whip", Coxon's pedalboard is seen, with Wattson Super Fuzz being there.

Gerard Way

Singer, Guitarist

My Chemical Romance

Verified via Instagram

Shown during Way's Fuzz Wars Instagram series, captioned:

Watson Classic Electronics FY-6 Fuzz.

Purchased to use during the Hesitant Alien sessions.

Miles Kane

Guitarist, Singer

The Last Shadow Puppets

Verified via Photo

Alex Turner uses a Wattson Classic Super Fuzz bought by Miles Kane.

,,Miles (Kane, ...the one on the left!) has taken a Wattson Classic Superfuzz from us, along with a Fuzz Factory and an EHX Holy Grail Plus, for the Shadow Puppets tour.''

Tom Rowley

Singer, Guitarist

Arctic Monkeys

Verified via Photo

This user-uploaded photo captures Tom Rowley’s pedalboard during Arctic Monkeys' tour for their sixth album, Tranquility Base Hotel & Casino (2018-2019). Notably, it includes the Wattson Super Fuzz FY-6, which was originally used by lead singer Alex Turner for both studio recordings and live performances. Turner prominently featured this pedal with his other band, The Last Shadow Puppets, on their album Everything You’ve Come To Expect. It appears that Rowley used the Wattson Super Fuzz during the tour, particularly on the track "Four Out Of Five" and other songs.