I disagree with the statement it’s a two trick pony. SuperFuzz is multiple ponies. (I just need to add that I’m using the clone made by Analog Fox, but it’s the closest one (maybe together with Wattson), you can check Youtube side-by-side comparsions). Pots on the pedal do not provide a very wide range of sounds, but this fuzz is very sensitive on the dynamics of you playing, and especially on where do you play. Playing riff/melody lower on the neck - you get a thinner, very nasty and aggressive fuzz. Playing the same above 10-12th fret - tone gets rounder, upper octave and musical ring modulation begins to appear (but only when you play "dirty" intervals like min6 or b5). And you can get an entirely new palette by backing down volume on your guitar. It’s a pedal for patient experimentators and feinschmeckers, but you can definitely find a lot in it.

do you have any idea how many vintage fuzzes I had at one point? I've owned at least one of everything but the unicorn of fuzzes, the sola tonebender mk1. For an octave fuzz the univox is very sensitive.... for a fuzz in genreal the sensitivity to playing dynamics is middling. Next to an original tonebender mk2 or mk3? Sorry. As far thick, high gain fuzz goes, those two circuits are the kings of touch sensitivity and volume clean up. And yeah, I know the ring mod trick, its like a faint version of the Octavia neck pickup sound.... but on an original it only comes off right when you have the internal trimmer dialed in just right for that guitar. The early silver oens with no trimmer are even more finicky. I think they address this in clones by ear testing each pedal and carefully mathcing transistors and the diodes used to create the octaving. But in vintage ones? Just trust me on this one. The superfuzz is an wesome pedal, don't get me wrong but in a dense band mix it has 2 basic sounds the audience will hear. Its nto worth the price of originals and for some reason the clones are pretty expensive... which is weird given that something as borring as a boss hyperfuzz is pretty much a superfuzz with some clever features added into the make up gain section. I'm not trying toa rgue with me, but I'm pretty old and I owned the pedal for like 10 to 15 years. Probably longer. I used it plenty. I knew all of tis secrets (had to fix it many times). When is at its a 2 trick pony I mean it broadly. You can fiddle with the pedal, your guitar controls and your playing a lot and tickle your fancy in a bedroom or the studio control room. In the end what cuts a mix is Pete or Billy (or Beasties on bass). I'm not telling you not to love your clone, just calling it as I see it. And if you really wan the upper octave good, roll your tone control on the guitar to 5 and then you can use anywhere above the 5th fret ;-) Then play the devil's interval to your heart's content. I also don't appreciate the implication that I have no patience. There's no need to insult me for my opinion. I'm just giving an honest review of a pedal I kept for a long, long time until the vintage resale value got so high I couldn't justify keeping it anymore for the 1 or 2 recordings per year. And reviewing the ORIGINAL unit that I had I'm really putting in light of the extreme cost of originals like mine. I don't know anything about the price performance ratio of clones. This is just one man's opinion but you're not talking me around it, not even by condescending me.

I had the exact fuzz pictured and mine was anything but subtle when the internal trim pot was calibrated correctly to produce the octaving effect. The vintage ones produce a blitzkrieg of squealing octave.... in a good way. Kudos on your build, man!

I saw on your 'want list' that you are looking for a companion fuzz.... its not as cool as you think it will be... you used to be able to get these all day for 10 to 20 bucks and I owned one during the period where I had the superfuzzz, both acquired as gifts from friends who scored them at yard sales for change... of course, my super showed up in need of repairs, some solder joints had come loose from the board, but still, I can't believe how valuable this stuff is now, ANYWAY, the superfuzz is a much better circuit, infinitely more musical, but if you are in a noise band or just want an effect to add color to a few notes in the studio the companion fuzz is worth seeking out or building... when the value shot up I sold mine during my great fuzz box purge of 2014

I know the prices of some of these pedals are really off the wall,especially when you think about whats actually inside them,but I know sometimes it just has to be done when the money's right and someones willing to pay money,although when I think about whats actually in some of these fuzzes and how cheaply some vintage fuzzes where made,(green russain big muffs for example,$400!!),it really does makes you think,..yes thats right, I am looking for an fy2 as I only play and record with just a drummer (I knew it probably wouldnt cut through very well in a band context) and I really do like the sound of them.I do make my own pcbs though,so I think ill probably just end up making clone and see how i get on with that,but I think i would have to argree with you about the fy6 being better fuzz all round then the shin e fy2,the shin ei isnt ever going to be a always on kind of pedal is It,its an acquired taste kind of thing. Well the fy6 clone was made to the original schematic,although I did forget to mention that the one I made has a diode mod I can use to rain the thing back in a bit,("blitzkrieg is a great word for it":-). .so I used two germanium diodes for the two original didoes as found on the original pcb for a bit of mojo,plues two 1n914s pairs that I can swich in and out of the original fy6 circuit,..that basically clips some of the voltage and rains the fuzz and octave in a bit.i also set the trimmer pot for the octave to taste... its actually good little mod,I really like to use it on the the overdrive channal of a tube amp,with the gain on the amp set just when it starts to dirty up when you hit the strings,. . .thank you,ill have to see if I can post a vid here so you can have a listen to it,it would be cool to know what you think.

“Mild?” Are you joking??