Audio-Technica BP4025 - What To Know & Where To Buy

Pricing and availability

We compare 600+ stores and found this item at 8 stores. Prices updated May 28, 2026.

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4.5 (1)

$709.00

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5.0 (1)

$709.00

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4.1 (22)

$709.00

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$709.00

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$709.00

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4.9 (25)

$709.00

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4.7 (47)

$545.00 $539.00 $6.00 · All time low

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$709.00

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Average Price: $688

High-end/Boutique

$100

$401+

Price Tier

In the Condenser Microphones category, Audio-Technica BP4025 is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

Budget

Standard

High-end

Price History

Based on price data from 8 merchants for "Audio-Technica BP4025". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

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Step into the world of professional audio recording with the Audio-Technica BP4025, a stereo condenser microphone that masterfully balances compact design and superior sound quality. Perfectly suited for broadcast and field recording, the BP4025 features large-diaphragm capsules arranged in an innovative coincident XY configuration. This setup provides an impressively accurate stereo image, capturing the spatial impact and realism of a live sound field, all while housed in a sleek, lightweight body. Ideal for use with professional audio and video equipment, this mic is not just about impeccable sound—it's also about convenience, effortlessly mounting to a camera for those on-the-go recording sessions.

Crafted with precision, the BP4025 offers excellent channel separation and features a switchable low-frequency roll-off and 10 dB pad for versatile recording options. It’s fully RoHS-compliant, ensuring that it's free from harmful substances, making it a choice that’s as responsible as it is high-performing. Whether you’re capturing ambient nature sounds or the subtleties of a live performance, the Audio-Technica BP4025 delivers unmatched fidelity and clarity.

Key Features:

Large-diaphragm capsules for pristine sound quality and exceptionally low noise
Innovative coincident capsule configuration for accurate stereo imaging
Compact and lightweight, perfect for camera-mount use
Excellent channel separation
Switchable low-frequency roll-off and 10 dB pad
Includes one balanced cable (two 3-pin XLRM-type connectors at output)
RoHS-compliant
Requires +48V phantom power

Product specs

Microphone Type	Condenser
Mono/Stereo	Stereo
Polar Pattern	XY Stereo
Frequency Response	20Hz-17kHz
Max SPL	145dB (155dB w/Pad)
Output Impedance	170 ohms
Signal to Noise Ratio	80dB
Self Noise	14dB (A weighted)
Low Cut Filter	80Hz (-12dB/octave)
Pads	-10dB
Connector	5-pin XLR
Weight	0.59 lbs.
Included Accessories	Mic Clip, Windscreen, Microphone Pouch

FAQs

What is the primary application of the Audio-Technica BP4025 microphone?: The Audio-Technica BP4025 is designed for stereo field recording, making it ideal for capturing environmental sounds, live performances, and orchestral recordings with its XY stereo configuration.
What type of polar pattern does the Audio-Technica BP4025 use?: The BP4025 utilizes an XY stereo polar pattern, which captures a wide stereo image and is excellent for creating a natural sense of space in recordings.
Is the Audio-Technica BP4025 suitable for high sound pressure levels?: Yes, the BP4025 can handle high sound pressure levels up to 145dB, or 155dB with the -10dB pad engaged, making it suitable for recording loud sources without distortion.
What connectivity does the Audio-Technica BP4025 offer?: The BP4025 features a 5-pin XLR connector, which is standard for professional audio equipment and ensures a secure, high-quality connection to recording devices.
Does the Audio-Technica BP4025 come with any accessories?: Yes, the BP4025 includes a mic clip, windscreen, and microphone pouch, providing essential accessories for protection and optimal performance in various recording environments.

Videos

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Audio-Technica BP4025 Stereo Microphone

Distractor_Beam Reviews

Reviews

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PROS

Exceptional stereo field creates immersive sound experiences
Lightweight and portable, ideal for field recording and video use
Extremely low self-noise for clear recordings
Versatile across environments: urban, nature, choirs, and film ambiance
Sturdy build can withstand moderate climates and conditions
Large diaphragms provide a present low end and lush midrange
Includes long stereo cable and useful accessories
Outperforms other stereo mics in its price range for quiet ambiance recordings
Warm and detailed sound capture without hyped trebles
Compatible with standard blimp sizes for convenience in field use

CONS

Mid-line, somewhat flat tonality
Requires distance from subject to capture proper stereo image
Smaller stereo field compared to some other XY stereo mics
Overpresent low end in urban recordings may require post-adjustment
Frequency response tapers off after 17K, affecting high-end detail
Front-heavy design may require specific suspension for optimal use
Included clip and adapter are basic and not durable
Some users may need to adjust stereo spread in post for natural sound

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Audio-Technica BP4025.

Features and functionality

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The BP4025 offers stereo recording in an XY configuration, providing intensity stereo but lacking time-of-arrival cues for a spacious sound.
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The BP4025 records sound beyond 20kHz, despite a noted drop-off above 17kHz, providing clarity for ambient and loud sound environments.
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Using lower phantom power (24v) can extend battery life without affecting performance, depending on the mic's tolerance for voltage variations.
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Use cases and applications

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A single BP4025 simplifies field recording with one cable and windscreen, ideal for straightforward stereo capture.
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This microphone is particularly sensitive to physical vibrations; using a shock mount and walking gently helps mitigate this issue during hand-held recordings.
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For recording sound effects, a directional microphone is recommended over the BP4025 due to the limited stereo image needed for most effects.
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Comparisons

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For those seeking a more spatial audio experience, spaced arrays or baffled omnis provide time cues and a more immersive sound than the BP4025's XY setup.
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Line Audio CM4 and Oktava MK-012 offer more flexibility for stereo configurations like XY and ORTF, and allow experimentation with interchangeable capsules.
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The BP4025 is favored over the NT4 by several owners, with emphasis on its low-noise capabilities and suitability for ambient recording.
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The BP4029, a stereo shotgun with M-S stereo capabilities, is suggested for outdoor ambiences, offering adjustable width and better directionality compared to the BP4025.
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Mods and upgrades

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Consider using a stereo bar with a second BP4025 for wider stereo imaging, though this may not achieve the desired spatial effect compared to omnis.
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User experience

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Users new to field recording may find the BP4025 limiting for achieving wide stereo width, prompting exploration of alternative setups or additional equipment.
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Long-term users praise the BP4025 as one of their best purchases, highlighting its value for ambient recordings over several years of use.
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Conducting noise tests at different phantom voltages can ensure optimal operation, with some users finding no difference in noise levels between 24v and 48v.
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Setup and maintenance

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Phantom power should be applied individually to each channel at 24 or 48 volts, with user testing suggested for noise and SPL handling differences.
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4.5 out of 5

Based on 1 Review and 2 Ratings

5 star

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2 star

1 star

xaqary

5454

about 9 years ago

Cheap, easy fun.

Definitely far from the highest quality stereo microphone, but I still love to use it when recording scratch takes or musical ideas. That said I've had excellent results multiple times. I've always been a huge fan of a single stereo mic/ blumlein technique set up in a room with everyone playing live. Frequently they have become my favorite recordings. So it's a modest microphone but has proven it's worth many times over. She's a keeper. There's a certain magic that happens when all the musicians play to the microphone by adjusting their levels and playing style to suit the situation/microphone. Fun stuffs.