Visible under the desk at 6:20 in the FACT "In The Studio" video.

He used the "Organ 2" preset on the Korg M1 to get the famous bass sound for "Show Me Love".

“Ok, Saraya days (live) I was using the classic ADA MP-1 setup with two Bedrock 4x12 slant cabs/30 Watt Greenbacks in both. Main axe was that Lake Placid Blue ESP strat with a Seymor Duncan in the bridge and a Kramer Sustainer, flip-flop purple/blue. FX were a straight up Lexicon MPX-1 through the FX loop.

When we did the first record, I tracked with that rig (at Bearsville Studios in NY). But we did all the overdubs at Studio-1 in Austin, Texas and Jeff Glicksman, who was producing, brought in this Mashall Plexi that just leveled me. Used it on everything except ‘St. Christophers Medal.’ That track was recorded near 2:00 a.m. and we were drunk, tired and who knows what else, so when the solo came up during basics, instead of staying with the rhythm part, I just went for it. The next day, even though I wasn’t nuts about the tone, I LOVED the solo, so it stayed.

When we did Blackbird (and thank you for the praise... I still love that record), I needed to raise the bar a bit in terms of layers and tone. So I bought a late ‘70s Les Paul Jr. and started getting used to the way it changed my playing. I ended up writing the entire record on that guitar. I did all the demos on my home studio (Korg M1 and Tascam 8-track) and Sandi wrote most of the lyrics in the studio. Funny thing is, we recorded that record just outside of New Orleans and the studio had great vintage gear. So I ended up using a Tele on a LOT of those songs, the Jr., and a Fender Twin, my ADA, and a Roland Jazz Chorus all running together and coming up on six faders.

Danger Danger was another situation like that. The studio had this old Laney Pro-Tube Lead that sounded dope so I used it on the entire record, with my Lexicon MPX-1 and the Blue ESP.”

An added comment from Rey mentioned that his acoustic guitar parts were done on a Gibson J-200 acoustic, which he still owns today.

From https://musicplayers.com/

Gregg is seen using a Korg M1 along with many other synthesizers in this video

The instrument appears on the list of instruments on official artist's website (http://olszak.pl/).

Rémi Gazel used the Korg M1 synthesizer in the creation of "Betilla the Fairy's Theme," utilizing the universe preset. This recording took place at Studios de la Seine, as detailed on the Rayman Pirate-Community forum.

Dominic Glynn confirming to use the Korg M1 for the final episode of the classic Doctor Who series for Survival.

"By that point I'd added a Korg M1 synth, but was still using the Akai sampler."

In 3:19, Yanou uses multiple synths such as Nord Lead 2 and Korg M1

Jane Penny has confirmed through an Instagram story posted on March 13, 2024, that she utilizes the Korg M1 among other digital synthesizers and VSTs for her solo work. In her own words: "For solo I used a lot of digital synths & VSTs (JV 1080, M1, triton ... TOPS uses more analog synths cuz we don't use midi (poly 61, JX 8P, Juno 106, Rhodes etc.)." This statement provides clear evidence of her usage of the Korg M1 synthesizer.

At the 39 minute and 39 seconds mark of the video "Quiet Riot Live In Japan (1989)" on YouTube, you can see Jimmy Waldo using a Korg M1 during a tour with Quiet Riot.

As seen and mentioned in Matt's Instagram photo.

List of equipment at Chris Hughes' studio:

Desktop Apple Mac Quadra x 2 Digidesign SampleCell x 2 Digidesign ProTools Opcode Studio 3 Mac-MIDI interface

Tracking & mixing: Alesis ADAT digital multitrack recorder x 3 Alesis BRC remote controller Mackie 8-buss mixing desk

Sound sources: Roland S770 sampler Roland MKS20 piano module E-mu Procussion Casio CZ101 synth Fairlight CMI series II Korg M1 workstation Korg SG1D piano Korg Wavestation module NED Synclavier Sequential Prophet 5 synth Yamaha DX7 synth Roland CR78 beat box

Signal processing: Alesis Quadraverb Yamaha REV7 reverb