Pricing and availability

We compare 600+ stores and found this item at 9 stores. Prices updated .

Sweetwater
5.0 (65)
$219.00
Guitar Center
5.0 (15)
$219.00
Amazon
4.8 (549)
$219.00 New
$179.00 Used (Like New)
Reverb
5.0 (41)
$189.00 New
$115.00 Used
Musician's Friend
4.0 (57)
$219.00
B&H
4.7 (3)
$219.00
Thomann
4.8 (830)
$195.00 $189.00 $6.00 · All time low
Gear4Music
£181.00
Vintage King
5.0 (1)
$219.00

Average Price: $201

High-end/Boutique

$75

$201+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 6 merchants for "Shure Beta 52A". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

Introducing the Shure Beta 52A, a dynamic microphone designed for power and precision. Optimized for maximum bass drum punch, this microphone accommodates low-frequency instruments with ease, maintaining studio-quality sound even at extreme volumes. Its super-cardioid characteristics offer superior isolation of the sound source and high feedback, significantly reducing background noise.

The Shure Beta 52A is not only high-performance but also practical. Its adjustable stand adapter with an integrated XLR connector simplifies positioning, especially when used inside the bass drum. The adapter ensures the microphone remains secure, standing up to hard shocks and strong vibrations. Its basket, crafted from hardened steel, offers robust protection against the rigors of stage performance.

Key Features:

  • Super-cardioid, maximizing sound source isolation and feedback
  • Optimized frequency response for bass drum kick and low-frequency instrument pickup
  • High output power with minimal background noise
  • Adjustable stand adapter with integrated XLR connector for easy installation
  • Hardened steel basket for enhanced durability
  • Air-sprung vibration absorber for sound and vibration protection
  • Neodymium magnet for high output levels
  • Low sensitivity against varying connection impedances
  • Transmission range: 20 - 10,000 Hz
  • Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated)
  • Output Impedance: 45 Ohm
  • Noise Sensitivity: -64 dBV / Pa (0.63 mV)

Owner's manual

Shure Beta 52A User Manual

Product specs

Microphone Type Dynamic
Polar Pattern Supercardioid
Frequency Response 20Hz-10kHz
Max SPL 174db SPL
Output Impedance 150 ohms
Connector XLR
Weight 1.33 lbs.

FAQs

What is the primary use of the Shure Beta 52A microphone?

The Shure Beta 52A is primarily used for kick drums and other bass instruments, offering a tailored frequency response that enhances attack and punch in low-frequency sounds.

Does the Shure Beta 52A require phantom power to operate?

No, the Shure Beta 52A is a dynamic microphone and does not require phantom power.

What is the polar pattern of the Shure Beta 52A, and how does it affect sound pickup?

The Shure Beta 52A has a supercardioid polar pattern, which provides excellent isolation from unwanted ambient sound, making it ideal for live and studio settings.

Is the Shure Beta 52A suitable for live performances?

Yes, the Shure Beta 52A is well-suited for live performances due to its high maximum SPL of 174dB and robust build, ensuring clear sound reproduction even at high volumes.

How does the Shure Beta 52A connect to audio equipment?

The Shure Beta 52A connects to audio equipment using an XLR connector, providing a secure and reliable connection for both live and studio applications.

Drummer’s Den Production

Drummer’s Den Production

Kick Mic Shootout // Shure Beta 52a vs Shure Beta 91a vs sE V-Kick vs Audix D6 // No Talking

Video thumbnail for Kick Mic Shootout // Shure Beta 52a vs Shure Beta 91a vs sE V-Kick vs Audix D6  // No Talking by Drummer’s Den Production

Kick Mic Shootout // Shure Beta 52a vs Shure Beta 91a vs sE V-Kick vs Audix D6 // No Talking

Drummer’s Den Production

Drummer’s Den Production

Video thumbnail for Kick Mic Shootout: AKG D112 vs  Shure Beta 52A by Schinbein Drum Co

Kick Mic Shootout: AKG D112 vs Shure Beta 52A

Schinbein Drum Co

Schinbein Drum Co

Video thumbnail for Kick Mic Shootout: Shure Beta 52a vs Sennheiser e902 by Andrew Rooney Drums

Kick Mic Shootout: Shure Beta 52a vs Sennheiser e902

Andrew Rooney Drums

Andrew Rooney Drums

Video thumbnail for Shure PG52 vs Beta 52A Bass Drum Microphone comparison. Artist  PREFACE 14" 16" 20" cymbal set C214 by SIC MIC

Shure PG52 vs Beta 52A Bass Drum Microphone comparison. Artist PREFACE 14" 16" 20" cymbal set C214

SIC MIC

SIC MIC

Video thumbnail for Audix D6 vs Shure Beta 52A by One Drummer Drumming

Audix D6 vs Shure Beta 52A

One Drummer Drumming

One Drummer Drumming

Video thumbnail for Shure Beta 52A Kick Drum Mic Review - Practical Edition by Consordini

Shure Beta 52A Kick Drum Mic Review - Practical Edition

Consordini

Consordini

Video thumbnail for Kick Drum Mic Shootout | AKG D112, Shure Beta 52a, Audix D6 by Donal Bowens

Kick Drum Mic Shootout | AKG D112, Shure Beta 52a, Audix D6

Donal Bowens

Donal Bowens

Video thumbnail for Kick Drum Mic Shootout - Shure Beta 52A vs Sennheiser e602 MKII by hachewie

Kick Drum Mic Shootout - Shure Beta 52A vs Sennheiser e602 MKII

hachewie

hachewie

Video thumbnail for AKG D112 vs Shure Beta 52a sound test by Timmy G

AKG D112 vs Shure Beta 52a sound test

Timmy G

Timmy G

Video thumbnail for Shure Beta 52A Kick Drum Microphone - Review and Demo by Jack Picks

Shure Beta 52A Kick Drum Microphone - Review and Demo

Jack Picks

Jack Picks

Video thumbnail for KickTone vs Shure Beta 52A vs 91A on 20" x 12" Kick Drum. Morton Microphone Systems MMS Sub Mic Bass by SIC MIC

KickTone vs Shure Beta 52A vs 91A on 20" x 12" Kick Drum. Morton Microphone Systems MMS Sub Mic Bass

SIC MIC

SIC MIC

Video thumbnail for Shure Beta 52A Overview - American Musical Supply by American Musical Supply

Shure Beta 52A Overview - American Musical Supply

American Musical Supply

American Musical Supply

Reviews

PROS

  • Superior sound quality with enhanced low and high ends

  • Ideal for recording bass amps, kick drums, and electric bass cabinets

  • Durable and robust construction, built to last

  • Provides full, thick sounds without coloration for easier mixing

  • Versatile, suitable for various music styles and recording needs

  • Nearly ready for mix signal with minimal need for EQ or compression

  • Highly recommended by professionals as an industry standard

  • Offers great clean bass tones with a natural touch

  • Effectively isolates the desired sound, minimizing outside noise

  • Affordable, offering great value for a wide range of applications

CONS

  • Heavier than expected, putting more load on mic stands

  • May require heavy EQ to shape the sound to your liking

  • Some users found it initially challenging to achieve the desired punch with kick drums

  • Might need additional mics for a fuller sound in high-end frequencies depending on music style

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Shure Beta 52A.

Comparisons

  • The Shure Beta 52A is frequently compared to the Sennheiser E902, with some users preferring the latter for its clearer, more natural sound on kick drums.

    Source
  • The AKG D112 and RE20 are often favored over the Beta 52A for studio kick drum recording due to their more versatile tonal qualities.

    Source
  • Owners often find the Beta 52A delivers a consistent sound, described as more "punchy," in comparison to the AKG D112's need for EQ adjustments.

    Source

Use cases and applications

  • Many users recommend pairing the Beta 52A with a Shure Beta 91A inside the kick for a balanced combination of low-end and attack.

    Source
  • The Beta 52A is favored for its reliability across different kick drums, sounding good on most kits, unlike the D112, which has more variable results.

    Source

User experience

  • It's noted that the Beta 52A requires specific placement to sound lively, such as positioning it 2/3 into the kick hole aimed at the drum shell.

    Source
  • Some users find the Beta 52A to be "boxy" in the 200-500 Hz range and prefer mics that naturally sound more mix-ready.

    Source
  • Users suspect cold joints or oxidized contacts in the signal path may cause irregularities, with phantom power possibly clearing oxidation temporarily.

    Source
  • Owners note that while the Beta 52A consistently delivers its signature sound, some mics like the D6 or RE20 require more EQ but offer different tonal flexibility.

    Source

Features and functionality

  • The Beta 52A is praised for handling high SPL well, making it reliable for heavy bass and kick drum applications without distortion.

    Source
  • Applying phantom power sometimes temporarily resolves signal issues, though it's not required for Beta 52A operation, suggesting an underlying electrical contact problem.

    Source
  • The Beta 52A is praised for its low-end emphasis and tight sound, making it less neutral than the D112 but suitable for modern rock styles without excessive EQ.

    Source

Setup and maintenance

  • It's noted that issues with low signal on the Beta 52A can stem from a malfunctioning Behringer S16 stage box, causing intermittent input problems.

    Source
  • A right-angle XLR cable is recommended for the AKG D112 due to its difficult positioning requirements, a consideration for users comparing it with the Beta 52A.

    Source

Critic Reviews

Shure Beta 52A review: Kick mic to end all kick mics

higherhz.com

The Shure Beta 52A is a powerhouse for capturing low frequencies with its high SPL, making it ideal for kick drums and bass cabs. It's durable and affordable, solidifying its place as a staple in both studio and live settings. However, its specialization means it's not versatile—don’t expect it to shine with vocals or acoustic guitars. If deep, resonant lows are your aim, the Beta 52A won't disappoint.

positive

Shure Beta 52A Review (Kick Mic) (2025)

drumhelper.com
Add

5.0 out of 5

Based on 8 Reviews and 42 Ratings

5 star
4 star
3 star
2 star
1 star
nathan_whited

Best on kick and bass heavy sources.

Unprocessed has a dull sub focus response but also picks up enough information for drastic EQ shaping. It's kind of magic on a kick. If you're gonna have one kick mic this should be it.

M

Great kick drum microphone.

I love this microphone for the bass drum. I have used it in the mic port and also putting it inside the bass drum and pointing it towards the beater head. I position it off center and pointed a little about the bass drum beater.

morkproduction

Great Microphone

I use this microphone for all drum and bass recordings that I do. Gives great clean bass tones and a natrual touch to the sound.

mattormatthew

Great mic

I use this a lot, essential for tracking a kit and killer for picking up bass out of an amp.

parker_sumthin

works great

i love this mic. it picks up my bass perfectly and tends not to pick up outside noise

ebowglow

Great kick drum and bass mic!

I have used this Shure Beta 52a mic for kick drums and bass guitar! It has a really good frequency range and decent spl rating. Great MIc!

martin_boesvang

Nice mic for the price

You get a good mic cheap. Good for a lot of different applications

B

Record kick drum and bass cabs

Artist usage

Add artist
See how Clive Deamer uses Shure Beta 52A

Clive Deamer

Drummer

Radiohead

...
Verified via Twitter

Visible in this Twitter post.

See how Boyinaband uses Shure Beta 52A

Boyinaband

Rapper, Music Producer

You And What Army

...
Verified via YouTube

At 4:05, Dave shows his Shure Beta 52A microphone.

See how Tomoya Kanki uses Shure Beta 52A

Tomoya Kanki

Drummer

One Ok Rock

...
Verified via ONE OK ROCK Wiki

"Kick Drum: Inside the kick drum has a Shure Beta 52A attached to it. The silhouette of the mic can be seen in the live recording once the camera shifts to Tomoya's kick action. The knob gave it away over the AKG D112 MKII."

See how Ethan Torchio uses Shure Beta 52A

Ethan Torchio

Drummer

Måneskin

...
Verified via Soundonsound

Used for the bass drum on "Beggin", as described by Alessandro Marcantoni in this October 2021 Sound on Sound interview.

Working from memory, old gear lists and photos, and the track names in his mix session for ‘Beggin’, Marcantoni retraces his steps, both for the recordings and the mixing. “For the kick I would have used a Shure Beta 52A on the inside, a Neumann U47 [FET] on the outside, and a Royer Labs R‑122 placed close to the kick drum pointing to the snare, for a mono drum kit track. On the snare I used a Shure SM57 at the top, and a Shure Beta 57 at the bottom. I duplicated the top snare track to create another effect setting for the rimshots.

“In addition I had one Neumann KM‑184 for hi‑hat and another KM‑184 for the ride cymbal, a couple of AKG C414 XLII mics as overheads, and two Neumann U87s for ambience. The toms had Beyerdynamic Opus 87 mics. I would have avoided the Yamaha desk for the recording chains, so the mics would have gone through external mic pres. I most likely would have used API 512C’s for the kick and the snare, and Focusrite ISA 828/430 for the other drum tracks. They would have gone into the Apogee Symphony MkI, and the Avid HD I/O.

See how Robbie Chater uses Shure Beta 52A

Robbie Chater

Guitarist, Music Producer

The Avalanches

...
Verified via Soundonsound

Recording & Monitoring

Genelec 1027 active monitors. Mackie 1642 mixer. Mirage OM9 active monitors. Rode NT2 mic. Samson Servo 250 power amp. Shure Beta 58a, Beta 57a, Beta 52a, Beta 56a, SM81 and KSM44 mics. Technics SHDX1200 mixer. Yamaha 02R mixer. Yamaha NS10M speakers.

See how Troy Wright uses Shure Beta 52A

Troy Wright

Drummer

Plini

...
Verified via Wrightdrums

Used to mic the outside of the kick drum in his studio.

See how Kenny Aronoff uses Shure Beta 52A

Kenny Aronoff

Drummer

Bob Seger & the Silver Bullet Band

...
Verified via Shure

As mentioned on Shure's official website.

See how François Comtois uses Shure Beta 52A

François Comtois

Drummer

Young the Giant

...
Verified via Mixonline

Used on the Mind Over Matter Tour, as mentioned in this March 1, 2014 Mix Online article.

Drummer Francois Comtois’ kit has a Shure Beta 91A and Beta 52 on kick, Beta 57 and SM57 on snare, KSM 137 on hi-hat, and Beta 98AMP on toms, according to drum tech Colin “Gravy” Strahm. Cymbals are KSM 32s, and his vocal mic is a Beta 56.

See how Raven Milligan uses Shure Beta 52A

Raven Milligan

Singer, Guitarist

Armstrong Street

...
Verified via Photo

Can be seen being used to record floor Tom. This has been Ravens main bass microphone since 2018.

See how Ollie Judge uses Shure Beta 52A

Ollie Judge

Drummer

Squid

...
Verified via YouTube

In the video "Squid - Crispy Skin (Live in New York, 2024)" by Squid, Ollie Judge is shown using a Shure Beta 52A microphone.

See how Lonas uses Shure Beta 52A

Lonas

Music Producer

...
Verified via YouTube

At 7:26 in the YouTube video titled "EPIC HOME STUDIO Setup 2024 | Louis Johnson (studio tour)" by Andrew Masters, a Shure Beta 52A dynamic drum microphone is visibly part of Lonas's microphone collection.

See how Ana Tijoux uses Shure Beta 52A

Ana Tijoux

Singer

Makiza

...
Verified via Shure

Shure endorsed Ana Tijoux uses Shure's Beta 52A microphone to mic the kick, according to Shure's artist page.

Used With

Based on how musicians on Equipboard use Shure Beta 52A, it is most commonly used with the following gear.

Shure SM57
Shure SM57 Dynamic Microphones
13
Shure Beta 91A
Shure Beta 91A Condenser Microphones
7
Shure SM81
Shure SM81 Condenser Microphones
5
Shure KSM32
Shure KSM32 Condenser Microphones
5
Shure KSM137
Shure KSM137 Condenser Microphones
4
Shure Beta 56A
Shure Beta 56A Dynamic Microphones
4
Shure Beta 98D/S
Shure Beta 98D/S Condenser Microphones
3
Shure SM58
Shure SM58 Dynamic Microphones
3
Shure Beta 57A
Shure Beta 57A Dynamic Microphones
3
Apogee Symphony I/O
Apogee Symphony I/O Audio Interfaces
2

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