We can see the drum machine at 8:58

In a 1982 photograph featured on Queenvinyls.com, Brian May is shown with a Linn Electronics LM-1 Drum Computer, highlighting his use of this iconic drum machine.

The LM-1 was elite gear. Only 525 machines were ever made, and inventor Roger Linn managed to flog them by dragging around a little cardboard-box prototype to showbiz parties. Notching up pre-orders with Peter Gabriel, Fleetwood Mac and Stevie Wonder, the Drum Computer became a bourgeois must-have object, and was quickly put to use in hit records from the Human League, Gary Numan, and, most notably, Prince.

This Linn LM-1 was used in Queen's 1982 album Hot Space. It can clearly be heard in the songs Body Language and Staying Power. The Programming for the LM-1 was done by Roger Taylor. You can see in the promotional photos of guitarist Brian May presenting the LM-1 (of which he hated)

In the Kreativsound article "Chemical Brothers – Tom Rowlands – In Studio," The Chemical Brothers discuss using the Linn Electronics LM-1 Drum Computer to approach music creation on a more instinctive level.

Quote from Zoolook album (1984) booklets (cd and vinyl): "... Keyboard and electronic devices: Fairlight CMI, Emulator, Moog 55, ARP 2600, DX7, Prophet V, OBXA, AMS, Simmons SDS V, Matrisequencer, AKS, EMS Vocoder, Eminent, Doctor Click, Linn 1, Linn 2 ..."

More information at https://en.wikipedia.org/wiki/Zoolook

"Ah yes, another thing we haven't used much. The snare in 'Night by Night' is a sample of this. But somewhat like the Minimoog, it's almost too ubiquitous. When you start using it you recognize that. What's really amazing about the LinnDrum is that we haven't really ever used it. P has it just to have it for the archives. What's amazing about the LinnDrum is, well obviously the sounds because you hear them like you do in a Prince record, but also it's the internal sequencer because you have that groove that's just like the Prince - that kind of internal swing. You can't really recreate that with anything else. But we don't sequence on those machines, we use an old-school 90s computer sequencer. So we have our own - just have our own groove, as cheesy as that sounds."

On the 1986 album Electric Cafe:

• a Linn LM-1 Drum Machine was used on album Electric Cafe but only on the first 2 tracks (Boing Boom Tschak, Tecno Pop) and then on the title track (Electric Cafe).

In this article (originally published in Keyboard magazine), a Linn LM-1 drum computer is listed among Vangelis’ gear.

Stevie Wonder is mentioned as an early user of the Linn LM-1 Drum Computer in this article from "The Guardian".

Who uses them? The LM-1 was elite gear. Only 525 machines were ever made, and inventor Roger Linn managed to flog them by dragging around a little cardboard-box prototype to showbiz parties. Notching up pre-orders with Peter Gabriel, Fleetwood Mac and Stevie Wonder, the Drum Computer became a bourgeois must-have object, and was quickly put to use in hit records from the Human League, Gary Numan, and, most notably, Prince.

According to an article by Ethan Hein on MusicRadar titled "This track is an undeniable banger, but it’s also extremely weird": The borrowed hooks and unstable grooves behind Michael Jackson's Wanna Be Startin' Somethin', Michael Jackson programmed the beat on a Linn Electronics LM-1 Drum Computer.

Used on Monster, as specified in Herbie Hancock’s Electronic Instrument Glossary from September 14, 2016.

Linn LM-1 – This was the first drum machine to use digital samples of real drums and also had the ability to be programmed. This was used by Herbie on his 1980 album Monster.