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Average Price: $200
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$100
$501+
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Description
Experience the sonic versatility of the Yamaha SPX90 Digital Multi Effects Processor, a staple in the world of studio recording and live performances. This effects processor is renowned for its legendary reverb algorithms, offering musicians and audio engineers a vast array of soundscapes at their fingertips. Perfect for both digital and analog setups, the SPX90 integrates seamlessly into any audio environment, enhancing the depth and texture of your sound.
The processor is equipped with 30 preset and user-editable effects, including reverb, delay, modulation, and pitch change, providing a comprehensive toolkit for creative sound manipulation. Its user-friendly interface makes it easy to navigate through settings, allowing quick adjustments during live performances or recording sessions. This unit is particularly favored for its durability and reliability, ensuring consistent performance in various scenarios.
Ideal for musicians seeking to elevate their sound, the SPX90's advanced modulation capabilities offer unparalleled flexibility, adapting to the needs of any genre. Whether you're crafting ambient soundscapes or adding depth to a live band mix, this effects processor delivers professional-grade quality every time.
Key Features:
- 30 preset and user-editable effects including reverb, delay, and modulation
- Legendary reverb algorithms for rich, immersive sound
- User-friendly interface for easy navigation and adjustments
- Advanced modulation capabilities for versatile sound design
- Seamless integration with both digital and analog setups
- Durable construction for reliable performance in diverse environments
Product specs
| Brand | Yamaha |
| Model | SPX90 Digital Sound Processor |
| Finish | Black |
| Year | 1980s |
| Made In | Japan |
| Categories | Multi-Effect |
FAQs
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What types of effects does the Yamaha SPX90 offer?
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The Yamaha SPX90 provides a range of effects including reverb, delay, chorus, flanger, phaser, and pitch change, making it versatile for various audio processing needs.
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Is the Yamaha SPX90 suitable for live performances?
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Yes, the Yamaha SPX90 is suitable for live performances due to its robust build and diverse effect options, which can enhance live sound mixing.
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How does the Yamaha SPX90 connect to other audio equipment?
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The Yamaha SPX90 connects via standard 1/4" jacks, allowing integration with most audio setups, including mixers and amplifiers.
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Can the Yamaha SPX90 be used in a home studio setup?
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Yes, the Yamaha SPX90 is well-suited for home studio setups, providing a variety of effects to enhance recordings and mixes.
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Does the Yamaha SPX90 have MIDI capabilities?
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The Yamaha SPX90 includes MIDI functionality, enabling control and automation of its effects parameters through external MIDI devices.
Videos
Robert Baker
The Most Iconic Gear Of The 80s (1985 Yamaha SPX90) Ep1
Reviews
PROS
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Unique sound capabilities not found in other units
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Symphonic preset enhances movement in mixes effectively
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Notable usage on famous albums adds to its appeal
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Clean up effect for distorted signals when used correctly
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Offers a wide range of effects including reverb, modulation, and compression
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MIDI compatibility for advanced control options
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Direct analog bypass preserves original signal quality
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Particularly enhances rock snares, drums, and analog synths
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Affordable price for a versatile multi-effect unit
CONS
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Requires careful signal chain placement to avoid cleaning out desired distortion
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Limited by a 16bit, 31kHz DAC/ADC, affecting sound quality
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Yamaha SPX90.
Critic Reviews
4.5 out of 5
Based on 4 Reviews and 33 Ratings
344
Amazing
Fantastic digital reverbs and modulation. Have used this on a number of records now.
Preferred Settings + Usage:
Hall reverb for around 10 seconds.
557
It's awesome! ...Trust me
It's awesome and it was used on both of my favorite albums, Loveless and Nevermind. Zakk Wylde used it on No More Tears, which is my favorite Ozzy album, and one of my favorite songs, so this was a no brainer for me.
Personally using it, it seems to clean up almost all the distortion if you put a pedal before it, so you have to put the pedal after it. Strangely, I prefer using it as a chorus for my piano and just playing my guitar with a distortion pedal and no other effects.
900
An Excellent budget Multi-FX, Good Reverbs, Excellent Chorus, and some pretty intresting creative effects
Bought for less than 80€, its a good multi-effect unit sporting 60Presets, MIDI compatibility, Mono In and Stereo Out, Effects features Reverbs (Hall, Room, Plate and Vocal), Modulation (Chorus A, Chorus B, Symphonic, Phaser and Flanger), Delay, Pitch Change (also with MIDI note control) Freeze, Echo, compression and more! It sports a 16bit, 31kHz DAC/ADC with direct analog bypass, his low sample rate make him very cool sounding on Rock snares and drums (hall, vocal and plate reverbs) and on analog synths (chorus and symphonic) I've also found it very good on Violin and strings with the Symphonic program
41029
I regret selling mine last year. There's a gritty quality to the delays and modulations that has a place even though it doesn't sound 'good' - and as you say, the early reflections on their own still hold up well today.
Artist usage
Add artist
A second rack is filled with effects units. These are topped by a record deck ("my biggest effects unit"), below which are two Korg SRV3000s, a Yamaha Rev 7, an SPX90, Lexicon PCM70 ("I really love that, especially for vocals), BSS compressor, Digitech Smartshift, and Drawmer gates. Not a huge selection "but I use the Synclavier for effects. Its voice structure is a little like that [pointing to the D110] in that it has partials; if I want a delay I can take a sound, set different delays for each parts — put some attack on, say, the third delay, make it so that the original sound comes in last, and fade in each delay like a backwards echo. Sometimes it does sound a bit too clean though."
Prince Charles Alexander confirmed that Mary J. Blige used the Yamaha SPX90 Digital Multi Effects Processor on her album, stating, "We were renting gear as well. The Lexicon 480L was the main reverb unit we were using. For delays, we were using the PCM 42. I had a multi delay unit called the SPX 90. We used an LA-2A to compress the vocals. We used 1176s to compress the basses." This information is corroborated by the article "Key Tracks: Mary J. Blige’s My Life" on the Red Bull Music Academy website.
According to Dave Amato in this video at (11:20), he uses Yamaha SPX90 digital effects processors in his live rig. "I know they're old," he said, "but I just love the way they sound."
Accordint to the Premier Guitar article here
"With a Bob Bradshaw-designed rig, Amato is able to cover a lot of ground. In the rack for his main rig he has a Yamaha SPX90 Delay, Roland SRV-2000 reverb, Eventide Ultra Harmonizer, DBX 160A compressor, TC Electronic 2290 delay, TC Electronic 1210 Spatial Expander+Chorus/Flanger, and a Lexicon PCM70. The upper rack houses his "B" rig, which contains a Dunlop Tremolo, Korg ToneWorks G4 Rotary Speaker Simulator, Dunlop Uni-Vibe, MXR Noise Gate, Boss DSD-2 Digital Sampler/Delay, Boss DD-3 Digital Delay, Boss RV-3 Digital Reverb/Delay, Boss PS-3 Pitch Shifter, and a Line 6 MM-4."
In this video, Sergey Golovin mentions in the description that he used a Yamaha SPX90 rack effects processor.
Robert uses a Yamaha SPX90 effects processor, according to this Guitar Geek rig diagram.
In the Sound on Sound article "Chris & Cosey: 2 Unlimited," Chris & Cosey discuss their use of the Yamaha SPX90 Digital Multi Effects Processor, mentioning it as a key piece in their effects processor lineup.
Jools Holland's equipment list, from the January 1993 issue of Music Technology:
(Helicon Mountain studios)
Instruments: Casio FZ1 Keyboard Sampler Casio FZ10M Sampler Module w/80-disk sound library Casio VZ1 Synth Hohner Clavinet Korg CX3 Organ w/Leslie 145 Cabinet Yamaha C5 Grand Piano Yamaha DX7 Synth
Recording: Atari 1040ST w/Steinberg Pro24 and C-Lab Creator sequencing software Fisher CD Player Revox PR99 two-track Saturn 824 24-track (Dolby SR on arrangement) Soundtracs Quartz 48-channel in-line desk (96 inputs on mixdown) Casio DA1 DAT Recorder Casio DA2 DAT Recorder XRI XR300 SMPTE Synchroniser
Effects: Drawmer Gate Drawmer Dual Compressor/Limiter Eventide Harmonizer Lexicon 480L Reverb Lexicon PCM70 Multi-effects Processor Roland SDE2000 Digital Delay SA PPE 240 Teac Graphic Equaliser Yamaha REV7 Reverb Yamaha R1000 Reverb Yamaha SPX90 (x2) Multi-effects Processor
Microphones: Neumann U87, AKG, Shure, PZM
"The monitors are Yamaha NS 1000s - they've got a big, beautiful sound. Then there's the 16-track Fostex, the Atari C-Lab, the patch panel... Here's a fantastic Eventide H3000 harmonizer. This is a thing I made called a VEWA - a vocal effects waveform animator. It adds vocal-like formants to a signal. It's sort of like a random vocoder. I used it quite a bit on Hybrid. This here is a Lexicon LXP1 digital reverb, which has an incredible quality to it. The Yamaha TX802 is the synthesizer I use. This Bel digital delay line I use live a lot. It produces 13-second loops in sync with MIDI, so it's like having a rhythm guitarist who can play for 13 seconds - that's very important for my live work. Here's the Yamaha SPX90 and Roland reverb I use sometimes."
In the YouTube video titled "STUDIO TOUR 2025 | GUITARS, AMPS, CABINETS & GEAR IN GENERAL," Euge Valovirta, a guitarist and music producer, showcases his studio setup, where the Yamaha SPX90 rack unit is visibly featured at the 8:00 minute mark.
in this image you can see one of Nico's yamaha spx90 rackmount units in the bottom right below the rane mixer.
Album Usage
The Yamaha SPX90 has been featured on the following albums:
Gift
The Sisterhood (2022)
Maps and Trails
Sergey Golovin (2016)
Pop
U2 (1997)
My Life
Mary J. Blige (1994)
No More Tears (Expanded Edition)
Ozzy Osbourne & Ozzy Osbourne (1991)
VIVI SECT VI
Skinny Puppy (1988)
No Rest for the Wicked (Expanded Edition)
Ozzy Osbourne & Ozzy Osbourne (1988)
Rage For Order (Remastered) [Expanded Edition]
Queensrÿche (1986)
Hybrid
Michael Brook (1985)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Yamaha SPX90, it is most commonly used with the following gear.
Community setups
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