Ampeg R212R Reverberocket Amp

$465.40 Price Tier: Standard

4.5 (7)

4 Reviews

Find out who is using Ampeg R212R Reverberocket

10 wishlisted

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Page last updated Jun 30, 2026

Pricing and availability

We compare 600+ stores and found this item at 1 store. Prices updated June 30, 2026.

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5.0 (2)

$465.40 6 available Used

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Average Price: $465

Standard/Professional

$300

$701+

Price Tier

In the Combo Guitar Amplifiers category, Ampeg R212R Reverberocket Amp is priced in the Standard/Professional range. This is quality gear at a fair price point, suitable for beginners, hobbyists, and pros alike.

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Standard

High-end

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Description

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Introducing the Ampeg R212R Reverberocket Amp, a classic piece of gear that combines vintage charm with modern reliability. Designed for guitarists who crave rich, full-bodied tones, this combo amplifier is a nod to the golden era of rock 'n' roll. With its 12AX7 preamp tubes delivering a warm, expressive sound, the Reverberocket is perfect for live performances and studio sessions alike. The onboard reverb adds depth and dimension, allowing you to sculpt your sound with precision.

Built with two 12-inch speakers, the R212R provides a powerful projection that can fill any venue. Its versatile control panel allows for seamless switching between clean and overdriven tones, catering to a wide range of musical styles. Whether you're strumming smooth jazz chords or shredding a blazing solo, this amp delivers with clarity and punch. The durable construction ensures it can withstand the rigors of touring, making it a reliable companion for gigging musicians.

Key Features:

12AX7 preamp tubes for warm, expressive tones
Integrated reverb for added depth and dimension
Two 12-inch speakers for powerful sound projection
Versatile control panel for clean and overdriven tones
Durable construction suitable for live performance and studio use

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Hector Mazzotti

Review Ampeg Reverberocket R212R - Heitor Mazzotti

Hector Mazzotti

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PROS

Incredible value for the price, offering premium tones affordably
Clean and gain channels provide clear tones and smooth overdrive
Versatile for small to mid-size venues with sufficient volume
Warm, punchy tone with killer mid-range ideal for country, blues, or jazz
Excellent reverb quality, both sparkly and dark
Works well with pedals, enhancing versatility
Two-channel configuration (clean/overdrive) with switchable options
Compatible with different speaker modifications for personalized sound

CONS

Heavy, making transport challenging
Single set of EQ controls limits tonal customization
Some difficulties in achieving pristine clean tones for ambient work
Requires experimentation with tubes for optimal sound, indicating possible inconsistency

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ampeg R212R Reverberocket Amp.

Value and pricing

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Some owners find these amps priced around $200, which is considered very affordable for their quality and features.
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The market value for a mint condition R212R seems to be around $300-$350, with $400 being reasonable if in pristine condition with original materials.
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Features and functionality

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The clean channel is praised for its quality and as a solid pedal platform, though the crunch channel is considered mediocre.
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The spring reverb is praised for its depth and usability across the entire range without becoming splashy like a Fender reverb.
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Build quality

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Cabinets are well-regarded, but there are criticisms of cheap potentiometers and board components.
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Owners report a persistent hum at low volumes that doesn't intensify with volume increases; silicone tube dampeners can mitigate common tube rattle issues.
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Comparisons

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Compared to Fender Hot Rod Deville for clean sound quality and pedal compatibility, but with less impressive drive channel performance.
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Some prefer the touch sensitivity and tone of the R212R over a Twin Reverb, highlighting its thick, round clean tones and reactiveness to pick attack.
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Use cases and applications

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Known for excellent clean tones and reverb, described as darker than Fender's but still very usable. Ideal for those valuing clean sound.
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The 1x12 version is considered loud enough for gigs, offering substantial growl and volume.
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4.5 out of 5

Based on 4 Reviews and 7 Ratings

5 star

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brandon_deitz

106

about 10 years ago

Like a Fender but with more muscle

I've owned my Ampeg R212R for about 10 years now and have had a love/hate relationship with it (although "hate" is a strong word for such a fine amp). Most of the time, I love it. However, I've encountered some problems with getting it to stay as clean as I want in certain applications, especially when a gig calls for some delicate ambient guitar work. I finally buckled down to do some major experimenting by using various combination of tubes, running through different cabinets, etc. I can say I'm pretty close to getting the amp to it's ideal spot, and have learned in the process that this amp is something like a Fender but with more "muscle". The amp has punchy cleans and plenty of "bark", but that sweet-singing sparkle that I enjoy so much is harder to find on my amp. I made the biggest impact by replacing every tube with it's Tung-Sol equivalent. I later switched to TADs in the power section briefly to see if I could get something a little more bodied, but the clarity suffered a little. In the end, I like Tung-Sols in the power section, but I think I need to get creative with my preamp section. A JJ ECC803S at V1 and a Mullard 12AT7 at V3 will be my next approach to working on the tone/breakup. The distortion channel has never been an issue, and is very desirable, although I tend to run pedals for everything. This Ampeg is my go-to in the studio for some mid-heavy guitar work, and it's a match made in heaven with my Les Paul.

People looking to purchase one of these amps should expect something that is hard to beat for jazz and blues. The best way to describe the clean sound is that, to my ears, it produces the guitar in a way that shares some tonal characteristics of a nicely compressed signal. The shimmering/breathy highs are less noticeable but the trade in this area for it's punchy and articulate attack is something that can easily work well for a variety of applications.

jimmarchi1

41029

10 years ago about 10 years ago

welp, vintage reverborockets are ampegs only 'rock' amp until the V series, they were not particularly clean like other ampegs of the time like the geminis

ricardo_jorge_rocha

558

about 11 years ago

Outstanding!

I owned an Hot Rod Deluxe, but this Ampeg is way better. Equipped with two channels - clean and dirty - it is oustanding in every way. Warm, thick, and perfect sound, the definition of the American amp sound is this Ampeg. I'm most fortunate to have one and it's my favourite. Incredible!

beyondpavedroads

211

over 12 years ago

I actualy own a Reverberocket R12R

It is a amazing piece, i paid 340$ (good luck finding one for that price) . have matching tubes, and the reverb is amazing! it works great with most pedals, and will never let you down. only difference for r12r is only a single speaker. Will never get rid of this amp.