Pricing and availability

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Average Price: $89

Budget/Beginner

$100

$401+

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Budget

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High-end

Price History

Based on price data from 1 merchant for "the t.bone SC 140 Stereoset". Prices shown reflect NEW condition. Tracking began Apr 19, 2026.

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Description

Discover the perfect blend of precision and versatility with the t.bone SC 140 Stereoset, a matched pair of condenser microphones designed to elevate your studio recordings. Whether you're capturing the subtle nuances of an acoustic guitar, the intricate harmonics of a piano, or the dynamic range of drum overheads, these microphones promise exceptional clarity and depth.

Each microphone features an 18 mm capsule, delivering a cardioid polar pattern that focuses on the sound source while minimizing background noise. With a wide frequency range from 20 Hz to 20,000 Hz, these microphones are engineered to faithfully reproduce the full spectrum of your sound. The addition of a low-cut switch (-3 dB at 75 Hz or 150 Hz) and a pad switch (-10 dB / -20 dB) ensures that you have the flexibility to adapt to various recording environments and sound pressures, making them ideal for both studio and live settings.

The SC 140 Stereoset also comes with essential accessories, including two shock mounts, two windscreens, and a durable aluminum case, making it a reliable companion for on-the-go musicians and producers. Requiring 48 V phantom power, these microphones are ready to plug into your professional setup and deliver pristine recordings every time.

Key Features:

  • Matched set with two condenser microphones
  • 18 mm capsule with cardioid polar pattern
  • Frequency range: 20 Hz - 20,000 Hz
  • Low-cut switch: -3 dB at 75 Hz or 150 Hz
  • Pad switch: -10 dB / -20 dB
  • Sensitivity @ 1 kHz (dBV/Pa): –37.1
  • Max. sound pressure level: 135 dB SPL
  • Equivalent noise level: 15.0 dB (A)
  • Includes shock mounts, windscreens, and an aluminum case
  • Requires 48 V phantom power

Product specs

Available since October 2006
Battery Powered No
Directional Microphone No
Stereo Pair Yes
switchable lowcut Yes
switchable pad Yes
characteristic cardoid

FAQs

What are the primary applications for the t.bone SC 140 Stereo Set?

The t.bone SC 140 Stereo Set is ideal for recording drum overheads, hi-hats, acoustic guitars, and pianos. Its cardioid condenser design makes it suitable for precise sound reinforcement and studio recording applications.

Does the t.bone SC 140 Stereo Set include any additional features for sound customization?

Yes, the t.bone SC 140 Stereo Set includes switchable 10 or 20 dB attenuation pads and a low-cut filter at 75 Hz or 150 Hz, allowing for sound customization and control over unwanted low-frequency noise.

Is the t.bone SC 140 Stereo Set suitable for stereo recording?

Yes, the t.bone SC 140 Stereo Set is designed as a stereo pair, making it suitable for capturing detailed stereo recordings in various studio environments.

What type of microphone pattern does the t.bone SC 140 use?

The t.bone SC 140 features a cardioid polar pattern, which helps focus on capturing sound from the front while minimizing background noise from the sides and rear.

Does the t.bone SC 140 Stereo Set require phantom power?

Yes, as a condenser microphone, the t.bone SC 140 Stereo Set requires phantom power to operate, which is typically supplied by most audio interfaces and mixing consoles.

Ian Craig Audio,Video, Reviews & Tips

Ian Craig Audio,Video, Reviews & Tips

The t.bone SC140 Pencil Mic - a solid budget performer at £44 for the whole package!!!

Video thumbnail for The t.bone SC140 Pencil Mic - a solid budget performer at £44 for the whole package!!! by Ian Craig Audio,Video, Reviews & Tips

The t.bone SC140 Pencil Mic - a solid budget performer at £44 for the whole package!!!

Ian Craig Audio,Video, Reviews & Tips

Ian Craig Audio,Video, Reviews & Tips

Video thumbnail for MP2570 | M-S STEREO RECORDING T.BONE SC140 + RODE NT2-A | Bart HRK by HRK Handmade Analog Studio Recording Equipment

MP2570 | M-S STEREO RECORDING T.BONE SC140 + RODE NT2-A | Bart HRK

HRK Handmade Analog Studio Recording Equipment

HRK Handmade Analog Studio Recording Equipment

Video thumbnail for T.BONE SC140: Test audio by Alessandro Mazzù

T.BONE SC140: Test audio

Alessandro Mazzù

Alessandro Mazzù

Reviews

PROS

  • Exceptional value for money

  • Good for untreated rooms or feedback-prone settings

  • Provides punchy and even sound for complex frequencies

  • Durable design suitable for percussion and string instruments

  • Comes with a sturdy case and all necessary mounting accessories

  • High SPL handling suitable for loud sound sources

  • Warm capture of top guitar strings without harshness

  • Includes shockmounts and wind-socks for versatile recording conditions

  • Better rear and side rejection compared to some higher-priced mics

  • Suitable for recording a variety of instruments including acoustic guitar and percussion

CONS

  • Mounting parts not of the highest quality

  • One mic may exhibit more self-noise than the other

  • Mic bar included is plastic and not the best quality

  • Clips can be awkwardly tight, risking cross-threading

  • Not ideal for vocal recording compared to large diaphragm condenser mics

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about the t.bone SC 140 Stereoset.

Build quality

  • SC140s reportedly falter in high humidity, common in the UK, impacting reliability.

    Source

Comparisons

  • sE Electronics SE7 mics praised over both Lewitt and t.bone for flat response and lower noise (-16dB).

    Source
  • Superlux S502's imaging preferred over Clippy EM272 for ORTF applications despite occasional quality control issues.

    Source
  • The Tascam Portacapture X8's built-in mics are often seen as sufficient for close-up recording, potentially outperforming the Superlux S502 in such applications.

    Source
  • The t.bone SC140 has a self-noise level of 9.8 dB, while the Rode NT1 offers a lower self-noise level of 4.5 dB, providing quieter recordings in comparison.

    Source
  • The Rode NT1 (not NT1a) is noted for its low self-noise of 4.5 dB, among the lowest available for large condenser microphones, favored for quiet sound environments.

    Source

Use cases and applications

  • ORTF setup with Superlux S502 provides excellent imaging, favored for music, jazz, and field recordings.

    Source
  • The Superlux S502's fixed 110-degree ORTF configuration may not suit close-up recording due to potential stereo image instability with moving sources.

    Source
  • The Lewitt 540s paired with a Zoom H6 in a Blumlein array setup is recommended for high-fidelity stereo field recordings, capturing detailed ambient sounds.

    Source

User experience

  • Using both Clippy EM272 and Superlux S502 simultaneously can enhance understanding of sound environments.

    Source
  • Initial recording experience with the Tascam X8's mics is recommended before investing in an external stereo mic, focusing on accessories like wind protection instead.

    Source
  • Owners of the Lewitt 540s describe them as "audio mirrors" with crystal-clear sound, especially when paired with quiet preamps like those in the Zoom F3.

    Source

Features and functionality

  • The Superlux S502 requires a 5-pin to dual 3-pin XLR adapter to connect to the Tascam Portacapture X8 for stereo recording.

    Source

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