An OD-1 can be seen on his studio pedalboard.

Used on "Ice 9", as stated in this February 17, 2017 Music Radar interview.

“On that one, I'm using a Boss DS-1 and the overdrive, OD-1, I think. I'm playing my ’60s P-Bass, but I think that's where the rhythm guitars are the DS-1, so they're a bit crunchier. For the solos, I believe it's a Rockman [headphone amp], and we just used one channel of the Rockman and put it up on the middle, flat and dry. I mean, that's about as dry as I've ever recorded. Simple legato technique and just crazy all over the place."

A unit modded by Analog Man is visible in this photo of O'Brien's 2010 Radiohead for Haiti pedalboard, taken from the OD-1 page of the official Analog Man website.

We were pleasantly surprised when we saw this picture of Radiohead's Ed O'Brien's pedalboard, with our OD-1 mod on it.

Beginning in 1999, Pete began using a Boss OD-1 overdrive pedal to drive the Fender Vibro-King amps at moderate stage volumes. The pedal was paired with an MXR Dyna Comp compression pedal (until 2004, when he began using an MXR Super Comp).

In this video, Ola Englund uses a Boss OD-1 overdrive at 7:04.

Pictured on Gallagher's official website's "Effects / Pedals" page and mentioned in an interview in an August 1991 Guitar for the Practicing Musician interview with Vivian Campbell.

VIVIAN: You get a tremendous tone for a single-coil Strat. Are you using any kind of distortion device between the guitar and the amp?

RORY: I've got a Boss Graphic EQ.

VIVIAN: Is that a little 6 band?

RORY: Yeah, one of the real old green ones. And I've got a DOD analog. They're back on the amps, and that's set at the minimum setting, just for a little bit of slap-back. I've got a Dyna-comp, which is on all the time, to drive the songs from the leads. It's not for effect. It's a form of compression and I have it at a setting where the compression's really low on it. I usually use a Tube Screamer, which broke down on me. Last night I was using a Boss overdrive. I use them for some solos, not all solos. I was against using them for years. If I was doing a solo, I had to look at the monitor guy to turn it up and all this. So I keep close to the natural sound. I have a brown Boss octave thing.

VIVIAN: I heard that last night. You sounded like Prince! He uses that a lot.

RORY: I've got a Boss flanger, as opposed to a chorus, which I use sparingly, I use that only in “Shadow Play” and “Moon Child,” and one other song. That's my talk on technology. I have a Vox wah-wah which I did use for one or two gigs, but purely to click it on for slide solos. I used it in the studio, for some solos as well. I don't use it on-stage, because even as it is, I try to keep it simple, within reason.

Main distortion pedal

Here in this webpage it shows pictures of Jerry with his pedals behind him. 3rd photo down shows his mid-late 80s early 90s pedal rig with the boss overdrive od-1

Used live on tour, as documented by Pedalmaniacs on February 18, 2011.

Lindsey Buckingham used a Boss OD-1 OverDrive pedal during the latter part of the Tusk Tour. According to his tech, Ray Lindsey, in 2003, Buckingham's tone notably changed around early August 1980, coinciding with the failure of his Tape Machine Fuzz Box on tour.

In a photo of Toru Kitajima’s pedalboard from 2009, the Boss OD-1 OverDrive is visible, illustrating its use in his setup.

According to this page of Billy Duffy's website, Billy originally used an OD-1. "Another pedal that [Cult bassist] Jamie passed onto me when he joined Death Cult (and swapped guitar for Bass) was his BOSS OD-1. I used that as Overdrive in the early years of the band...”