Pricing and availability
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Average Price: $1,875
High-end/Boutique
$300
$701+
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Budget
Standard
High-end
Price History
Based on price data from 6 merchants for "Fender '68 Custom Twin Reverb". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Combining the best of vintage aesthetics with modern enhancements, the Fender '68 Custom Twin Reverb is a tribute to the iconic late-'60s "silverface" Twin Reverb. Hand-wired tube sockets and custom-made Schumacher transformers hearken back to the original design, while reduced negative feedback adds a contemporary touch of greater sensitivity and harmonic richness. This amp doesn't just look the part, it embodies every bit of the punchy, rock-and-roll flavor that made its predecessor a legend.
Under the hood, the '68 Custom Twin Reverb offers a versatile 85 watts of power through two 12" Celestion G12V-70 speakers. A '50s tweed Bassman tone circuit in the "custom" channel lends more low mids and faster breakup, while the reduced feedback allows for an earlier break up when overdriven. This amp isn't just about the clean sound; push it a little, and you'll find a wide range of classic Fender tones rich in harmonics.
Despite its power, the '68 Custom Twin Reverb is relatively portable for a tube combo amp of its size. It's also pedal-friendly, making it the perfect platform for overdrive, distortion, and fuzz pedals. Add to that the natural compression and touch dynamics, and you've got a high-performing amp that also plays well with others.
Key Features:
- 85 watts of power through two 12" Celestion G12V-70 speakers
- '50s tweed Bassman tone circuit
- Reduced negative feedback for greater touch sensitivity and harmonic richness
- Hand-wired tube sockets and custom-made Schumacher transformers
- Reverb and tremolo controls on both channels
- Pedal-friendly design ideal for overdrive, distortion, and fuzz pedals
- Portable for a tube combo amp of its size
- Ideal for stage and studio use
- 2-button footswitch and a fitted cover included
Product specs
| Type | Tube |
| Number of Channels | 2 |
| Total Power | 85W |
| Speaker Size | 2 x 12" |
| Preamp Tubes | 4 x 12AX7, 2 x 12AT7 |
| Power Tubes | 4 x 6L6 |
| Reverb | Yes |
| Effects | Vibrato |
| EQ | 3-band |
| Inputs | 2 x 1/4" (custom), 2 x 1/4" (vintage) |
| Footswitch I/O | 1 x 1/4" (reverb, vibrato) |
| Footswitch Included | Yes, 2-button footswitch |
| Bias Type | Adjustable Fixed |
| Construction Material | Birch/Pine with Black Tolex |
| Power Source | Fixed AC cable |
| Height | 19.87" |
| Width | 26.15" |
| Depth | 10.375" |
| Weight | 64 lbs. |
FAQs
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What are the tonal characteristics of the Fender '68 Custom Twin Reverb?
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The Fender '68 Custom Twin Reverb is known for its clean, warm tones with a rich reverb and vibrato effect. It delivers a classic Fender sound that is ideal for genres like rock, blues, and country.
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Is the Fender '68 Custom Twin Reverb suitable for live performances?
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Yes, with its 85-watt power and dual 12" speakers, the Fender '68 Custom Twin Reverb is powerful enough for live performances, providing ample headroom and clarity even in larger venues.
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Does the Fender '68 Custom Twin Reverb come with a footswitch?
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Yes, the Fender '68 Custom Twin Reverb includes a 2-button footswitch for controlling the reverb and vibrato effects, allowing for seamless transitions during performances.
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How does the '68 Custom Twin Reverb handle pedals?
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The '68 Custom Twin Reverb is well-regarded for taking pedals effectively, making it a versatile choice for guitarists who use a variety of effects in their setup.
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What type of speakers are used in the Fender '68 Custom Twin Reverb?
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The Fender '68 Custom Twin Reverb features two 12" Celestion G12V-70 speakers, known for their balanced tone and ability to handle high power levels.
Videos
Fender
Fender '68 Custom Amps Demo | Fender
Fender '68 Custom Amps Demo | Fender
Fender
Fender '68 Custom Twin Reverb Combo Amplifier Demo - Sweetwater Sound
Sweetwater
Fender '68 Custom Twin Reverb Guitar Combo Amplifier - Fender 68 Twin Reverb
American Musical Supply
Fender ’68 Custom Twin Reverb | Gear4music demo
Gear4music Guitars
zZounds.com: Fender '68 Custom Twin Reverb Guitar Combo Amplifier
zZounds
Fender ‘68 Custom Twin Reverb
Ryan's Custom Shop and Gear Outlet
Fender Twin Reverb 68 Custom
Strato86
Fender 68 Custom Twin Reverb - Speaker Shootout
thejay (Big Battle Bear)
Reviews
PROS
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Super powerful clear tone with lots of headroom
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Vintage and custom channels offer diverse sound palettes
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Exceptional reverb and tremolo effects across both channels
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Handles pedals well, especially on the Bassman circuit
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Capable of both crisp cleans and natural break-up at high volumes
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Versatile for various music styles and size gigs, indoor or outdoor
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Early tube break-up offers great edge of break-up tone
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High quality build and beautiful design
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Even at lower volumes, maintains excellent sound quality
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Compatibility with external speakers for enhanced sound
CONS
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Noticeable white noise hiss in quiet settings
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Heavy at 64 pounds, making transport challenging
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Some units may have reversed tank RCA connectors, affecting reverb
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Requires careful handling due to tube and electrical sensitivities
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Absence of an effects loop
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Potential for ground loop noise, especially with reverb and tremolo use
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender '68 Custom Twin Reverb.
Setup and maintenance
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Deoxit is recommended to clean scratchy pots, with many owners suggesting turning knobs to clear dust before using Deoxit.
Source
Mods and upgrades
Build quality
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Owners note the '68 Custom Twin Reverb is susceptible to dirty power, contributing to noise, often mitigated by better quality tubes.
Source
Value and pricing
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Used '68 Custom Twin Reverbs are often available for around $1,000, though some suggest vintage silverface Twins can be found for similar prices.
Source
Use cases and applications
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Despite being a large amp, many home players appreciate the clean tones and headroom, with some acknowledging it's overkill but worth it for the sound.
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Despite its size, the amp is praised for maintaining lush and pristine reverb and delay effects at any volume level.
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The amp's clean headroom is appreciated for future jamming with friends, despite its excessive power for home use.
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Users note that the clean sound remains consistent at lower volumes, which can be important for home practice environments.
Source
Features and functionality
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The '68 Custom Twin Reverb includes a Bassman tone stack on the custom channel, providing a unique blend of classic and modern tones.
Source
Comparisons
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Owners note tonal consistency throughout the volume range, unlike other amps that require high volumes to achieve optimal sound.
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Owners suggest considering the Peavey Classic 50 as an alternative, highlighting its compatibility with a range of musical styles.
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The '68 Custom Twin Reverb is often compared to the Vibrolux, which is suggested as providing similar features at a potentially lower price.
Source
User experience
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The amp's volume is noted to be excessive for smaller venues, making it better suited for larger theaters or open spaces.
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Some owners report poor compatibility with distortion pedals like the Rat, while fuzz pedals like Big Muff are favored for use with this amp.
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The amp is praised for its versatility, functioning well for both home use and potential gigging, despite its weight and volume challenges.
Source
5.0 out of 5
Based on 0 Reviews and 38 Ratings
Artist usage
Add artist
Recording of 'In Utero'
"In Utero" was recorded at Pachyderm Studios in Minnesota with producer Steve Albini (25). As for guitars, Kurt used his Fender Jaguar (57) and possibly the Ibanez Les Paul mentioned in the "Guitars, Miscellaneous" section. The Stella acoustic, after it was fixed-up with new tuners and strings, was used for the acoustics on the album (41)(57).
Kurt's Fender Twin Reverb was the main amp used (57).
According to Guitar World: "For his 1985 Japan tour, Vaughan used a pair of Fender Twin Reverb amps (a mid-Sixties 85-watt blackface model and a late-Seventies 100-watt silverface version with master volume) in place of his Dumble Steel String Singer head. The Twins disappeared from his rig after that tour, only to resurface for a brief period in 1987 when they temporarily replaced his Vibroverb combos." From the March 2013 Issue
In this Instagram photo posted by Noel Gallagher, he can be seen playing a Fender Jazzmaster through a Fender '68 Custom Twin Reverb, which according to his caption is a newly acquired amp of his. He says:
New shoes. New amp. New album. There is no rest for the wicked ones.
Instagram photo posted Sept 2016. The knob configuration of the amp, along with the clearly visible "TWIN REVERB" lettering in blue identifies it as the Fender '68 Custom Twin Reverb 85W 2x12" Guitar Combo Amplifier.
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Both John Lennon and George Harrison used Fender Twin reverb amps in their final years in The Beatles, in the recordings of the Let it be album, and in their ultimately famous final public appearance in the Apple offices rooftop.
The amps used by John Lennon and George Harrison weren't "68 Custom Twins" as the title of this entry states. They were just "Fender Twins". You could put "Fender Silverface Twins" if you like.
The 68 Custom range came out in the 2010s as a modded reissue of the Twin and Deluxe Reverb (and maybe the Super Reverb). In 1969 there was no such thing as a 68 Custom Twin, it's a modern take on a Twin with tweaked channel voicings and Reverb and Vibrato on both channels. It looks the part and is pretty close but I think the negative feedback ha been rolled back a bit with reduces the clean headroom.
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Thurston uses a fender twin reverb, as seen in this photo. Aparently, he uses the normal line with a microphone and the second line with a jazzmaster pickup with no guitar and a booster.
Eric Johnson runs his rhythm circuits through a pair of Fender Twin Reverb amplifiers. Johnson's settings are "pretty much the same all the time," he says in this Premier Guitar interview at (5:17). "I might mess with the treble a little bit," he said.
James used a Fender Twin Reverb amp on MCIS, which was used on some tracks for the cleaner tones.
"The second part to Julien's one-two punch is this Fender '68 Custom Twin Reverb..."
Garcia use Fender Amplifiers all the time but at last of 90's he likes to use a Mesa Boogie Mark I
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Wright used a Rhodes Suitcase 73/88 Mark I for the studio and on the road, along with his favourite two Fender Twin Reverb amps.
Album Usage
The Fender '68 Custom Twin Reverb has been featured on the following albums:
Altar of Harmony
Luke Schneider (2020)
Lanza Internacional
Lanza Internacional (2017)
E
Tricot (2015)
Memorial
Russian Circles (2013)
Sports
Modern Baseball (2012)
Mellon Collie And The Infinite Sadness (Deluxe Edition)
The Smashing Pumpkins (1995)
Jar Of Flies
Alice in Chains (1994)
Cut
Golden Earring (1982)
Let It Be (Remastered)
The Beatles (1970)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender '68 Custom Twin Reverb, it is most commonly used with the following gear.
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