I am so embarrassed to admit I actually prefer my behringer superfuzz to the vintage univox I sold in 2014.... but I do

haha! I think Behringer pedals get kind of a bad rap for no reason besides the fact that they're extremely cheap...turns out I'm not that much of a pedal guy the older I get, but this is one of the only ones I didn't sell after a major purge where my huge pedalboard had a short in the middle of a show

also, they are unabashed lifts of other people's designs much like their other budget ear.... it used to be though if boss or Ibanez had a great idea everyone would copy it, and I never hear anyone bitch about new versions of the tubescreamer.... but something about Uri Behringer's business practices makes people trash the actual products instead of the man himself

I seldom use pedals, I have a very simple midi setup that is usually in bypass or is just adding a subtle stereo delay... but tis capable of a lot of basic sounds that I never want to hear

That's definitely the truth...$40 pedals when you're a teenager though, hard to say no to that!

its funny, as a teen I scored lots of valuable old stuff for peanuts.... I made such a profit later, but difress

whoof, the best I managed in the freebie department was a digitech death metal...yikes bikes, now if you want to talk about a bad pedal, that's not even the same sport

Hehe I had one of those, and I agree, it is the sonic embodiement of sh*te, kills your low end, and just generally sounded horrendous.

my best was actually my univox superfuzz, purchased by a band's singer at a ayrd sale for $5, wasn't working right, I fixed it for her and she then gifted it to me.... I also got my 1st TS9 for about 30 bucks.... my '88 plexi reissue was only $600 and my '81 JCM800 came to me for $400 if I recall.... but that was long time ago

1962 ac30 $1200 in '00... I think the purple JMP superlead I ahd was only 2k for the whole halfstack.... I also scored some old analog delays when I sold the plexi RI for basically nothing in trade, 2 bosses a DM2 and DM3 and an early Ibanez with the dual 9 volts... I traded a recent vox wah for the 2nd year smalls tone I used for years and sold it for hundreds.... my vox tonebender I got for under $100, the mestro FZ1 I had was a gift from my best friend, too bad he won't give me his tweed Pro as a gift...

oh, and my 1st amp was a 1964 fender Princeton reverb given to me for nothing by my uncle... drool if you want.... someone stole it from me though

Nice! I've got full modeling amps these days...just got an axe fx in the mail yesterday

cool, I want to go lght but.... but.... AMPS! I am a dinosaur and feel suspicious.

Apatosaurs not trust 1s and 0s, noooooooo!

Totally fair to feel that way! I just love the idea of having it all in one box, I need my setup to be as plug and play as possible. Plus it's hard to fight the feeling when you can fly with your whole rig in a backpack!

it took me until this year to try a digital modelling delay! I have used digital and even used a TC G rack at one point but I always used the 2290 and digital lofi sort of patches on the TC until buying and x4 for panuts. I am such a lame-o with new technology I guess. But vacuum tubes and acetate just smell good to me....

hahaha, my fly rig for years was a guitar, 2 cables, a tuner and a '59 Gibson tweed titan 1x10"