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Description
Per Linn's original brochure @ time of launch:
REAL DRUMS AT YOUR FINGERTIPS
Here's the most amazing rhythm machine ever – the new LM-1 Drum Computer from Linn Electronics.
Amazing because it has real drum sounds–not synthesized noises, but real drums, digitally recorded and stored in memory.
And it's programmable
You put in your own drumbeats in real time.
Odd time signatures ? No problem.
Your timing's a little off? No problem.
The LM-1 under-stands and corrects the error.
But music isn't just drum-beats.
The LM-1 can be programmed to play all parts of a song – intro, verses, lead-ins, fills, endings, etc... And it can overdub to tape.
Surprisingly easy to operate The LM-1 was created for musicians, not technicians.
Take it out of the box, hook it up, and it's ready to play.
You'll be laying down top-notch rhythm tracks in a matter of minutes.
But it doesn't have to end there. The more you work with it, the more it can do.
The possibilities are endless.
FEATURES
- Real Drum Sounds—digital recordings stored in computer memory
- 12 Drums: bass, snare, hi hat, cabasa, tambourine, two toms, two congas, cowbell, clave, and hand claps!
- All drums tunable in pitch
- 13 input Stereo Mixer
- Separate Outputs
- 100 Drumbeats—all programmable in real time
- Automatic error correction in programming
- "Human" Rhythm Feel made possible by special timing circuitry.
- Able to program flams, rolls, build-ups, open and closed hi hat, etc.
- Programmable dynamics
- Any time signature possible
- Plays Entire Song (intro, verse, chorus, fills, ending, etc.)
- All programmed parts remain in memory when power is off.
- Readout of speed in beats-per-minute
- Versatile editing
- Programmed data may be stored on cassette tape to be loaded back in later
- May be synced to tape
- Easy to understand and operate
Product specs
| Brand | Linn |
| Model | LM-1 Drum Computer |
| Finish | Black |
| Year | 1980s |
| Made In | United States |
| Categories | Drum Machines |
| Analog / Digital | Digital |
| Polyphony | 12 Voices |
FAQs
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What makes the Linn Electronics LM-1 Drum Computer unique compared to other drum machines?
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The Linn Electronics LM-1 Drum Computer is notable for being the first drum machine to use digital samples of real drums, providing a more realistic sound compared to analog counterparts. It also allows for programmable rhythms, making it a pioneering piece of equipment in the 1980s music production.
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How many voices of polyphony does the Linn LM-1 Drum Computer offer?
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The Linn LM-1 Drum Computer features 12 voices of polyphony, allowing for the simultaneous playback of multiple drum sounds, which was groundbreaking at the time of its release.
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Is the Linn LM-1 Drum Computer suitable for live performances?
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Yes, the Linn LM-1 Drum Computer is suitable for live performances. Its programmability and ability to produce realistic drum sounds made it a favorite among artists for both studio and live settings.
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What type of sounds can I expect from the Linn LM-1 Drum Computer?
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The Linn LM-1 Drum Computer offers digital samples of acoustic drum sounds, including kick, snare, toms, hi-hats, and cymbals, providing a rich and authentic drum sound palette that was revolutionary in the 1980s.
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Which famous artists have used the Linn LM-1 Drum Computer in their music?
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The Linn LM-1 Drum Computer has been famously used by artists such as Prince, who incorporated it into hits like "1999" and "Purple Rain," as well as The Human League in "Don't You Want Me," showcasing its significant impact on popular music.
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Linn Electronics LM-1 Drum Computer.
Features and functionality
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The LM-1's downtuned rimshot is iconic, heavily associated with Prince's sound and often used for its distinctive 80s vibe.
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The Luma1 has purple boards, a detail that Roger Linn believes would have been favored by Prince, a known LM-1 enthusiast.
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The LM-1's hi-hat sound is generated by a random slice of the open hi-hat sample, shaped by an envelope for a unique, non-repetitive sound.
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The LM-1 uses a computer that cycles the sequencer first, similar to the TR808, resulting in a tighter performance feel.
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Use cases and applications
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The Linn LM-1 was pivotal in creating the "80s sound," heavily featured on Prince's albums like Purple Rain, 1999, and Sign O’ The Times.
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User experience
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Users find the LM-1 easier to operate than the original TR909, though complex rhythms require meticulous programming and additional effects.
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Potential buyers express disappointment in the Luma1's high cost, which makes it inaccessible for many working-class musicians, driving interest towards more budget-friendly options.
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Value and pricing
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The Luma1's $5k price point is a major barrier for many enthusiasts, pushing them towards more affordable alternatives like the Behringer LmDrum.
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Comparisons
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Some users compare the drum sounds on Gary Numan's "Dance" and "I, Assassin" albums to the LM-1, noting similarities to Prince's sound.
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Critic Reviews
4.5 out of 5
Based on 0 Reviews and 6 Ratings
Artist usage
Add artist
In this Instagram photo, Greenwald can be seen playing the Linn LM-1 and Korg modular synth.
In Noah Attard's track on Spotify, the drum sounds are reminiscent of the Linn Electronics LM-1 Drum Computer, suggesting he may use a plugin emulating this iconic drum machine, as the original units are rare.
From Modern Drummer magazine:
Tools of the Trade
Back in the day, Bobby Z played a Ludwig kit with Black Simmons SDSV pads, a Simmons SDSV module, a Linn LM-1 drum machine, two black Pearl Syncussion pads, two Pearl Syncussion modules, and Zildjian cymbals (14″ hi-hats, 16″ and 18″ crashes, 20″ ride). Today he plays DW drums, and all loops and sounds are fired from a Roland SPD-SX multipad. Like his original Ludwig kit, Bobby’s current DW features a 14″ tom, an 18″ floor tom, and a 22″ bass drum. He still plays Zildjian cymbals.
Also referenced at http://guitarcloud.org/equipment/linn-lm-1.
Tom Coster is credited with programming the Linn Electronics LM-1 Drum Computer on his solo album "T.C.", as documented on Discogs.
"I try to keep plug-ins to a minimum if I can, and prefer to use samples for as much as possible where I can. For Unflesh, I wrote, recorded and produced everything at home, then took it to an analogue studio in London called MemeTune to work with Benge on bringing some aspects out of the digital realm and into another dimension for extra production and mixing. We replaced a lot of the digital parts with real hardware, mostly vintage synths and effects units like the CS80, Linn-1, and Roland SDD-320 Dimension D Chorus.
Album Usage
The Linn Electronics LM-1 Drum Computer has been featured on the following albums:
Even As We Speak: The Music of David Van Tieghem
David Van Tieghem (2025)
Zoolook
Jean Michel Jarre (2015)
Unflesh
Gazelle Twin (2014)
Cause and Effect
Steve Smith & Tom Coster & Larry Coryell (1998)
Songs From The Big Chair
Tears for Fears (1985)
A Cappella
Todd Rundgren (1985)
Shout
Devo (1984)
Purple Rain
Prince & Prince (1984)
Oblivion
Utopia & Todd Rundgren (1983)
The Hurting
Tears for Fears (1983)
The Ever Popular Tortured Artist Effect
Todd Rundgren (1982)
The Luxury Gap
Heaven 17 (1982)
Hot Space
Queen (1982)
Peter Gabriel 4: Security (Remastered Version)
Peter Gabriel (1982)
Oh No! It's Devo
Devo (1982)
1999
Prince & Prince (1982)
Penthouse And Pavement
Heaven 17 (1981)
New Traditionalists
Devo (1981)
Monster
Herbie Hancock (1980)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Linn Electronics LM-1 Drum Computer, it is most commonly used with the following gear.
Community setups
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Add recommendation1 alternative for Linn Electronics LM-1 Drum Computer, curated by the Equipboard community.
VProm is a thorough, loving-detailed software emulation of the original LM-1. Even though the LM-1 is sample-based, the way its crunchy 8-bit samples were pitched up/down can't be emulated by a modern sampler. VProm models the unique behavior and sonic signature of the LM-1s original sample playback engine, while also allowing you to load ROM images of other 8-bit drum machines of the era that utilized the same basic 8-bit architecture, such as the EMU Drumulator and DMX.
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